{"id":7928,"date":"2013-07-01T02:00:00","date_gmt":"2013-07-01T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/07\/01\/economia-de-l-art\/"},"modified":"2013-07-01T02:00:00","modified_gmt":"2013-07-01T02:00:00","slug":"economia-de-l-art","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/economia-de-l-art\/","title":{"rendered":"Econom\u00eda de l&#8217;art"},"content":{"rendered":"<p>El tema de l&#8217;exposici\u00f3 de l&#8217;estiu al <a href=\" http:\/\/en.mocak.pl\/economics-in-art-eng\">Museu d&#8217;Art Contemporani de Crac\u00f2via (MOCAK) <\/a> no \u00e9s precisament lleuger.  Comissariada per Monika Koziol, Delfina Piekarska i Maria Anna Potocka, <em>Economia de l&#8217;art<\/em> es proposa analitzar aspectes com els possibles di\u00e0legs entre art i economia, la depend\u00e8ncia de l&#8217;art del mercat o com es defineix el valor en art. El resultat \u00e9s una exposici\u00f3 que reuneix treballs de trenta-cinc artistes, entre els quals trobem un estudiat equilibri entre noms de refer\u00e8ncia, com Joseph Beuys, Antoni Muntadas, Alfredo Jaar, Andreas Gursky, Santiago Sierra o Rirkrit Tiravanija; una bona representaci\u00f3 de la escena art\u00edstica polonesa (Rafal Bujnowski, Oskar Dawicki, Pola Dwurnik) i altres artistes ben actius en l&#8217;escena internacional, com Dan Perjovschi, Christoph B\u00fcchel, Leopold Kessler, Michael Landy o Jota Castro, entre d&#8217;altres.<\/p>\n<p><iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"http:\/\/www.youtube.com\/embed\/-10sbj9OqUc\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Si fa deu anys el Museu Ludwig de Col\u00f2nia en el projecte <em>Economia del temps<\/em> proposava un tema semblant per\u00f2 molt m\u00e9s acotat i concret: l&#8217;ambig\u00fcitat de les nocions de producci\u00f3 i efectivitat en art, <em>Economia de l&#8217;art<\/em> posa de nou en evid\u00e8ncia com l&#8217;exposici\u00f3 segueix sent un problema per als projectes de tesi i, com passa massa sovint, s&#8217;acaba convertint en un mostrari de possibilitats d\u2019all\u00f2 que el cat\u00e0leg acaba explorant m\u00e9s a fons. En aquest cas, l&#8217;exposici\u00f3 apunta diversos temes i aproximacions, dels quals n\u2019esmentarem nom\u00e9s alguns: l&#8217;anotaci\u00f3 &#8220;Kunst-Kapital&#8221; escrita en un bitllet de 10 marcs per Joseph Beuys (i reinterpretat anys m\u00e9s tard per Alfredo Jaar); el temps que triguen a desapar\u00e8ixer $ 1000 despr\u00e9s de successius canvis de moneda (Antoni Muntadas); la destrucci\u00f3 de totes les pertinences de l&#8217;artista plantejada com una cadena de producci\u00f3 (Michael Landy); la subhasta a <em>ebay<\/em> de la participaci\u00f3 art\u00edstica a la biennal <em>Manifesta<\/em> (Christoph B\u00fcchel); un programa de telebotiga en qu\u00e8 es venen obres d&#8217;art (Christian Jankowski), o l&#8217;actualitat comentada mitjan\u00e7ant dibuixos tan directes com precisos (Dan Perjovschi).<\/p>\n<p>L&#8217;exposici\u00f3 \u00e9s convencional en relaci\u00f3 al que mostra i com ho mostra. Inclou diverses propostes relacionades amb el paper moneda per\u00f2 no, per exemple, el <em><a href=\" http:\/\/e-flux.com\/timebank\/\">Time Bank<\/a><\/em> iniciat per Anton Vidokle, que \u00e9s una proposta real d&#8217;un altre tipus d&#8217;economia, tan alternativa com antiga, basada en l&#8217;intercanvi. I si pensem en propostes idiosincr\u00e0tiques que q\u00fcestionen l&#8217;economia de l&#8217;art d&#8217;una manera real, trobem a menys de 100 km del Museu d&#8217;Art Contemporani de Crac\u00f2via, <em>Bury Mis<\/em>; l&#8217;estudi d&#8217;un artista-dissenyador-inventor, independent de galeries i mercats, que recull tant l&#8217;her\u00e8ncia de Schwitters i la seva <em>Merzbau<\/em> com les idees de <em>Monte Verit\u00e0<\/em>, tan apreciades per Harald Szeemann.<\/p>\n<p><img decoding=\"async\" class=\" alignleft size-full wp-image-7884\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2013\/07\/Bury_Mis.jpg\" alt=\"Bury_Mis.jpg\" align=\"left\" width=\"670\" height=\"499\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/07\/Bury_Mis.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2013\/07\/Bury_Mis-537x400.jpg 537w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><\/p>\n<p>Per\u00f2 tornant al cat\u00e0leg de l&#8217;exposici\u00f3, \u00e9s el text del periodista i escriptor Edwin Bendyk &#8220;La faula de les abelles: els dividends art\u00edstics i l&#8217;economia de Warhol&#8221; el que centra el tema i amplia l&#8217;\u00e0mbit de reflexi\u00f3 m\u00e9s enll\u00e0 de les arts visuals. Segons Bendyk, la tradicional teoria del valor no sintonitza b\u00e9 amb els artistes, llevat que aquests estiguin directament relacionats amb un treball productiu, \u00e9s a dir, creant valor al mercat. No obstant aix\u00f2, a partir de la noci\u00f3 d&#8217;economia de la singularitat (que va m\u00e9s enll\u00e0 del valor objectiu perqu\u00e8 t\u00e9 en compte altres factors i contribucions), l&#8217;art i la cultura haurien de ser tractats seguint l&#8217;exemple de les abelles que narra l&#8217;economista franc\u00e8s Yann Moulier Boutang en el seu llibre <em>L&#8217;abeille et l&#8217;Economiste<\/em>, de manera que el valor del treball de les abelles no vindria determinat per la producci\u00f3 de mel, sin\u00f3 per les conseq\u00fc\u00e8ncies de la seva feina pr\u00e8via amb les flors. &#8220;<em>Desafortunadament<\/em>&#8220;, conclou Bendyk, &#8220;<em>la l\u00f2gica del capitalisme ha impedit que els camps de l&#8217;art i la cultura es converteixin en un espai per a la inversi\u00f3 que expandeixi el prat on les abelles puguin treballar de forma creativa<\/em>&#8220;.<\/p>\n<p>L&#8217;exemple de les abelles enlla\u00e7a perfectament amb un llibre de l&#8217;artista Antonio Ortega, recentment publicat i <a href=\" http:\/\/www.a-desk.org\/highlights\/Antonio-Ortega-adaptarse-al-medio.html\">comentat aqu\u00ed per Gloria Guirao<\/a>, no nom\u00e9s pel gust d&#8217;Ortega en il\u00b7lustrar les seves teories amb exemples, sin\u00f3 perqu\u00e8 a <em>Demagogia y propaganda en arte<\/em>, l&#8217;economia de l&#8217;art \u00e9s un dels temes centrals, en aquest cas des del punt de vista del paper determinant de la instituci\u00f3.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El tema de l&#8217;exposici\u00f3 de l&#8217;estiu al Museu d&#8217;Art Contemporani de Crac\u00f2via (MOCAK) no \u00e9s precisament lleuger. Comissariada per Monika Koziol, Delfina Piekarska i Maria Anna Potocka, Economia de l&#8217;art&#8230;<\/p>\n","protected":false},"author":1239,"featured_media":7884,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Econom\u00eda de l&#039;art &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/economia-de-l-art\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Econom\u00eda de l&#039;art &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"El tema de l&#8217;exposici\u00f3 de l&#8217;estiu al Museu d&#8217;Art Contemporani de Crac\u00f2via (MOCAK) no \u00e9s precisament lleuger. 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