{"id":7935,"date":"2013-07-05T02:00:00","date_gmt":"2013-07-05T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/07\/05\/tobias-zielony-el-nou-larry-clark\/"},"modified":"2013-07-05T02:00:00","modified_gmt":"2013-07-05T02:00:00","slug":"tobias-zielony-el-nou-larry-clark","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/tobias-zielony-el-nou-larry-clark\/","title":{"rendered":"Tobias Zielony: el nou Larry Clark"},"content":{"rendered":"

\"Zielony
\nTobias Zielony (1973, Wuppertal) s’ha guanyat una posici\u00f3 digna al m\u00f3n de l’art a for\u00e7a de fotografiar durant m\u00e9s d’una d\u00e8cada a joves marginals que localitza a les perif\u00e8ries urbanes dels ‘Estats del Benestar’ occidentals. Marsella, N\u00e0pols, Winnipeg, Manitoba. Deixeble de Timm Rautert, \u00e9s el nen mimat de la cr\u00edtica i p\u00fablic, que pel que sembla han quedat fascinats amb el seu estil documental.<\/p>\n

L’obra de Zielony segueix l’estela desenvolupada per Larry Clark als 70 -o Nan Goldin als 80-, amb la particularitat que ell no pertany als grups que fotografia. El seu m\u00e8tode rau en el contacte personal amb aquest peculiar tipus de joventut globalitzada, en l\u2019escena de la qual s’introdueix durant mesos. La seva t\u00e8cnica sembla imperfecta i remet a una mirada amateur. El seu respectu\u00f3s enfoc personal i \u00edntim, que gravita entre la dist\u00e0ncia i la proximitat, propicia un context narratiu sense assenyalar v\u00edctimes.<\/p>\n

M\u00e9s que documentar el comportament i estil de vida, li interessa observar com es desenvolupa aquest jovent a l’espai p\u00fablic. No sol planificar els seus temes, de vegades en t\u00e9 prou amb un impuls. El seu m\u00e8tode aplica l’observaci\u00f3 participativa pr\u00f2pia de la sociologia i l’estudi etnol\u00f2gic de les accions i comportaments d’un individu o grup. El seu treball aporta context socio-geogr\u00e0fic: la veritable realitat on viuen.<\/p>\n

La Berlinische Galerie<\/a> presenta fins al 30 de setembre el seu \u00faltim projecte “Jenny Jenny” (2011-2013) amb dos projeccions i 18 fotos de la seva coneguda s\u00e8rie “Trona” (2008), ciutat industrial empobrida propera a Los Angeles. Per a aquesta s\u00e8rie de 40 fotos, Zielony va fotografiar sis joves prostitutes ocasionals als voltants de Kurf\u00fcrstenstrasse o a les seves habitacions. Imatges que mostren curiositat, i no prejudici. Fotos que d’alguna manera ressusciten l’anti-mite Christiane F.<\/p>\n

Zielony observa les circumst\u00e0ncies individuals i personals d’aquestes dones a trav\u00e9s d’enquadraments mitjans, primers plans, detalls i fragments que usa en retrats, paisatges urbans o interiors. L’escassa llum artificial que troba en els seus escenaris (fanals carrer, pantalles enceses) li permet obtenir una qualitat de colors, ombres i contrastos marcats que no obtindria en format digital.<\/p>\n

El fot\u00f2graf els d\u00f3na l’oportunitat de representar davant el m\u00f3n en el seu propi escenari, amb les seves poses espont\u00e0nies, com a elles els agradaria veure o ser vistes. Aix\u00ed contribueix a aquesta auto-projecci\u00f3 dels protagonistes de les seves fotografies, on l’objectivitat i l’autenticitat del subjecte queden en entredit. Segons les seves pr\u00f2pies paraules, la revelaci\u00f3 de la veritable ess\u00e8ncia d’una persona o un moment \u00e9s un mite: ning\u00fa queda lliure de l’escenificaci\u00f3, aspecte decisiu en el seu treball que connecta amb la nova estrat\u00e8gia de l’estil documental -predominant en la fotografia art\u00edstica actual- que difereix del seu desenvolupat en els setanta.<\/p>\n

Aquella vessant -associada a causes socials i pol\u00edtiques, encunyada pel seu precursor Walker Evans el 1971- es va vincular al fotoperiodisme fins que va caure en desgr\u00e0cia quan va comen\u00e7ar a q\u00fcestionar la seva objectivitat. No obstant aix\u00f2, el g\u00e8nere va ressuscitar en els vuitanta per experimentar un boom en el nou mil\u00b7lenni, sobretot en els museus, m\u00e9s que en els mitjans.<\/p>\n

L’estil documental vigent en fotografia reflecteix una realitat fragmentada que difumina les fronteres entre la veritat i la ficci\u00f3. Recorre a una nova estrat\u00e8gia que introdueix certs elements (postura, llum artificial, escenificaci\u00f3, atmosfera) fins a assolir aquest grau de realitat ficcionada que s’atribueix a una nova generaci\u00f3 de fot\u00f2grafs marcada per la cultura pop i medi\u00e0tica, l’univers visual dels vuitanta i noranta de v\u00eddeos musicals, revistes i Internet, a la qual Zielony pertany.<\/p>\n

Aquest ros desmanegat de metre noranta, pell rosada i cos de bossa d’aigua \u00e9s una de les figures m\u00e9s representatives de la fotografia alemanya contempor\u00e0nia. Vesteix una samarreta vella i fosca i bossa de roba penjada a l’espatlla. Estil Berl\u00edn, on resideix i treballa. El seu curr\u00edculum est\u00e0 quallat de beques, premis i \u2018solo exhibitions\u2019 pr\u00e0cticament des que va finalitzar la seva formaci\u00f3 l\u2019any 2006, o fins i tot d’abans.<\/p>\n","protected":false},"excerpt":{"rendered":"

Tobias Zielony (1973, Wuppertal) s’ha guanyat una posici\u00f3 digna al m\u00f3n de l’art a for\u00e7a de fotografiar durant m\u00e9s d’una d\u00e8cada a joves marginals que localitza a les perif\u00e8ries urbanes…<\/p>\n","protected":false},"author":1291,"featured_media":7906,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nTobias Zielony: el nou Larry Clark – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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