{"id":7983,"date":"2013-07-17T02:06:00","date_gmt":"2013-07-17T02:06:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/07\/17\/4d-printer-el-text-a-l-era-de-l\/"},"modified":"2013-07-17T02:06:00","modified_gmt":"2013-07-17T02:06:00","slug":"4d-printer-el-text-a-l-era-de-l","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/4d-printer-el-text-a-l-era-de-l\/","title":{"rendered":"“4D Printer”: el text a l’era de l’edici\u00f3 i la interacci\u00f3 virtuals"},"content":{"rendered":"

\"4D
\nAix\u00ed com els canvis tecnol\u00f2gics en els aparells cinematogr\u00e0fics han canviat al llarg de la hist\u00f2ria les maneres com es fa i s’ent\u00e9n el cine, tamb\u00e9 els desenvolupaments t\u00e8cnics en aquelles eines que afecten a l’acci\u00f3 d’escriure han de deixar alguna mena de marca en el resultat. Com afecta l’era digital als estils d’escriptura? Les noves tecnologies poden servir per expandir les possibilitats del llenguatge?<\/p>\n

El passat 4 de juliol s’inaugurava \u2018The Pool Exhibition\u2019 <\/a> a la Goldsmiths University de Londres, on es mostraven treballs dels estudiants. Cinc plantes i dues piscines plenes d’obres durant cinc dies. Per evitar perdre’m en el c\u00e0lcul de les ganes que li falten a la Universitat de Barcelona per arribar a fer una cosa aix\u00ed, vaig centrar l’atenci\u00f3 en el que passava a la planta ocupada pel departament d’ \u201cArt Writing\u201d amb l’obra \u20184D Printer\u2019. Les artistes Hannah Black, Kati Karki, Kyka Kordaski, Beatrice Loft Schulz i Mary Rinebold estaven assegudes al voltant d’una taula, amb un port\u00e0til i un document compartit de Google Drive obert. Tamb\u00e9 a la taula: una impressora i un projector que permetia al p\u00fablic veure qu\u00e8 hi passava dins el document. A la mateixa sala, quatre actors esperant.<\/p>\n

Segons un horari, a aquella hora l’artista Daniel Rourke era el convidat, que va donar les seg\u00fcents instruccions a les noies: nom\u00e9s podeu retallar i enganxar; no utilitzareu el control copiar ni eliminar; no escriureu cap paraula nova, sols podreu demanar una paraula a cada membre del p\u00fablic i aquestes les podreu fer servir tant com vulgueu; podeu retallar paraules de guions escrits en altres sessions. Les noies havien de seguir aquestes pautes per editar el gui\u00f3 d’una escena de la s\u00e8rie “My So Called Life”. Al cap de 20 minuts van imprimir una c\u00f2pia del resultat per a cada actor, que el llegirien en veu alta. En acabar, entrava Maija Timonen, tamb\u00e9 artista convidada, per donar noves instruccions sobre l’edici\u00f3 del gui\u00f3 de la seg\u00fcent escena.<\/p>\n

En aquest joc d’escriure renovant el que ja est\u00e0 escrit, es produ\u00efa una desentesa total de la responsabilitat de les ‘escriptores’, que a m\u00e9s de treballar sobre un text apropiat, demanaven a una tercera persona que els orden\u00e9s com fer-ho. Aix\u00ed, qualsevol nova autoritat quedava en mans d’aquest tercer i les noies s’alliberaven de la seva pr\u00f2pia veu, per m\u00e9s que l’enginy personal tamb\u00e9 afect\u00e9s l’estil de cada resultat.<\/p>\n

L’interessant de la tasca de Rourke \u00e9s, d’una banda, que tamb\u00e9 responsabilitza l’espectador, ja que la paraula que aquest doni es repetir\u00e0 indefinidament pel text, com un mot comod\u00ed que desvetllar\u00e0 una nova actitud en el gui\u00f3; d’altra banda, que el llenguatge es vegi redu\u00eft a les accions de retallar i enganxar per acabar composant un collage net i aparentment simple de combinacions complexes.<\/p>\n

Comen\u00e7ava apuntant que les tecnologies suposen canvis essencials en l’escriptura i “4D Printer” n’\u00e9s un exemple. Aqu\u00ed desapareix la figura de l’autor per trobar-nos amb la dels editors d’un text que es podria renovar eternament sense ni deixar rastre d’aquests canvis. Els editors es troben immersos en un joc d’intercanvi d’autoritat constant alhora que confeccionen resultats ef\u00edmers que no tenen cap pes sobre la l\u00ednia temporal, ja que s’escriuen, s’eliminen o es traslladen sense tenir temps per ser comprovats en la coher\u00e8ncia total del text. El treball simultani d’un col\u00b7lectiu sobre un \u00fanic suport concret tamb\u00e9 supera la dimensi\u00f3 temporal del text i \u00e9s el l\u00edmit que s’auto-imposa el grup all\u00f2 que marca el final de l’edici\u00f3. En aquests jocs, les dreceres que ens permeten activar controls en l’edici\u00f3 d’un text mitjan\u00e7ant el teclat de l’ordinador s\u00f3n nous elements ling\u00fc\u00edstics que sumen possibilitats. Per \u00faltim, la interpretaci\u00f3 passa a mans d’uns altres subjectes que, en llegir-lo en veu alta per a una audi\u00e8ncia, es converteixen en nous responsables que segueixen l’edici\u00f3 per mitj\u00e0 d’altres formes. <\/p>\n

Si en el que Walter Benjamin a l’era de la reproductibilitat t\u00e8cnica<\/em> ja definia un punt d’inflexi\u00f3 brutal en les formes de distribuci\u00f3 i en termes conceptuals de l’obra d’art, aquests aspectes segueixen subjectes a canvis quan podem suposar que ens trobem en una era de moltes coses per\u00f2 entre elles, de l’edici\u00f3 i interacci\u00f3 virtuals.<\/p>\n","protected":false},"excerpt":{"rendered":"

Aix\u00ed com els canvis tecnol\u00f2gics en els aparells cinematogr\u00e0fics han canviat al llarg de la hist\u00f2ria les maneres com es fa i s’ent\u00e9n el cine, tamb\u00e9 els desenvolupaments t\u00e8cnics en…<\/p>\n","protected":false},"author":1259,"featured_media":7958,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n"4D Printer": el text a l'era de l'edici\u00f3 i la interacci\u00f3 virtuals – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/4d-printer-el-text-a-l-era-de-l\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""4D Printer": el text a l'era de l'edici\u00f3 i la interacci\u00f3 virtuals – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Aix\u00ed com els canvis tecnol\u00f2gics en els aparells cinematogr\u00e0fics han canviat al llarg de la hist\u00f2ria les maneres com es fa i s’ent\u00e9n el cine, tamb\u00e9 els desenvolupaments t\u00e8cnics en...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/4d-printer-el-text-a-l-era-de-l\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2013-07-17T02:06:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/07\/photo_1_.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"503\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Anna Dot\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"Anna Dot\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuts\" \/>\n\t<meta name=\"twitter:label3\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data3\" content=\"Anna Dot\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/4d-printer-el-text-a-l-era-de-l\/\",\"url\":\"https:\/\/a-desk.org\/ca\/magazine\/4d-printer-el-text-a-l-era-de-l\/\",\"name\":\"\\\"4D Printer\\\": el text a l'era de l'edici\u00f3 i la interacci\u00f3 virtuals – A*Desk\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/4d-printer-el-text-a-l-era-de-l\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/4d-printer-el-text-a-l-era-de-l\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/07\/photo_1_.jpg\",\"datePublished\":\"2013-07-17T02:06:00+00:00\",\"dateModified\":\"2013-07-17T02:06:00+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/f8b84f831b44cd7f8cb3e1d9b25aa629\"},\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/4d-printer-el-text-a-l-era-de-l\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/ca\/magazine\/4d-printer-el-text-a-l-era-de-l\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/4d-printer-el-text-a-l-era-de-l\/#primaryimage\",\"url\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/07\/photo_1_.jpg\",\"contentUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/07\/photo_1_.jpg\",\"width\":670,\"height\":503,\"caption\":\"4D Printer - 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