{"id":7989,"date":"2013-07-27T02:00:00","date_gmt":"2013-07-27T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/07\/27\/vergonya-i-culpa-a-la-casa\/"},"modified":"2013-07-27T02:00:00","modified_gmt":"2013-07-27T02:00:00","slug":"vergonya-i-culpa-a-la-casa","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/vergonya-i-culpa-a-la-casa\/","title":{"rendered":"“Vergonya” i culpa a la Casa Encendida de Madrid"},"content":{"rendered":"

\"Verg\u00c3\u00bcenza
\nEn un m\u00f3n com en el que vivim, en el que els nostres actes i imatges estan tan exposats tant als nostres coneguts com als que no ho s\u00f3n, l’assumpte de la vergonya apareix davant nostre com un concepte allunyat de les pr\u00e0ctiques que es donaven al segle passat. A aix\u00f2 se li uneixen els diferents contextos culturals que el mateix terme t\u00e9 en funci\u00f3 de la societat en qu\u00e8 es trobi: no \u00e9s el mateix sentir vergonya per a un europeu que per a un japon\u00e8s, posem per cas. Fins i tot entre els parlants de llengua hispana hi ha difer\u00e8ncies, un mexic\u00e0 no parlar\u00e0 de vergonya sin\u00f3 de pena.<\/p>\n

Per\u00f2, llavors, malgrat totes aquestes dist\u00e0ncies, qu\u00e8 \u00e9s el que t\u00e9 aquest sentiment aparentment com\u00fa a tots nosaltres? Sembla que transcend\u00e8ncia, i aix\u00ed ho ha ent\u00e8s Ana Ara, comiss\u00e0ria, que ens proposa a la Casa Encendida de Madrid la mostra \u00abVerg\u00fcenza\u00bb, un acostament a aquest tema des del punt de vista metaf\u00edsic, en el sentit del que som atemporalment. El projecte es troba dins dels treballs guanyadors de la dotzena edici\u00f3 del certamen \u00abIn\u00e9ditos\u00bb -convocat\u00f2ria que fomenta la inserci\u00f3 dels joves comissaris en els circuits professionals de l’art- i en ell Ara reuneix obres dels artistes J\u00e9r\u00f4me Bel, Andrea B\u00fcttner, Meiro Koizumi, Gregor Kuschmirz, Julika Rudelius i Manuel Saiz, a m\u00e9s de la projecci\u00f3 de la pel\u00b7l\u00edcula \u00abLa Cabina\u00bb d’Antonio Mercero.<\/p>\n

Totes les obres se serveixen del cos, podr\u00edem dir del propi \u00e9sser, com a eix sobre el qual es desenvolupa el concepte de vergonya excepte en dues: \u00abThe Universal Denunciation of Human Privileges\u00bb (2012) de Manuel Saiz, i \u00abThe Shy Camera\u00bb (2007) de Gregor Kuschmirz. La primera planteja la indefinici\u00f3 dels Drets Universals Humans quan apareix en escena el nostre cos, mentre que la segona trasllada la vergonya al m\u00f3n de la tecnologia. Potser per aix\u00f2 siguin les m\u00e9s interessants, perqu\u00e8 ens presenten una noci\u00f3 de vergonya, podr\u00edem dir, col\u00b7lectiva. Les dues ens parlen de la dimensi\u00f3 pol\u00edtica d’aquest sentiment que, com la mateixa Ana Ara indica al cat\u00e0leg de la mostra, ve donada per una perspectiva contempor\u00e0nia de la vergonya en situar-la en un context temporal. No obstant aix\u00f2, no \u00e9s aquesta la intenci\u00f3 de la mostra, la qual pret\u00e9n allunyar-se de la c\u00e0rrega moralista, per tal d’establir una clara difer\u00e8ncia entre vergonya i culpa, entre el que som i el que fem, tot i que en ocasions no es pugui definir de manera f\u00e0cil la l\u00ednia de separaci\u00f3.<\/p>\n","protected":false},"excerpt":{"rendered":"

En un m\u00f3n com en el que vivim, en el que els nostres actes i imatges estan tan exposats tant als nostres coneguts com als que no ho s\u00f3n, l’assumpte…<\/p>\n","protected":false},"author":1284,"featured_media":7962,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n"Vergonya" i culpa a la Casa Encendida de Madrid – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/vergonya-i-culpa-a-la-casa\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Vergonya" i culpa a la Casa Encendida de Madrid – A*Desk\" \/>\n<meta property=\"og:description\" content=\"En un m\u00f3n com en el que vivim, en el que els nostres actes i imatges estan tan exposats tant als nostres coneguts com als que no ho s\u00f3n, l’assumpte...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/vergonya-i-culpa-a-la-casa\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2013-07-27T02:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/07\/Verguenza_-_Ineditos.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"496\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Susana G. 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