{"id":8091,"date":"2013-08-12T02:00:00","date_gmt":"2013-08-12T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/08\/12\/jouko-lehtola-al-kiasma-helsinki\/"},"modified":"2013-08-12T02:00:00","modified_gmt":"2013-08-12T02:00:00","slug":"jouko-lehtola-al-kiasma-helsinki","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/jouko-lehtola-al-kiasma-helsinki\/","title":{"rendered":"Jouko Lehtola al Kiasma. Helsinki, Finl\u00e0ndia, colors i mort"},"content":{"rendered":"<p><img decoding=\"async\" class=\" alignleft size-full wp-image-8049\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2013\/08\/jouko-lehtola-yle-620.jpg\" alt=\"jouko-lehtola-yle-620.jpg\" align=\"left\" width=\"670\" height=\"357\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/08\/jouko-lehtola-yle-620.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2013\/08\/jouko-lehtola-yle-620-595x317.jpg 595w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><\/p>\n<p>El color de la vida sembla cobrar un tint estrany en llocs grisos. &#8216;<a href=\"http:\/\/www.kiasma.fi\/calendar\/jouko-lehtola\">The End of Inocence&#8217;<\/a>, exposici\u00f3 dedicada a Jouko Lehtola, al Kiasma fins al 18 d&#8217;agost, t\u00e9 molt d&#8217;aix\u00f2; d&#8217;aquest to singular que emergeix del gris m\u00e9s profund, i de vida. El recorregut suggerit pel museu s&#8217;inicia amb la projecci\u00f3 d&#8217;un documental [[Riitta Riihonen, &#8216;Jouko Lehtola in Light&#8217; (2011)]] que recull els \u00faltims mesos de vida del fot\u00f2graf, atropellada com tantes altres, per un mesqu\u00ed i virulent c\u00e0ncer intractable, l\u2019any 2010. Ll\u00e0grima compartida amb el moribund mentre escolta(em) un concert de viol\u00ed privat a la seva sala d\u2019estar, poc abans de morir. Al llarg del metratge, Lehtola ha anat adquirint aquests ulls que miren des de m\u00e9s enll\u00e0 del crani. Ha anat cobrant tamb\u00e9 la seva pell un color groguenc fatal. Sensibilitat suggestionada en els seus l\u00edmits per a &#8220;entrar&#8221; finalment en obra.<\/p>\n<p>Tres espais, tres etapes de vida i obra del fot\u00f2graf finland\u00e8s. A la primera sala, una selecci\u00f3 del seu c\u00e8lebre &#8220;Young heroes&#8221;, retrats de joves finlandesos tatuats; foradats; borratxos; en concerts de \u2018metal\u2019 o no; amb els t\u00edpics rastres f\u00edsics d&#8217;una baralla amb viol\u00e8ncia. Curtes vides &#8220;lost in translation&#8221; enmig de la profunda crisi financera i estructural que va viure Finl\u00e0ndia als 90: la captura de l&#8217;exc\u00e9s -o de la vitalitat- juvenil.<\/p>\n<p>Seguint el fil de la vida de l&#8217;artista, la sala posterior ofereix una mostra d&#8217;una s\u00e8rie en qu\u00e8 aquest trasllada l&#8217;objecte de la persona al lloc; viratge provocat per un fort rev\u00e9s en la seva vida privada (el seu fillastre \u00e9s trobat mort de sobredosi -als 90 tardans- en un portal d&#8217;H\u00e8lsinki). Fi de l&#8217;exc\u00e9s, mort. Lehtola deixa de capturar les persones, incapa\u00e7 de crear objecte amb els subjectes, i pren fotografies dels llocs on aquesta necessitat de vida assol\u00ed les seves cotes m\u00e0ximes, en un moment de recerca i desencontre. Imatges d&#8217;espais en qu\u00e8 gaireb\u00e9 \u00e9s possible escoltar les xeringues caure rodant per les escales; portals tancar-se lentament. Llocs on aquests yonkis d&#8217;onada tardana van deixar les seves vides, en la seva majoria, \u2018nens b\u00e9\u2019 a la recerca d&#8217;alguna cosa m\u00e9s, en un pa\u00eds on l&#8217;alcoholisme \u00e9s una xacra tab\u00fa i les relacions personals es basen en la parquedat.<\/p>\n<p>En una tercera etapa, en qu\u00e8 Lehtola va tenir acc\u00e9s als arxius policials finlandesos, abs\u00e8ncia i mort aguditzen la seva translaci\u00f3 de l&#8217;espai a l&#8217;objecte. Tornen les persones a les fotos, per\u00f2 com a imatge d&#8217;una dada, d&#8217;un arxiu policial, sempre amb la cara tapada amb la seva pr\u00f2pia roba. Apareixen tamb\u00e9 objectes amb qu\u00e8 s\u2019ha esdevingut la mort: ganivets de tota mena; cotxes aixafats; pedres; objectes diversos re-significats en la seva qualitat de mort\u00edfers. Molta intensitat per a tan poc espai; potser encara se\u2019m faci estrany aix\u00f2 d&#8217;encarar la mort amb tant d\u2019afany, ni tan sols amb normalitat.<\/p>\n<p>En un altre moment potser hauria titllat aquest <em>display<\/em> d&#8217;aprofitat, f\u00e0cil, emotiu en exc\u00e9s (ho dic per aix\u00f2 de comen\u00e7ar plorant la mort de Lehtola). Sense cap mena de dubte, podr\u00edem q\u00fcestionar el per qu\u00e8 d&#8217;aquesta intrusi\u00f3 i suggesti\u00f3 biogr\u00e0fica, sent com \u00e9s l&#8217;obra, potent per s\u00ed mateixa. Tanmateix, en la qualitat de les seves fotos i en el seu profund valor antropol\u00f2gic i quasi costumista, testimoni incalculable d&#8217;un cert ritme i color d&#8217;un pa\u00eds i d&#8217;una \u00e8poca, em ret\u00e9 aix\u00f2 d&#8217;encarar la mort amb tantes ganes, en obra i vida -i despr\u00e9s d&#8217;ella. Una sensaci\u00f3 aquesta, que potser no hagi estat, o potser si, m\u00e8rit del Kiasma.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El color de la vida sembla cobrar un tint estrany en llocs grisos. &#8216;The End of Inocence&#8217;, exposici\u00f3 dedicada a Jouko Lehtola, al Kiasma fins al 18 d&#8217;agost, t\u00e9 molt&#8230;<\/p>\n","protected":false},"author":1269,"featured_media":8049,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jouko Lehtola al Kiasma. 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