{"id":8122,"date":"2013-08-30T02:00:00","date_gmt":"2013-08-30T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/08\/30\/arxiu-bourriaud-vs-sierra\/"},"modified":"2013-08-30T02:00:00","modified_gmt":"2013-08-30T02:00:00","slug":"arxiu-bourriaud-vs-sierra","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/","title":{"rendered":"Arxiu: Bourriaud vs. Sierra"},"content":{"rendered":"<p>Qui s&#8217;atreveix a nomenar encara l&#8217;est\u00e8tica relacional de Nicolas Bourriaud? I no obstant aix\u00f2, Santiago Sierra continua sent motiu de controv\u00e8rsia. Sense anar m\u00e9s lluny aquest any Miguel \u00c1ngel Hern\u00e1ndez Navarro ha publicat una novel\u00b7la que pren com a refer\u00e8ncia Santiago Sierra, &#8220;Intento de escapada&#8221;. L\u2019any 2008 vam publicar un article de Fab\u00edola Tasca sobre la participaci\u00f3 de Sierra en la 27 Biennal de Sao Paulo. En ell el comparava amb Bourriaud i, aix\u00ed, contraposava dues maneres de fer i pensar en art: el bon rotllet de Bourriaud versus la mala llet de Sierra. De vegades escriure sobre una exposici\u00f3 concreta pot convertir-se en el punt de partida per fer una reflexi\u00f3 que va molt m\u00e9s enll\u00e0.<\/p>\n<p><a href=\"http:\/\/www.a-desk.org\/spip\/spip.php?article572\">Bourriaud vs. Sierra. Santiago Sierra a la 27a Biennal de S\u00e3o Paulo, de Fabiola TASCA va ser publicat el 10-06-08 <\/a><br \/>\n.<br \/>\n<img decoding=\"async\" class=\" alignleft size-full wp-image-8038\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2013\/08\/arton572-8a892.jpg\" alt=\"arton572-8a892.jpg\" align=\"left\" width=\"298\" height=\"197\" \/> Descriure el treball de Santiago Sierra implica transitar per un camp sem\u00e0ntic marcat per termes com &#8220;submissi\u00f3&#8221; o &#8220;viol\u00e8ncia&#8221; entre d\u2019altres no menys inc\u00f2modes. Encara que hagi constru\u00eft laboriosament una feina que implica l&#8217;establiment de relacions entre persones -l&#8217;artista, els participants de les seves accions i els espectadors-, aquestes relacions no ofereixen una experi\u00e8ncia d&#8217;empatia. Al contrari, aquestes relacions, orquestrades estrat\u00e8gicament, ens enfronten a una proposta inc\u00f2moda i hostil, en la mesura que determinats actes de viol\u00e8ncia es presenten a l&#8217;audi\u00e8ncia com a obres d&#8217;art: projectes que impedeixen o dificulten l&#8217;acc\u00e9s a determinats locals; accions en les qu\u00e8 remunera persones per executar tasques aparentment in\u00fatils i que, moltes vegades, voregen la humiliaci\u00f3, aix\u00ed com gestos de vandalisme.<br \/>\nSierra sembla molt distant de les pr\u00e0ctiques relacionals de Nicolas Bourriaud. Tal com deixa clar la cr\u00edtica anglesa Claire Bishop, molts d&#8217;aquests treballs relacionals (Rirkrit Tiravanija, Philippe Parreno, Liam Gillick, Pierre Huyghe, Maurizio Cattelan, Vanessa Beecroft, Dominique Gonz\u00e1lez &#8211; Foster) insinuen i articulen la idea de la creaci\u00f3 d&#8217;una comunitat temporal o ut\u00f2pica. Subjacent a la teoritzaci\u00f3 entorn de l&#8217;art relacional, en el qual el treball \u00e9s considerat com una forma social capa\u00e7 de produir relacions humanes, es troba la premissa que aquestes propostes engendren experi\u00e8ncies m\u00e9s significatives que les que provoca una actitud contemplativa. Com a conseq\u00fc\u00e8ncia, els treballs s&#8217;entenen pol\u00edticament per la seva implicaci\u00f3 i per efecte emancipatori. Per\u00f2 Bishop pregunta: &#8220;quin tipus de cr\u00edtica est\u00e0 en joc aqu\u00ed? I respon: &#8220;el treball \u00e9s inclusiu i igualitari en el gest, aqu\u00ed all\u00f2 pol\u00edtic implica una idea de democr\u00e0cia&#8221;.<br \/>\nD&#8217;altra banda, la mateixa Bishop cita te\u00f2rics pol\u00edtics com Ernesto Laclau i Chantal Mouffe, que han demostrat com la inclusi\u00f3 no necess\u00e0riament equival a democr\u00e0cia. A la inversa, aquests autors comprenen que l&#8217;esfera p\u00fablica roman democr\u00e0tica nom\u00e9s en la mesura que l&#8217;exclusi\u00f3 \u00e9s tinguda en compte i est\u00e0 oberta a la contestaci\u00f3: la democr\u00e0cia no implica la desaparici\u00f3 de l&#8217;antagonisme entre les persones.<\/p>\n<p>El treball de Santiago Sierra \u00e9s exemplar d&#8217;una sofisticada elaboraci\u00f3 d&#8217;aquestes idees. Lluny de l&#8217;\u00e8mfasi en la conviv\u00e8ncia, els intercanvis o les col\u00b7laboracions, Sierra inverteix el que Claire Bishop qualifica com &#8220;antagonisme relacional&#8221;: un projecte d&#8217;exhibici\u00f3 de les inc\u00f2modes relacions caracter\u00edstiques de la vida al capitalisme tard\u00e0.<br \/>\nRes m\u00e9s lluny de Sierra que les idees gaireb\u00e9 ing\u00e8nues teoritzades per Bourriaud: l&#8217;afirmaci\u00f3 que l&#8217;art ofereix eines per veure el m\u00f3n de forma diferent, la idea que l&#8217;art pot canviar no nom\u00e9s la percepci\u00f3 de la realitat, sin\u00f3 la realitat en si, permetent crear noves formes de sociabilitat i oferint alternatives als models dominants, com el capitalisme actual.<br \/>\nSi per a Bourriaud cal rebutjar l&#8217;estat de les coses, rebutjar la idea que res no canvia, per a Sierra cal subratllar el que hi ha, mimetitzar les relacions d&#8217;explotaci\u00f3 i viol\u00e8ncia caracter\u00edstiques del nostre m\u00f3n contemporani. Per\u00f2, per a qu\u00e8? Quin \u00e9s l&#8217;objectiu d&#8217;aquest mimetisme rigor\u00f3s? Cuath\u00e9moc Medina puntualitza que aquestes preguntes alimenten bona part de les veus cr\u00edtiques indignades amb la po\u00e8tica de Santiago Sierra. Per a aquestes veus, l\u2019inadmissible en el treball de l&#8217;artista \u00e9s l&#8217;abs\u00e8ncia d&#8217;exemplaritat moral en les seves accions.<\/p>\n<p>Aquesta abs\u00e8ncia es compara amb el seu propi lloc d&#8217;enunciaci\u00f3 (artista europeu que interv\u00e9 al Tercer M\u00f3n) i com que aquesta \u00e9s un element constitutiu de les situacions que provoca. Sierra \u00e9s un ciutad\u00e0 espanyol que imposa actes humiliants a llatino-americans de classes baixes, sobre la mirada indiferent, o humanit\u00e0ria, dels actors del m\u00f3n de l&#8217;art. La representaci\u00f3 d&#8217;aquest lloc, la representaci\u00f3 del seu propi paper, aix\u00ed com la representaci\u00f3 del paper que tenen els participants de les seves accions, sembla ser una clau interpretativa del seu projecte.<br \/>\nEl seu treball no constitueix una extravagant contribuci\u00f3 est\u00e8tica, sin\u00f3 un signe que estem dins d&#8217;un sistema universalment violent. Aix\u00ed, Sierra dirigeix el focus cap a la seva pr\u00f2pia participaci\u00f3 en aquest sistema. I en fer-ho, l&#8217;artista ens convida a inserir-nos en la significant implicaci\u00f3 constitutiva de la seva obra.<br \/>\nDe sobte vaig pensar en el lloc que aquest artista &#8220;pol\u00edticament incorrecte&#8221; podria ocupar a la 27 Biennal de S\u00e3o Paulo, articulada sobre el tema &#8220;com viure junts&#8221;. At\u00e8s l\u2019&#8221;antagonisme relacional &#8220;promogut i reiterat com a estrat\u00e8gia del seu treball, vaig imaginar que la seva participaci\u00f3 en aquesta Biennal seria com una pregunta imprescindible: voler o no viure amb els altres?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Qui s&#8217;atreveix a nomenar encara l&#8217;est\u00e8tica relacional de Nicolas Bourriaud? I no obstant aix\u00f2, Santiago Sierra continua sent motiu de controv\u00e8rsia. Sense anar m\u00e9s lluny aquest any Miguel \u00c1ngel Hern\u00e1ndez&#8230;<\/p>\n","protected":false},"author":1241,"featured_media":8038,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Arxiu: Bourriaud vs. Sierra &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arxiu: Bourriaud vs. Sierra &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Qui s&#8217;atreveix a nomenar encara l&#8217;est\u00e8tica relacional de Nicolas Bourriaud? I no obstant aix\u00f2, Santiago Sierra continua sent motiu de controv\u00e8rsia. Sense anar m\u00e9s lluny aquest any Miguel \u00c1ngel Hern\u00e1ndez...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2013-08-30T02:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/08\/arton572-8a892.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"298\" \/>\n\t<meta property=\"og:image:height\" content=\"197\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"A*DESK\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"A*DESK\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minuts\" \/>\n\t<meta name=\"twitter:label3\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data3\" content=\"A*DESK\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/\",\"url\":\"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/\",\"name\":\"Arxiu: Bourriaud vs. Sierra &#8211; A*Desk\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/08\/arton572-8a892.jpg\",\"datePublished\":\"2013-08-30T02:00:00+00:00\",\"dateModified\":\"2013-08-30T02:00:00+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/e32f2cc33a81d4e3e29207cb91b1c058\"},\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/#primaryimage\",\"url\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/08\/arton572-8a892.jpg\",\"contentUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/08\/arton572-8a892.jpg\",\"width\":298,\"height\":197,\"caption\":\"arton572-8a892.jpg\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/a-desk.org\/ca\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Arxiu: Bourriaud vs. Sierra\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/a-desk.org\/#website\",\"url\":\"https:\/\/a-desk.org\/\",\"name\":\"A*Desk\",\"description\":\"A*Desk Critical Thinking\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/a-desk.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ca\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/e32f2cc33a81d4e3e29207cb91b1c058\",\"name\":\"A*DESK\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/image\/10ff463f7c1b7bf67a9b0c7cb7d009a0\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/512021342347efd46b63b4246a323676?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/512021342347efd46b63b4246a323676?s=96&d=mm&r=g\",\"caption\":\"A*DESK\"},\"url\":\"https:\/\/a-desk.org\/ca\/autor\/audeske\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Arxiu: Bourriaud vs. Sierra &#8211; A*Desk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/","og_locale":"ca_ES","og_type":"article","og_title":"Arxiu: Bourriaud vs. Sierra &#8211; A*Desk","og_description":"Qui s&#8217;atreveix a nomenar encara l&#8217;est\u00e8tica relacional de Nicolas Bourriaud? I no obstant aix\u00f2, Santiago Sierra continua sent motiu de controv\u00e8rsia. Sense anar m\u00e9s lluny aquest any Miguel \u00c1ngel Hern\u00e1ndez...","og_url":"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/","og_site_name":"A*Desk","article_published_time":"2013-08-30T02:00:00+00:00","og_image":[{"width":298,"height":197,"url":"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/08\/arton572-8a892.jpg","type":"image\/jpeg"}],"author":"A*DESK","twitter_card":"summary_large_image","twitter_misc":{"Escrit per":"A*DESK","Temps estimat de lectura":"5 minuts","Written by":"A*DESK"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/","url":"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/","name":"Arxiu: Bourriaud vs. Sierra &#8211; A*Desk","isPartOf":{"@id":"https:\/\/a-desk.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/#primaryimage"},"image":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/#primaryimage"},"thumbnailUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/08\/arton572-8a892.jpg","datePublished":"2013-08-30T02:00:00+00:00","dateModified":"2013-08-30T02:00:00+00:00","author":{"@id":"https:\/\/a-desk.org\/#\/schema\/person\/e32f2cc33a81d4e3e29207cb91b1c058"},"breadcrumb":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/#breadcrumb"},"inLanguage":"ca","potentialAction":[{"@type":"ReadAction","target":["https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/"]}]},{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/#primaryimage","url":"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/08\/arton572-8a892.jpg","contentUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/08\/arton572-8a892.jpg","width":298,"height":197,"caption":"arton572-8a892.jpg"},{"@type":"BreadcrumbList","@id":"https:\/\/a-desk.org\/ca\/magazine\/arxiu-bourriaud-vs-sierra\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/a-desk.org\/ca\/"},{"@type":"ListItem","position":2,"name":"Arxiu: Bourriaud vs. Sierra"}]},{"@type":"WebSite","@id":"https:\/\/a-desk.org\/#website","url":"https:\/\/a-desk.org\/","name":"A*Desk","description":"A*Desk Critical Thinking","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/a-desk.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"ca"},{"@type":"Person","@id":"https:\/\/a-desk.org\/#\/schema\/person\/e32f2cc33a81d4e3e29207cb91b1c058","name":"A*DESK","image":{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/a-desk.org\/#\/schema\/person\/image\/10ff463f7c1b7bf67a9b0c7cb7d009a0","url":"https:\/\/secure.gravatar.com\/avatar\/512021342347efd46b63b4246a323676?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/512021342347efd46b63b4246a323676?s=96&d=mm&r=g","caption":"A*DESK"},"url":"https:\/\/a-desk.org\/ca\/autor\/audeske\/"}]}},"_links":{"self":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/8122"}],"collection":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/users\/1241"}],"replies":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/comments?post=8122"}],"version-history":[{"count":0,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/8122\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/media\/8038"}],"wp:attachment":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/media?parent=8122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/categories?post=8122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/tags?post=8122"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/coauthors?post=8122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}