{"id":8180,"date":"2013-09-17T02:00:00","date_gmt":"2013-09-17T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/09\/17\/enlluernar-l-espectador-kapoor-in\/"},"modified":"2013-09-17T02:00:00","modified_gmt":"2013-09-17T02:00:00","slug":"enlluernar-l-espectador-kapoor-in","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/enlluernar-l-espectador-kapoor-in\/","title":{"rendered":"Enlluernar l&#8217;espectador: Kapoor in Berlin"},"content":{"rendered":"<p><img decoding=\"async\" class=\" alignleft size-full wp-image-8143\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2013\/09\/IMG_9914.jpg\" alt=\"IMG_9914.jpg\" align=\"left\" width=\"670\" height=\"500\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/09\/IMG_9914.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2013\/09\/IMG_9914-536x400.jpg 536w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><\/p>\n<p>Amb certs artistes succeeix com amb certs escriptors: produeixen vertigen per no saber ben b\u00e9 com enfrontar-s&#8217;hi. En l&#8217;origen d&#8217;aquest vertigen poden trobar-se diversos factors. Des del desconeixement absolut de l&#8217;artista fins a l&#8217;exc\u00e9s de (re)coneixement d&#8217;una figura inquietant per l&#8217;economia de la seva potencial notorietat, se succeeixen &#8211; amb possibilitat de solapament \u2013un reguitzell en s\u00e8rie de situacions amb gran talent per al mareig est\u00e8tic. I per a un <em>spleen<\/em> sense Par\u00eds que haur\u00e0 de ser superat, ja fora de la sala d&#8217;exposicions, gr\u00e0cies a la dilatada transcend\u00e8ncia de les coses banals.<\/p>\n<p>Dins d&#8217;aquest conjunt d&#8217;artistes el nom dels quals tots coneixem (o <em>haur\u00edem de<\/em> con\u00e8ixer), ja sigui per activa o per passiva, d&#8217;o\u00efdes, de vistes o llegides, Anish Kapoor \u00e9s -almenys per a qui escriu- un exemple perfecte de l&#8217;atordiment provocat per una celebritat tot\u00e8mica.  I no tant perqu\u00e8 el seu nom vingui precedit d&#8217;aquest &#8220;sir&#8221; amb qu\u00e8 tant es delecten alguns brit\u00e0nics en el seu gust per les jerarquies de llinatge antic, sin\u00f3 perqu\u00e8 amb Kapoor podria succeir aix\u00f2 -tan esnob de vegades- de que la curiositat funciona millor amb l&#8217;anonimat i gr\u00e0cies a la distinci\u00f3 que atorga el paper de portaveu del inc\u00f2gnit i de dif\u00edcil acc\u00e9s. Perqu\u00e8, qu\u00e8 podem afegir, que no sigui un contraatac, d&#8217;alg\u00fa de qui es diu que ha canviat la manera com concebem l&#8217;escultura i les instal\u00b7lacions del qual s\u00f3n l&#8217;enveja de molts museus, gr\u00e0cies a l&#8217;aforament complet de les seves cicl\u00f2pies intervencions escult\u00f2riques en l&#8217;espai?<\/p>\n<p><img decoding=\"async\" class=\" alignleft size-full wp-image-8144\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2013\/09\/IMG_9913.jpg\" alt=\"IMG_9913.jpg\" align=\"left\" width=\"670\" height=\"500\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/09\/IMG_9913.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2013\/09\/IMG_9913-536x400.jpg 536w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><\/p>\n<p>Tot i l\u2019esmentat, Berl\u00edn- una ciutat que no es caracteritza per l&#8217;esnobisme d&#8217;altres- es congratula de (re)presentar en societat a Kapoor amb una exposici\u00f3 monogr\u00e0fica que, com diu el mateix artista, en cap moment pret\u00e9n lligar-se amb la condici\u00f3 pret\u00e8rita de tota retrospectiva. Aquesta vegada el t\u00edtol juga amb l&#8217;obvietat (i no obstant aix\u00f2, deixa oberta la porta de certa ambig\u00fcitat abans d&#8217;entrar al majest\u00e0tic edifici de la Martin-Gropius-Bau): <a href=\"http:\/\/www.berlinerfestspiele.de\/en\/aktuell\/festivals\/gropiusbau\/programm_mgb\/mgb13_kapoor\/ausstellung_kapoor\/veranstaltungsdetail_56920.php\"><em>Anish Kapoor in Berlin<\/em><\/a>. Com succeeix amb les celebritats, art\u00edstiques o no, els n\u00fameros s&#8217;empren qualitativament i demostren que la mida s\u00ed que importa. I \u00e9s aix\u00ed com se&#8217;ns informa que l&#8217;edifici acull uns 70 treballs de Kapoor, disposats al llarg i ample de m\u00e9s de 3000 metres quadrats. Malgrat l&#8217;enorme pressupost que gestiona l&#8217;exposici\u00f3, la informaci\u00f3 que l&#8217;acompanya \u00e9s gaireb\u00e9 inexistent. I encara que l&#8217;art sigui una cosa que s&#8217;experimenta, com resen els esl\u00f2gans del nostre capitalisme emocional, tamb\u00e9 hauria de ser un territori que s&#8217;acompanya amb un mapa de coordenades possibles. Toca doncs, tornar m\u00e9s tard a Kapoor, no a Berl\u00edn, sin\u00f3 des d&#8217;aquesta cr\u00edtica que es basa en la ressenya celebrat\u00f2ria, en els conceptes grandiloq\u00fcents d&#8217;esc\u00e0s sediment conceptual i que, a m\u00e9s, funciona com un manual entorn de l&#8217;\u00fas de l&#8217;ep\u00edtet i l&#8217; sinest\u00e8sia en q\u00fcestions d&#8217;art.<\/p>\n<p>Amb tot el que s&#8217;ha dit fins ara, podria preveure\u2019s aqu\u00ed una cr\u00edtica irada contra Kapoor. Especialment si un ha estat educat en les derives conceptuals i pol\u00edtiques de l&#8217;art. Una cr\u00edtica contra la lectura habitual de l&#8217;artista massa c\u00e8lebre (per\u00f2 tamb\u00e9 desconegut); contra la seva instrumentalitzaci\u00f3 autoritzada (i autorit\u00e0ria); contra els exorbitants pressupostos de l&#8217;objecte fet fetitxe per a una elit, contra la signatura individual en obres que es perceben fetes per tants altres dins d&#8217;un estudi que tamb\u00e9 serveix com a cas d&#8217;estudi de nous models de f\u00e0brica. I no obstant aix\u00f2, de vegades un sent la necessitat d&#8217; oblidar-se de tots els sans i necessaris prejudicis i practicar, no l&#8217; experi\u00e8ncia sublim de l&#8217;art, sin\u00f3 la col\u00b7lisi\u00f3 amb unes formes est\u00e8tiques i la menyspreada condici\u00f3 material de l&#8217;art. Tanmateix aquesta trobada sigui, com sempre, marcada per la impaci\u00e8ncia i per la trivial culpabilitat de rec\u00f3rrer cut\u00e0niament en menys d&#8217;una hora quelcom que ha estat constru\u00eft durant mesos. I que visitar una exposici\u00f3 no sigui passar una tarda en un altre <em>portaventura<\/em> est\u00e8tic, sin\u00f3 deixar-se enlluernar per l&#8217;art, encara que sigui burg\u00e8s i aliat de les ind\u00fastries culturals.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Amb certs artistes succeeix com amb certs escriptors: produeixen vertigen per no saber ben b\u00e9 com enfrontar-s&#8217;hi. En l&#8217;origen d&#8217;aquest vertigen poden trobar-se diversos factors. Des del desconeixement absolut de&#8230;<\/p>\n","protected":false},"author":1273,"featured_media":8143,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Enlluernar l&#039;espectador: Kapoor in Berlin &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/enlluernar-l-espectador-kapoor-in\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Enlluernar l&#039;espectador: Kapoor in Berlin &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Amb certs artistes succeeix com amb certs escriptors: produeixen vertigen per no saber ben b\u00e9 com enfrontar-s&#8217;hi. 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