Ghetto IV<\/a> que es va celebrar entre els dies 7 i 9 de Setembre en un \u00e0tic de l\u2019Eixample. L\u2019exposici\u00f3, comissariada per Toni Sadurn\u00ed comptava amb obres d\u2019 Oscar Holloway, Arnau Musach, Francesc Ru\u00edz Abad, Irene Sol\u00e0, Juan Gonz\u00e1lez Monroy i Anja Dornieden, i el mateix Monsalvatje, i portava impl\u00edcita entre obsessions i recerques una mirada cap a l\u2019exterior, cap a l\u2019acci\u00f3 de viatjar, o d\u2019emigrar, i de fer noves descobertes no nom\u00e9s en el m\u00f3n dels altres, sin\u00f3 tamb\u00e9 en el propi. <\/p>\nMonsalvatje, al contrari de tota la resta de participants a la mostra, no ha passat per uns estudis d\u2019art. Ell \u00e9s traductor. Encara que podria ser un tret anecd\u00f2tic resulta rellevant pel fet que el projecte exposat \u00e9s una investigaci\u00f3 de caire ling\u00fc\u00edstic que acaba sense poder arribar a una descoberta per\u00f2 que aconsegueix trobar en les pr\u00e0ctiques art\u00edstiques una manera de formalitzar-se i transformar-se. El projecte de Monsalvatje va comen\u00e7ar amb la voluntat de traduir unes gravacions sonores que es van fer a Ned Maddrel, conegut per ser una de les \u00faltimes persones que sabia parlar Manx (llengua pr\u00f2pia de l\u2019Illa de Man) i que va morir el 1974. Com que per mitj\u00e0 de traductors no va poder-ho aconseguir perqu\u00e8 li demanaven un preu massa elevat, Monsalvatje va decidir utilitzar els subt\u00edtols de traducci\u00f3 autom\u00e0tica de Youtube per traduir les paraules de les gravacions del Manx a l\u2019Angl\u00e8s. Encara que ja fa un temps que est\u00e0 aplicat, i ja no consta com a versi\u00f3 beta, aquest sistema de subt\u00edtols de YouTube \u00e9s d\u2019una rigorositat nefasta, fet que porta a obtenir traduccions del tot surrealistes que, d\u2019altra banda, tenen un gran potencial creatiu i una qualitat del tot po\u00e8tica. Si b\u00e9 per la seva investigaci\u00f3 en el camp de la ling\u00fc\u00edstica ben poc van ser d\u2019ajuda els subt\u00edtols en angl\u00e8s, en el context art\u00edstic va trobar d\u2019alguna manera el seu remei a la frustraci\u00f3 gr\u00e0cies a que es permet a l\u2019accident incorporar-se a l\u2019obra. El seg\u00fcent pas va ser passar el text dels subt\u00edtols en Angl\u00e8s pel Traductor Google i gravar un arxiu sonor de la veu de Google recitant aquesta poesia abstracta. El document final \u00e9s un nou document de so que l\u2019o\u00efent pot escoltar amb uns auriculars i mentre que per una de les bandes, sentir\u00e0 la veu en angl\u00e8s de Google, per l\u2019altra, la veu de Ned Maddrel.<\/p>\n
La formalitzaci\u00f3 del projecte en la petita cambra de l\u2019\u00e0tic barcelon\u00ed passava per una part de documentaci\u00f3 sobre el context -mapes de la situaci\u00f3 geogr\u00e0fica de l\u2019Illa de Man, fotografies de Ned Maddrel i correus electr\u00f2nics entre Montsalvatje, traductors, i Sadurn\u00ed-, l\u2019arxiu sonor, i la reproducci\u00f3 en paper, per escrit, dels subt\u00edtols en angl\u00e8s.<\/p>\n
Quines s\u00f3n, doncs, les difer\u00e8ncies entre una recerca que utilitza les pr\u00e0ctiques art\u00edstiques i una pr\u00e0ctica art\u00edstica basada en la recerca? Segurament la principal i m\u00e9s evident sigui l\u2019objectiu d\u2019una i altra, de tota manera, com a m\u00ednim en el cas de la investigaci\u00f3 de Monsalvatje, l\u2019objectiu que ell volia est\u00e0 resolt. O \u00e9s que no ha aconseguit donar un sentit a les paraules que ell no comprenia? Encara que aquest nou sentit no sigui el correcte, i encara que oficialment sigui una llengua morta, es podria dir que el Manx est\u00e0 essent reinterpretat per la incompet\u00e8ncia del sistema de subt\u00edtols de YouTube. Si especulem i decidim que no \u00e9s desorbitada aquesta premissa, doncs, i tampoc ho \u00e9s dir que el virtual \u00e9s el nou real, podria acabar passant que les lleng\u00fces mortes poguessin romandre eternament (mentre internet aguanti) en una mena de limbo incorrecte? Podria ser que quan mor\u00eds tot aquell que pot entendre el Manx i l\u2019\u00fanica font de significat que qued\u00e9s fos YouTube, l\u2019\u00fanica traducci\u00f3 leg\u00edtima fos la d\u2019aquest sistema? Imagineu un “Learn Manx with YouTube”?<\/p>\n","protected":false},"excerpt":{"rendered":"
Les tasques pr\u00f2pies de la recerca i les pr\u00e0ctiques art\u00edstiques s\u00f3n dos tipus d\u2019accions que en molts casos es retroalimenten. Molts artistes juguen el rol d\u2019investigadors que fan de la…<\/p>\n","protected":false},"author":1259,"featured_media":8161,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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