{"id":8210,"date":"2013-09-26T02:00:00","date_gmt":"2013-09-26T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/09\/26\/la-utopia-com-a-destinacio-alicia\/"},"modified":"2013-09-26T02:00:00","modified_gmt":"2013-09-26T02:00:00","slug":"la-utopia-com-a-destinacio-alicia","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/la-utopia-com-a-destinacio-alicia\/","title":{"rendered":"La utopia com a destinaci\u00f3. Alicia Framis a la Galeria Juana de Aizpuru"},"content":{"rendered":"

\"Sala_grande_14.jpg\"
\nHabitaci\u00f3 per prendre de la m\u00e0; habitaci\u00f3 per a llan\u00e7ar pedres; habitaci\u00f3 per a informaci\u00f3 falsa; habitaci\u00f3 per hackejar; habitaci\u00f3 per cometre adulteri; habitaci\u00f3 per matar el teu pare; habitaci\u00f3 per desaprendre o habitaci\u00f3 per comen\u00e7ar una guerra<\/em>. Aquestes s\u00f3n algunes de les estances que trobem a la maqueta Planta y volumen de habitaciones prohibidas<\/em> (2013) de l’exposici\u00f3 Habitaciones prohibidas<\/em>, el nou projecte de l’artista Alicia Framis <\/a>, que presenta a la galeria Juana de Aizpuru, a Madrid.<\/p>\n

Una divisi\u00f3 espacial ut\u00f2pica, que obeeix a un intent per aprofundir en la construcci\u00f3 social dels espais i en descobrir com aquests determinen en gran mesura els nostres comportaments en la quotidianitat; inter\u00e8s constant en la traject\u00f2ria de l’artista.<\/p>\n

El recorregut comen\u00e7a amb Departures\/Salidas<\/em> (2010-2013), una s\u00e8rie de dibuixos a llapis que representen panells d’aeroports amb els avisos de les pr\u00f2ximes sortides a ciutats ut\u00f2piques hist\u00f2riques i llocs imaginats de la literatura, el cinema o la filosofia. Matrix, Privatopia, Bras\u00edlia, Atlantis, Metr\u00f2polis i Utopia, s\u00f3n algunes de les destinacions a escollir. Les ciutats o teories ut\u00f2piques sempre han funcionat com a eines d’activaci\u00f3 del pensament. Des de la Rep\u00fablica de Plat\u00f3 fins a les teories actuals de la desintermediaci\u00f3, entengui\u2019s 15M, les utopies permeten posar en discussi\u00f3 el concepte de realitat, veure les possibilitats que abarquen i estudiar les alternatives que ofereixen.<\/p>\n

El concepte de felicitat, aix\u00ed com el de llibertat, s’ajusta tamb\u00e9 a la literatura ut\u00f2pica, i s\u00f3n els que articulen la seg\u00fcent sala. Alicia Framis ens proporciona dues possibilitats terap\u00e8utiques: L\u2019Habitaci\u00f3n del olvido<\/em> (2013) \u00e9s un cub transparent a l\u2019interior del qual hi ha Metyrapone en pols, un producte qu\u00edmic que pel que sembla t\u00e9 l’efecte de fer oblidar i bloquejar retalls de records ingrats, en disminuir els nivells de cortisol, hormona de l’estr\u00e8s implicada en la conservaci\u00f3 dels records. En brindar (de manera simb\u00f2lica) el mitj\u00e0 -el Metyrapone-, una altra utopia, almenys de moment, per tal que s’esvaeixin els nostres mals records, Framis ens facilita l’opci\u00f3 de poder fer-ho i, d’altra banda la felicitat, encara que aquesta sigui artificial.<\/p>\n

La habitaci\u00f3n del grito<\/em> (2012- 2013) \u00e9s l\u2019”alternativa” a l’anterior. Una enorme caixa d’embalatge d’obres d’art en qu\u00e8 l’espectador es tanca, i despr\u00e9s d\u2019encendres una llum vermella, pot cridar amb totes les seves forces sense ser escoltat. En sortir de la caixa, una impressora imprimeix el seu crit en 3D, que pot endur-se a casa com a souvenir<\/em> de les seves frustracions. Una versi\u00f3 similar a la que va presentar perqu\u00e8 els treballadors d’un banc a Holanda poguessin desfogar-se.<\/p>\n

L’art d’Alicia Framis no canvia la societat sin\u00f3 que proposa models alternatius i solucions a problemes que sorgeixen en aquesta. En alguns dels seus treballs anteriors, com en Secret Strikes<\/em>, l’artista explorava a trav\u00e9s del v\u00eddeo i la congelaci\u00f3 del temps de treball, els espais i costums entre els diferents grups de treballadors a partir d’una performance col\u00b7lectiva. En una altra de les seves obres m\u00e9s reeixides, Anti-Dog<\/em> (2002), Framis va demanar a destacats modistes dissenys per ser confeccionats en un teixit antibales, ign\u00edfug i resistent a les agressions, per alertar sobre la situaci\u00f3 de perill en qu\u00e8 viuen encara moltes dones; les desfilades van ser dutes a terme en diverses ciutats europees i registrats en v\u00eddeos i fotografies.<\/p>\n

A Habitaciones prohibidas<\/em>, Alicia Framis tampoc intenta canviar la societat sin\u00f3 que contraposa a ella dues opcions o solucions gens alliberadores: oblidar el que ens inquieta i ens impedeix ser feli\u00e7os mitjan\u00e7ant l’\u00fas de drogues, o b\u00e9 desfogar-se i resignar-se al dolor i al tedi conservant \u00edntegra la mem\u00f2ria, encara que sigui en forma d’una bonica tassa de te. La utopia se’ns apareix com la possibilitat de pensar junts un lloc habitable, quan la felicitat pot ser que no sigui altra cosa que el simple fet de poder triar i desitjar lliurement.<\/p>\n","protected":false},"excerpt":{"rendered":"

Habitaci\u00f3 per prendre de la m\u00e0; habitaci\u00f3 per a llan\u00e7ar pedres; habitaci\u00f3 per a informaci\u00f3 falsa; habitaci\u00f3 per hackejar; habitaci\u00f3 per cometre adulteri; habitaci\u00f3 per matar el teu pare; habitaci\u00f3…<\/p>\n","protected":false},"author":1246,"featured_media":8171,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nLa utopia com a destinaci\u00f3. 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