{"id":8211,"date":"2013-09-27T02:00:00","date_gmt":"2013-09-27T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/09\/27\/venecia-des-de-la-meva-finestra\/"},"modified":"2013-09-27T02:00:00","modified_gmt":"2013-09-27T02:00:00","slug":"venecia-des-de-la-meva-finestra","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/venecia-des-de-la-meva-finestra\/","title":{"rendered":"Ven\u00e8cia des de la meva finestra: Muntadas i els Protocolli Veneziani I"},"content":{"rendered":"

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\nAhir es va inaugurar, a la Galeria Joan Prats de Barcelona<\/a> l’exposici\u00f3 d’Antoni Muntadas Protocolli Veneziani I<\/em>, que s’ha pogut veure a la Galeria Michela Rizzo de Ven\u00e8cia durant tot el estiu. Tot i trobar-se en temps de Biennal d’Art, l’artista no va participar del seu aparell institucional, i deixant enrere els Giardini<\/em>, ha creat un treball art\u00edstic obert, -en la seva fase I -, \u00edntegrament dedicat a la ciutat de Ven\u00e8cia; coherent amb els seus altres projectes “protocol\u00b7laris”, –Asian Protocols<\/em>-, Muntadas concentra el seu discurs visual en els comportaments locals, interessant-se per l’espai i tr\u00e0nsit quotidians, per agitar reflexions sobre situacions globals, sobre el poder i la percepci\u00f3 de les imatges, i les estrat\u00e8gies comunicatives de l’art.<\/p>\n

Si a la Biennal veneciana del 2005, -amb On translation: I Giardini<\/em> -, va presentar un potent exercici cr\u00edtic sobre la significaci\u00f3 fict\u00edcia subjacent a les participacions nacionals, en un context te\u00f2ricament globalitzat, com el que esprem el terme Biennal, la exposici\u00f3 sobre la ciutat de les llacunes no difereix d’aquesta mateixa paradoxa, sin\u00f3 que l’amplia. \u00bfCom una ciutat anacr\u00f2nica i segrestada com Ven\u00e8cia, pot albergar situacions massificades, o els 22 milions de turistes que la visiten cada any? Com aconsegueix conviure amb aquest desfasament constant? \u00bfPot potser rebel\u00b7lar-se contra aquesta viol\u00e8ncia? Quines serien les seves estrat\u00e8gies per a la superviv\u00e8ncia? \u00bfVen\u00e8cia \u00e9s v\u00edctima de la internacionalitzaci\u00f3, o amb la seva imatge fantasmal, aconsegueix p\u00e8rfidament que ens abandonem a ella, acontentant-se amb el mer recordar-se de si mateixa?<\/p>\n

Per definici\u00f3, els Protocols s\u00f3n un conjunt de conductes, codis, convenis o rituals que Muntadas reconeix aqu\u00ed a trav\u00e9s d’una s\u00e8rie d’elements integrants, i integrats gradualment a l’estructura urban\u00edstica i arquitect\u00f2nica de Ven\u00e8cia: les finestres -en les seves m\u00faltiples versions-, les passarel\u00b7les per l’acqua alta<\/em>, les clavegueres, els timbres, les paratie<\/em>, els arpeggi<\/em>… Amb els seus mitjans habituals, -v\u00eddeo, fotografia i instal\u00b7laci\u00f3-, l’artista representa aquests protocols contemporanis, deconstruint aquesta imatge que \u00e9s Ven\u00e8cia, totalitzant i totalitzadora, col\u00b7lectivament somiada, per fragmentar-la i recompondre-la en una pe\u00e7a polif\u00f2nica, que ens retorni una identitat recobrada, amb una altra dimensi\u00f3 visual del seu esquelet, possibilitant novament all\u00f2 f\u00edsic, l’hist\u00f2ric i all\u00f2 social.<\/p>\n

Aquestes imatges corals constitueixen, a nivell perceptiu, un repte per a l’espectador, per la manca de romanticismes caducs, irremeiablement lligats a aquest objecte de desig global que genera “la marca” Ven\u00e8cia. A l’espectador se li exigeix una insist\u00e8ncia de la mirada, un esfor\u00e7 d’assimilaci\u00f3 i traducci\u00f3 d’aquests s\u00edmbols, per a una conseq\u00fcent reinterpretaci\u00f3 de la ciutat; cada s\u00e8rie \u00e9s un esquema visual sobre una ritualitat contempor\u00e0nia i real, que espera la nostra mirada per completar aquesta des-estructuraci\u00f3 constitutiva que genera la seva invisibilitat.<\/p>\n

A Ven\u00e8cia, la car\u00edcia de l’aigua sobre la pedra, \u00e9s de per si una abra\u00e7ada que sap puny, les superposicions, pr\u00f2tesis i indicis protocol\u00b7laris, que apareixen aqu\u00ed, i desapareixen all\u00e0, exerceixen, a la seva manera, d’escut protector contra les reiterades invasions a les que l’illa es veu sotmesa i, alhora, infringeixen la seva fr\u00e0gil epidermis com un tatuatge. S\u00f3n engranatges de distanciament davant l’amena\u00e7a, i alhora, adequacions urgents a les exig\u00e8ncies globals.<\/p>\n

Amb l’estrat\u00e8gia de la repetici\u00f3, aquests fragments en s\u00e8rie creen una narraci\u00f3 visual en qu\u00e8 Muntadas exerceix de traductor, ja que Ven\u00e8cia est\u00e0 sempre dislocant-se, intentant amagar-se davant la mercantilitzaci\u00f3 de la contemplaci\u00f3. Aqu\u00ed res \u00e9s simple perqu\u00e8 ella \u00e9s sempre “una altra”, imatge especular que resultant m\u00faltiple, possibilita immediatament un di\u00e0leg pol\u00edtic, un debat avui m\u00e9s necessari que mai, sobre la sostenibilitat de la ceguesa que la manipula. Potser siguin mirades insistents com la de Muntadas, les que puguin acompanyar-la en la seva rebel\u00b7li\u00f3 , perqu\u00e8 obri finalment les seves finestres al m\u00f3n. L’exposici\u00f3 a Barcelona de Protocolli Veneziani I<\/em> \u00e9s una oportunitat per a la reflexi\u00f3 internacional sobre la crisi d’una situaci\u00f3 local que requereix mirades urgents.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ahir es va inaugurar, a la Galeria Joan Prats de Barcelona l’exposici\u00f3 d’Antoni Muntadas Protocolli Veneziani I, que s’ha pogut veure a la Galeria Michela Rizzo de Ven\u00e8cia durant tot…<\/p>\n","protected":false},"author":1304,"featured_media":8194,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nVen\u00e8cia des de la meva finestra: Muntadas i els Protocolli Veneziani I – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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