{"id":8262,"date":"2013-10-11T02:03:00","date_gmt":"2013-10-11T02:03:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/10\/11\/preferiria-no-saber-ho-o-tot-el\/"},"modified":"2013-10-11T02:03:00","modified_gmt":"2013-10-11T02:03:00","slug":"preferiria-no-saber-ho-o-tot-el","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/preferiria-no-saber-ho-o-tot-el\/","title":{"rendered":"Preferiria no saber-ho o tot el contrari. Adri\u00e1n Melis a ADN Galeria"},"content":{"rendered":"

\"melis.jpg\"
\n“Un contrato por el que a los j\u00f3venes con formaci\u00f3n o con menos formaci\u00f3n se les va a dar un cr\u00e9dito equivalente al salario m\u00ednimo o al salario medio, seg\u00fan la formaci\u00f3n, para que puedan cualificarse y formarse, para que puedan encontrar un empleo cuanto antes. Es una gran propuesta”. Aquest \u00e9s un fragment del discurs que Zapatero va pronunciar a finals de 2010. Ara hi ha possibilitats d’escoltar-lo amplificat, juntament amb altres tres perles de l’orat\u00f2ria pol\u00edtica espanyola, a l’espai de la galeria barcelonina ADN com a part de la instal\u00b7laci\u00f3 “The Best Effort”, d’Adri\u00e1n Melis.<\/p>\n

Per a poder sentir aquestes paraules caldr\u00e0 que alg\u00fa truqui a un dels 4 anuncis de feina falsos que l’artista ha publicat a diferents p\u00e0gines web. La trucada de cada interessat activa la reproducci\u00f3 a la sala expositiva d’un dels discursos.<\/p>\n

L’exposici\u00f3 de l’artista cub\u00e0 porta per t\u00edtol “Time to relax”<\/a>, i contrasta amb l’anterior “Nuevas Estructuras de Producci\u00f3n” (Abril\/Maig 2012). El tema de les obres ha canviat: si b\u00e9 l’any passat Melis parlava de la desmotivaci\u00f3 dels treballadors cubans, ara fa refer\u00e8ncia a diferents problem\u00e0tiques de la situaci\u00f3 sociopol\u00edtica espanyola. I ho fa des del punt de vista d’aquell que descobreix el context i s’interessa pels seus conflictes, per\u00f2 tamb\u00e9 amb un cert to maquiav\u00e8l\u00b7lic, com el que porta impl\u00edcit “The Best Effort”, ja que fa \u00fas de l’engany i les seves conseq\u00fc\u00e8ncies per fer funcionar una obra, per assolir uns objectius que aquell que truca desconeix. Ning\u00fa respondr\u00e0 la trucada, i possiblement no sabr\u00e0 mai que est\u00e0 activant una obra que un jove artista mostra en una galeria d’art. Potser millor aix\u00ed, que comuniqui i que passi a ser un dels tants intents frustrats i oblidats de trobar una feina.<\/p>\n

La mateixa manera d’amagar una informaci\u00f3 a fi que uns tercers actu\u00efn d’una forma concreta i l’obra funcioni la trobem en una altra instal\u00b7laci\u00f3, “Light off”. En aquest cas, per\u00f2, les v\u00edctimes del joc som els espectadors que entrem a la galeria, veiem quatre cubs que de tant en tant canvien de color (vermell, blau o verd) sense criteri aparent. Degut que la seva est\u00e8tica xoca radicalment amb la de la resta de peces exposades, no tenim molt clar si es tracta d’una obra o de decoraci\u00f3. L’ambig\u00fcitat de l’objecte fa que en certa manera l’ignorem, tal com ignorem que all\u00f2 que provoca el canvi de color \u00e9s l’estat a temps real de l’ibex35, perqu\u00e8 nom\u00e9s ho descobrim quan llegim el full de sala, i ens assabentem, tamb\u00e9, que fins i tot pod\u00edem haver-nos-hi assegut a sobre dels cubs i que la pe\u00e7a funciona a nivell conceptual sols quan l’espectador no la coneix com a projecte art\u00edstic, quan s’hi asseu, quan no la t\u00e9 en compte; com segurament no t\u00e9 en compte tampoc els nivells de la borsa.<\/p>\n

Haver-ho dit abans! O no. La contradicci\u00f3 que em provoca aquesta obra \u00e9s tan gran que em fa r\u00e0bia. Tant bon punt conec el contingut cr\u00edptic de la pe\u00e7a perdo l\u2019oportunitat de fer-la funcionar. <\/p>\n

Aquestes dues instal\u00b7lacions contrasten a nivell formal i conceptual amb la resta d’obres de l’exposici\u00f3 i denoten un possible canvi en les metodologies de Melis en la manera d’utilitzar i comunicar la informaci\u00f3 a les seves obres. Mentre que les dues instal\u00b7lacions mencionades presenten el contingut d’una forma cr\u00edptica, les s\u00e8ries fotogr\u00e0fiques “Time to relax” o “Puntos de reposici\u00f3n” s\u00f3n de f\u00e0cil lectura i comprensi\u00f3. A m\u00e9s, la interactivitat a la que estan subjectes les dues instal\u00b7lacions fa sentir que la teva pres\u00e8ncia \u00e9s necess\u00e0ria. Segurament sigui per aquest motiu que aquestes dues s’aproximen a la realitat dels conflictes d’una manera aparentment menys superficial que la resta d’obres de la mostra.<\/p>\n

\u00c9s de celebrar que els treballs de Melis, que podr\u00edem classificar com a peces digitals, escapin del costum del “mira qu\u00e8 podem fer” i de la mera demostraci\u00f3 d’aptituds t\u00e8cniques que en ocasions podem criticar de l’art digital, per anar m\u00e9s enll\u00e0 i crear situacions condicionades per uns factors que queden fora de l’abast de tots nosaltres.<\/p>\n","protected":false},"excerpt":{"rendered":"

“Un contrato por el que a los j\u00f3venes con formaci\u00f3n o con menos formaci\u00f3n se les va a dar un cr\u00e9dito equivalente al salario m\u00ednimo o al salario medio, seg\u00fan…<\/p>\n","protected":false},"author":1259,"featured_media":8237,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nPreferiria no saber-ho o tot el contrari. 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