{"id":8263,"date":"2013-10-12T02:00:00","date_gmt":"2013-10-12T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/10\/12\/10-000-imatges-pret-a-porter\/"},"modified":"2013-10-12T02:00:00","modified_gmt":"2013-10-12T02:00:00","slug":"10-000-imatges-pret-a-porter","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/10-000-imatges-pret-a-porter\/","title":{"rendered":"10.000 imatges pr\u00eat \u00e0 porter (Abell\u00f3 i el temps)"},"content":{"rendered":"

\"compintaeltemps2.jpg\"
\nOn fixes la mirada quan transites pel carrer \u00e9s una q\u00fcesti\u00f3 aparentment poc transcendental per\u00f2 que entranya cert inter\u00e8s. Hi ha qui posa l\u2019atenci\u00f3 en els altres, en com vesteixen i com es comporten. Alguns \u00e9s distreuen mirant amunt, guaitant el cel, l\u2019arquitectura, les escenes darrera les finestres o els r\u00e8tols lluminosos i les gr\u00e0fiques disperses. N\u2019hi ha que no miren enlloc, i caminen amb pas ferm militar i l\u2019esguard clavat als 90 graus, ni pestanyegen. Alguns, entre els quals m\u2019hi he trobat sovint, es distreuen mirant el terra, repassat les ombres que dibuixa la llum pels racons o fascinats per les textures de les parets. \u00daltimament tamb\u00e9 abunden els que no aixequen els ulls de la pantalla. <\/p>\n

Des de principis del S.XX han estat molts artistes els que han quedat atrapats per escenes pintoresques en cartelleres i tanques publicit\u00e0ries abandonades, mitgeres solit\u00e0ries i murs envellits on hi transita sincer el pas dels dies per impregnar-hi els signes dels temps. \u00c9s a partir d\u2019aquesta mateixa fascinaci\u00f3 que Jordi Abell\u00f3 <\/a> presenta \u201cCom pinta el temps. A la recerca del millor pintor\u201d. Fotografies capturades amb m\u00f2bil i una c\u00e0mera Leica que homenatgen el temps com un agent creatiu aut\u00f2nom i amb identitat pr\u00f2pia. Per Jordi Abell\u00f3 aquestes imatges revelen que la realitat \u00e9s un gran museu de pintura. L\u2019exposici\u00f3 es pot seguir a trav\u00e9s del compte d’Instagram<\/a>, on s\u2019han penjat la majoria de paisatges i es poden localitzar a trav\u00e9s de les etiquetes #compintaeltemps i #howdoesthetimepaint o b\u00e9 a l\u2019espai de microblogging Tumblr<\/a>, m\u00e9s centrat en retrats humans.<\/p>\n

L\u2019autor va comen\u00e7ar la col\u00b7lecci\u00f3 el desembre de 2011 i la seva labor de recopilaci\u00f3 d’imatges des d\u2019aleshores ha estat infatigable. Diferents llocs de Tarragona, Lisboa i Oslo, s\u00f3n els espais on ha pogut documentar com pinta el temps. Ell argumenta que \u201ccuriosament no pinta igual a tot arreu, sin\u00f3 que genera gran quantitat d\u2019imatges adaptades al seu entorn. He arribat a pensar que el temps pinta el que veu en la realitat m\u00e9s immediata\u201d. Per a l\u2019artista catal\u00e0 \u201cEl temps pinta i representa el que t\u00e9 al voltant. Crea rostres humans i paisatges. Tamb\u00e9 pintures de car\u00e0cter abstracte. No t\u00e9 un estil definit, per\u00f2 \u00e9s capa\u00e7 d\u2019imitar infinitat d\u2019estils, fins i tot de grans artistes de la hist\u00f2ria de l\u2019art… D\u2019aquesta manera ja han aparegut Leonardo da Vinci, Van Gogh, Monet, Giacometti, Picasso, Mir\u00f3, T\u00e0pies, Zoran Music, Richter, Barcel\u00f3, Juan Mu\u00f1oz entre d\u2019altres reconeguts artistes, tots ells pintats pel temps.\u201d<\/p>\n

Darrera el gest agosarat d\u2019assenyalar innocentment el temps com el millor pintor del m\u00f3n, trobem una conducta gens arrogant, ni presumptuosa: compartir aquest patrimoni visual acumulat mitjan\u00e7ant les xarxes socials, sense drets d\u2019autor ni \u00e0nim comercial. Pot ser que el millor pintor de la hist\u00f2ria no hagi venut mai cap quadre? Que no tingui galerista ni obra en cap museu? Molts artistes havien emprat el temps com eina, dispositiu o interf\u00edcie per al seu treball, per\u00f2 que jo recordi ning\u00fa s\u2019havia atrevit a donar-li la virtut de l\u2019autoria. <\/p>\n

Vull entendre que la intenci\u00f3 \u00faltima de Jordi Abell\u00f3 \u00e9s incitar-nos a mirar la realitat un altre cop i d\u2019una altra manera i alhora repensar que \u00e9s la pintura i l\u2019art. Ho fa amb les eines del moment i la mentalitat actual: emprant les xarxes socials com espai natural de circulaci\u00f3 de les imatges i implementant la idea de proc\u00e9s obert i col\u00b7laboratiu com a dispositiu on habita amb naturalitat l\u2019obra. El palimpsest est\u00e0 servit, podeu revisar-lo a la xarxa o en el dia a dia tot passejant pel carrer.<\/p>\n","protected":false},"excerpt":{"rendered":"

On fixes la mirada quan transites pel carrer \u00e9s una q\u00fcesti\u00f3 aparentment poc transcendental per\u00f2 que entranya cert inter\u00e8s. Hi ha qui posa l\u2019atenci\u00f3 en els altres, en com vesteixen…<\/p>\n","protected":false},"author":1281,"featured_media":8239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n10.000 imatges pr\u00eat \u00e0 porter (Abell\u00f3 i el temps) – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/10-000-imatges-pret-a-porter\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"10.000 imatges pr\u00eat \u00e0 porter (Abell\u00f3 i el temps) – A*Desk\" \/>\n<meta property=\"og:description\" content=\"On fixes la mirada quan transites pel carrer \u00e9s una q\u00fcesti\u00f3 aparentment poc transcendental per\u00f2 que entranya cert inter\u00e8s. 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