{"id":8266,"date":"2013-10-10T02:00:00","date_gmt":"2013-10-10T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/10\/10\/nueva-traduccion-cedric-andrieux\/"},"modified":"2013-10-10T02:00:00","modified_gmt":"2013-10-10T02:00:00","slug":"nueva-traduccion-cedric-andrieux","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/nueva-traduccion-cedric-andrieux\/","title":{"rendered":"C\u00e9dric Andrieux: aprendre a exposar-se"},"content":{"rendered":"<p><em>Hola. Em dic Sonia Fern\u00e1ndez Pan (remarcar el segon cognom sempre ha estat important per a mi, suposo que per subratllar algun tipus de difer\u00e8ncia envers la freq\u00fc\u00e8ncia del primer i tamb\u00e9 per introduir el fonamental component matern del segon). Vaig n\u00e9ixer l\u2019any 1981, tinc 32 anys i estic soltera. S\u00f3c cr\u00edtica d&#8217;art i comiss\u00e0ria \u00bfindependent?. De vegades em costa assumir les etiquetes professionals, sobretot si no estan legitimades per un contracte laboral. El meu inter\u00e8s per l&#8217;art contemporani va ser relativament tard\u00e0, m\u00e9s o menys vers l&#8217;any 2000, gr\u00e0cies a un dels pocs professors de la Universitat de Santiago de Compostel\u00b7la que, a m\u00e9s d&#8217;impartir el seu programa d&#8217;estudis, era capa\u00e7 de transmetre la seva passi\u00f3 per l\u2019art contemporani, cosa ins\u00f2lita en un context universitari considerablement anacr\u00f2nic. Volia especialitzar-me en l&#8217;Antic Egipte i Gr\u00e8cia, fins que Janis Kounellis amb els seus cavalls, Gina Pane amb les seves ferides i Marina Abramovic amb la seva viol\u00e8ncia inicial van apar\u00e8ixer per demostrar, en menys d&#8217;una hora, que l&#8217;art podia ser una altra cosa. En aquell temps volia ser professora d&#8217;universitat, aspiraci\u00f3 que va desapar\u00e8ixer anys m\u00e9s tard durant un doctorat que vaig abandonar per una p\u00e8rdua de fe progressiva en el m\u00f3n acad\u00e8mic i la seva hip\u00f2crita gesti\u00f3 del coneixement. Aix\u00f2 em va deixar encallada i pessimista durant alguns anys, per no saber &#8220;qu\u00e8 volia ser de gran&#8221;. Amb l&#8217;inconvenient de ser massa gran com per no saber-ho i l&#8217;incompliment latent d&#8217;unes expectatives pr\u00f2pies i alienes. L&#8217;\u00e8xit en pot\u00e8ncia \u00e9s tamb\u00e9 el frac\u00e0s en pot\u00e8ncia.<\/em><\/p>\n<p>El par\u00e0graf anterior \u00e9s un intent de reproducci\u00f3 del comen\u00e7ament de <em>C\u00e9dric Andrieux<\/em> del core\u00f2graf J\u00e9r\u00f4me Bel (al Mercat de les Flors el 4 i 5 d&#8217;octubre), pe\u00e7a solista que pren el seu t\u00edtol del ballar\u00ed que la protagonitza. El precedeix <em>Veronique Doisneau<\/em>, un treball hom\u00f2leg amb la ballarina que cedeix el seu nom a la pe\u00e7a. Per\u00f2 Veronique, a difer\u00e8ncia de C\u00e9dric, transita m\u00e9s per una hist\u00f2ria personal de la dansa que per una experi\u00e8ncia vital associada a la dansa. Un possible exercici per al futur seria el perqu\u00e8 d&#8217;aquesta gran subtil difer\u00e8ncia entre ballar\u00ed i ballarina.<\/p>\n<p><iframe loading=\"lazy\" width=\"670\" height=\"503\" src=\"\/\/www.youtube.com\/embed\/mH_MGp4Lglw\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Posant en escena la seva pr\u00f2pia biografia, <em>C\u00e9dric Andrieux<\/em> aconsegueix diverses coses al mateix temps. D&#8217;una banda, construeix un recorregut per la dansa contempor\u00e0nia, fent intel\u00b7ligible per als inexperts un context al que molts ens resistim per aquesta por cont\u00ednua a &#8220;no entendre&#8221; dins de l&#8217;ecosistema cultural, on costa adquirir el grau de maduresa suficient per admetre en p\u00fablic que no s&#8217;entenen certes coses o que no se saben tantes altres. Poc s\u00e9 de dansa, he assistit a un espectacle de l&#8217;emblem\u00e0tic Merce Cunningham que no ha aconseguit superar les desencertades expectatives d&#8217;espectador novell, i seria incapa\u00e7 d&#8217;apuntar el nom del core\u00f2graf de moda sense passar abans per Internet. I no obstant aix\u00f2, despr\u00e9s de C\u00e9dric Andrieux, la dansa ja no \u00e9s aquell territori indesxifrable d&#8217;abans.<\/p>\n<p>D&#8217;altra banda, C\u00e9dric Andrieux reconstrueix des de l&#8217;escenari una experi\u00e8ncia vital honesta i sincera \u2013seria igual si fos ficci\u00f3, l&#8217;espectador la percep com honesta i d&#8217;aqu\u00ed el seu enorme impacte- on l&#8217;elegant m\u00f3n de la dansa perd la seva p\u00e0tina de glamour i es converteix en un altre espai de treball marcat per la contradicci\u00f3 entre all\u00f2 visible i l&#8217;ocult, entre la persona i la seva imatge, per la complicada relaci\u00f3 entre la passi\u00f3 com a professi\u00f3 i el manteniment de tota passi\u00f3 despr\u00e9s de la seva professionalitzaci\u00f3. A la impecable posada en escena de la dansa el precedeixen -i succeeixen- pors, frustracions, circumst\u00e0ncies emocionals, apatia, casualitats, successos hist\u00f2rics, aspiracions, fracassos en pot\u00e8ncia i \u00e8xits a mitges. \u00c9s la dansa, per\u00f2 podria ser qualsevol altre territori, tamb\u00e9 l&#8217;art.<\/p>\n<p><em>C\u00e9dric Andrieux<\/em> no relata res que no siguem capa\u00e7os d&#8217;intuir, sentir o saber. La seva pot\u00e8ncia est\u00e0 en aquesta comprometedora franquesa de convertir en expl\u00edcit l&#8217;impl\u00edcit i en p\u00fablic el privat. Aquesta vegada de veritat, i no des de la gratu\u00eftat te\u00f2rica que tant es porta i que no es veu representada a la pr\u00e0ctica. En fer-nos pensar en com el nostre context de treball, al mateix temps que presumeix de subjectivitat i contestaci\u00f3 pol\u00edtica, ens exigeix convertir-nos en un <em>statement<\/em> de nosaltres mateixos que tingui l&#8217;habilitat de prescindir, com tot curr\u00edculum, de nosaltres mateixos. Especialment si transportem incomoditat, fragilitat o inseguretat. Caient en la innecess\u00e0ria i paradoxal pedanteria de tergiversar a Kant, m\u00e9s que aquell <em>sapere aure<\/em>, caldria treure el complex de fer \u00fas conscient de la pr\u00f2pia experi\u00e8ncia i no tan sols de la brillantor que ens d\u00f3na la ra\u00f3 d&#8217;un coneixement imperatiu. Ah, i no quedar-nos tampoc en l&#8217;an\u00f2nim aplaudiment col\u00b7lectiu al final d&#8217;una funci\u00f3, on sempre \u00e9s un altre el que s&#8217;exposa al p\u00fablic.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hola. Em dic Sonia Fern\u00e1ndez Pan (remarcar el segon cognom sempre ha estat important per a mi, suposo que per subratllar algun tipus de difer\u00e8ncia envers la freq\u00fc\u00e8ncia del primer&#8230;<\/p>\n","protected":false},"author":1273,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>C\u00e9dric Andrieux: aprendre a exposar-se &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/nueva-traduccion-cedric-andrieux\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"C\u00e9dric Andrieux: aprendre a exposar-se &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Hola. Em dic Sonia Fern\u00e1ndez Pan (remarcar el segon cognom sempre ha estat important per a mi, suposo que per subratllar algun tipus de difer\u00e8ncia envers la freq\u00fc\u00e8ncia del primer...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/nueva-traduccion-cedric-andrieux\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2013-10-10T02:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2025\/09\/a-desk-critical-thinking.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sonia Fern\u00e1ndez Pan\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sonia Fern\u00e1ndez Pan\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuts\" \/>\n\t<meta name=\"twitter:label3\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data3\" content=\"Sonia Fern\u00e1ndez Pan\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/nueva-traduccion-cedric-andrieux\/\",\"url\":\"https:\/\/a-desk.org\/ca\/magazine\/nueva-traduccion-cedric-andrieux\/\",\"name\":\"C\u00e9dric Andrieux: aprendre a exposar-se &#8211; A*Desk\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"datePublished\":\"2013-10-10T02:00:00+00:00\",\"dateModified\":\"2013-10-10T02:00:00+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/de7a77f88e8009020ac6e8310919da27\"},\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/nueva-traduccion-cedric-andrieux\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/ca\/magazine\/nueva-traduccion-cedric-andrieux\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/nueva-traduccion-cedric-andrieux\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/a-desk.org\/ca\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"C\u00e9dric Andrieux: aprendre a exposar-se\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/a-desk.org\/#website\",\"url\":\"https:\/\/a-desk.org\/\",\"name\":\"A*Desk\",\"description\":\"A*Desk Critical Thinking\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/a-desk.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ca\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/de7a77f88e8009020ac6e8310919da27\",\"name\":\"Sonia Fern\u00e1ndez Pan\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/image\/e53ec11b0dc9b9e47fbce9c40d068533\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/62e498368a94a3583abdd914370941e9?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/62e498368a94a3583abdd914370941e9?s=96&d=mm&r=g\",\"caption\":\"Sonia Fern\u00e1ndez Pan\"},\"sameAs\":[\"http:\/\/esnorquel.es\/\"],\"url\":\"https:\/\/a-desk.org\/ca\/autor\/sonia\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"C\u00e9dric Andrieux: aprendre a exposar-se &#8211; A*Desk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/a-desk.org\/ca\/magazine\/nueva-traduccion-cedric-andrieux\/","og_locale":"ca_ES","og_type":"article","og_title":"C\u00e9dric Andrieux: aprendre a exposar-se &#8211; A*Desk","og_description":"Hola. 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