{"id":8302,"date":"2013-10-26T02:00:00","date_gmt":"2013-10-26T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/10\/26\/le-corbusier-cremat-a-bogota\/"},"modified":"2013-10-26T02:00:00","modified_gmt":"2013-10-26T02:00:00","slug":"le-corbusier-cremat-a-bogota","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/le-corbusier-cremat-a-bogota\/","title":{"rendered":"Le Corbusier cremat a Bogot\u00e0"},"content":{"rendered":"

\"Apostol.jpg\"
\nA Queimada, obra de Pontecorvo protagonitzada per Brando l\u2019any 1969, el foc \u00e9s la gran al\u00b7legoria de la insurrecci\u00f3 i una molt bona lectura sobre les dificultats de la independ\u00e8ncia pol\u00edtica i econ\u00f2mica als pa\u00efsos llatinoamericans. Un al\u00b7legat en contra del colonialisme, el capitalisme i l’esclavitud. \u00c9s a dir, la rebel\u00b7li\u00f3 contra la tirania del model pol\u00edtic i econ\u00f2mic europeu. Es va filmar en escenaris colombians, l’illa imagin\u00e0ria, i el dolent era portugu\u00e8s encara que hauria de ser franc\u00e8s o espanyol, potser fins i tot su\u00eds. <\/p>\n

Les imatges d’aquesta pel\u00b7l\u00edcula parpellegen en la meva imaginaci\u00f3 contemplant unes fotografies d’Alexander Ap\u00f3stol ‘Le Corbusier cremat a Bogot\u00e0’ (2005). Aquest artista vene\u00e7ol\u00e0 va n\u00e9ixer el mateix any de la filmaci\u00f3 i la s\u00e8rie de fotografies que cito mostra les restes d’un buit arquitect\u00f2nic igual d\u2019enlluernador que les fogueres de Queimada. Les imatges registren el pas de les revoltes estudiantils dels anys seixanta en una zona universit\u00e0ria de Bogot\u00e0, lloc urbanitzat seguint els idearis del Pla Pilot que Le Corbusier va tra\u00e7ar per a la capital en els anys quaranta i que Sert tamb\u00e9 va recolzar. La missi\u00f3 social de la modernitat que encarna l’arquitectura racionalista presagia aix\u00ed el seu propi frac\u00e0s. La destrucci\u00f3 dels apartaments despr\u00e9s de la revolta s\u00f3n documents metaf\u00f2rics sobre la viol\u00e8ncia que persisteix a Col\u00f2mbia i a Llatinoam\u00e8rica, les imatges congelen el rastre de l’ideari modern europeu en mobles i murs robats. Eterna Queimada. <\/p>\n

Aquesta \u00e9s una de les obres que ocupen temporalment l’espai de la Casa Capell a Matar\u00f3, projecte de l’arquitecte racionalista Jordi Capell constru\u00efda l\u2019any 1959. Deu artistes envaeixen aquest espai dom\u00e8stic, ara ocupat per oficines municipals del departament de sostenibilitat, per rellegir la hist\u00f2ria de la modernitat des dels seus artefactes i idearis constructius. El projecte es titula MODERNITAT AMAGADA<\/a> i consisteix en una invitaci\u00f3 a autors que desenvolupen de forma habitual reflexions al voltant de l’arquitectura moderna. La proposta, iniciativa de l’associaci\u00f3 ACM<\/a>, es planteja no nom\u00e9s mostrar obres que visualitzin aquest di\u00e0leg entre artistes contemporanis i arquitectura, sin\u00f3 tamb\u00e9 “mostrar” la casa mateixa, avui restaurada i incorporada al patrimoni municipal. Entre la investigaci\u00f3, la interpretaci\u00f3 i el comprom\u00eds social, les peces s’emplacen perfectament en aquest projecte familiar i s’expandeixen noves lectures sobre la mem\u00f2ria de la nostra hist\u00f2ria des de l’arquitectura i el disseny. <\/p>\n

La contund\u00e8ncia del v\u00eddeo de Xavier Aren\u00f3s, ‘Madriguera#10. Proun. Desenterrament’ (2012), crec que mai trobar\u00e0 millor recer que el petit traster on ara s’exhibeix, en ell la sonoritat i el clarobscur de la troballa arqueol\u00f2gica d’una pe\u00e7a del Lisstzky adquireixen una dimensi\u00f3 \u00e8pica. Tamb\u00e9 la min\u00fascula maqueta en paper de la ‘Maison Bulldog’ (2011) de Jean Prouv\u00e9 que Dani Montlle\u00f3 situa sota la g\u00e8lida llum fluorescent adquireix una materialitzaci\u00f3 m\u00e9s liter\u00e0ria que funcional, a mig cam\u00ed sem\u00e0ntic del b\u00fanquer i la trinxera. Una altra pe\u00e7a que irradia lectura pol\u00edtica i subtilesa \u00e9s el dibuix de Regina Gim\u00e9nez, ‘Composici\u00f3 en vermell, groc, blau i blanc’ (2013), que assimila el tra\u00e7 d’un dibuix d’estudi de la casa Masjuan de Capell per desenvolupar una faula visual sobre la sintaxi de la modernitat de Mies i Mondrian, barrejant veritat geom\u00e8trica i manifest simb\u00f2lic. Tamb\u00e9 les obres de Dom\u00e8nec, Jaume Roura, Terence Gower, Carla Filipe, Eva F\u00e0bregas i Rafel G. Bianchi ocupen diversos espais de la casa Capell, ara deshabitada per\u00f2 contaminada de molt bones relectures sobre el colonialisme del pensament cartesi\u00e0, el capitalisme global i l’esclavitud dels ideals de la modernitat. Un projecte temporal per\u00f2 de gran inter\u00e8s per al p\u00fablic que pot visitar la casa en hores d’oficina. <\/p>\n

Arquitecte, matem\u00e0tic i humanista, Capell va ser un precursor en les seves idees i un ciutad\u00e0 comprom\u00e8s amb la lluita i la defensa dels valors \u00e8tics. La seva gran capacitat d’acci\u00f3 el va portar a la defensa d’una justa distribuci\u00f3 de la riquesa i l’acc\u00e9s de tots els ciutadans a una cultura superior. Ell volia fer possible un futur m\u00e9s just, ara deu artistes l’acompanyen en aquesta campanya pedag\u00f2gica i reconstructiva. El llegat d’aquest important i poc conegut arquitecte catal\u00e0, Jordi Capell (1925-1970), \u00e9s l’amfitri\u00f3 perfecte per a un projecte que abandona els espais privilegiats de l’art a favor de llocs m\u00e9s temporals i inestables, m\u00e9s compromesos i afins a les agitades llums i ombres d’una foguera contra el silenci.
\n\"Domenec\" <\/p>\n","protected":false},"excerpt":{"rendered":"

A Queimada, obra de Pontecorvo protagonitzada per Brando l\u2019any 1969, el foc \u00e9s la gran al\u00b7legoria de la insurrecci\u00f3 i una molt bona lectura sobre les dificultats de la independ\u00e8ncia…<\/p>\n","protected":false},"author":1263,"featured_media":8289,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nLe Corbusier cremat a Bogot\u00e0 – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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