{"id":8330,"date":"2013-11-02T02:03:00","date_gmt":"2013-11-02T02:03:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/11\/02\/rodrigo-rojas-de-negri-un-exilio2521\/"},"modified":"2013-11-02T02:03:00","modified_gmt":"2013-11-02T02:03:00","slug":"rodrigo-rojas-de-negri-un-exilio2521","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/rodrigo-rojas-de-negri-un-exilio2521\/","title":{"rendered":"Rodrigo Rojas de Negri: \u201cUn exilio sin retorno\u201d a Santiago de Chile"},"content":{"rendered":"

\"Fotos_de_Rodrigo_Rojas_De_Negri_001.jpg\"<\/p>\n

En un retorn, les imatges del passat es barregen amb les del present. Com dos temps al mateix temps. Un paquet amb 22 rotllos fotogr\u00e0fics per ser revelats mai arriba a destinaci\u00f3. Una carta a una mare confirma que la realitat descrita coincidia amb la viscuda. Un jove fot\u00f2graf, Rodrigo Rojas De Negri, mor cremat pels militars a Santiago de Xile. Vint anys despr\u00e9s, la imatge es torna mem\u00f2ria a la capital xilena, exposant trossos de present fets arxiu.<\/p>\n

\u201cUn exilio sin retorno\u201d \u00e9s el nom de l’exposici\u00f3 al MAC Quinta Normal<\/a> i al Museu de Santiago, que van presentar per primera vegada el patrimoni fotogr\u00e0fic in\u00e8dit de Rodrigo, compost d’imatges produ\u00efdes des dels seus inicis en l’ofici, a l’edat de catorze anys. Producte d’una investigaci\u00f3 impulsada per la seva mare, Ver\u00f3nica De Negri, l’exposici\u00f3 a cura de Montserrat Rojas Corradi recupera una col\u00b7lecci\u00f3 d’imatges que va de la seva adolesc\u00e8ncia en l\u2019exili als Estats Units fins a la seva visita a Xile en dictadura, l’any 1986. Un total de 14000 imatges en negatiu, diapositives, fotos en blanc i negre i en color formen part de l’arxiu fins avui en poder de la seva mare.<\/p>\n

El fot\u00f2graf (Valpara\u00edso, 1967 – Santiago, 1986) es forma com a tal durant l’exili, i en un viatge de visita al seu lloc d’origen, del que mai tornar\u00e0. La hist\u00f2ria podria explicar-se com que Rodrigo t\u00e9 deu anys, est\u00e0 de vacances a casa d\u2019una tia al Canad\u00e0, any 1976. Ver\u00f3nica, la seva mare, \u00e9s detinguda i torturada en diferents centres clandestins. Es refugia m\u00e9s tard a Washington DC, on viur\u00e0 fins a finals de la d\u00e8cada de 1980 amb els seus dos fills. Als 14 anys Rodrigo esdevindr\u00e0 fot\u00f2graf, aprenent l’art del revelat amb Marcelo Montecino, un fot\u00f2graf exiliat el treball del qual se centrava en Am\u00e8rica Central.<\/p>\n

La seva mirada recollir\u00e0 jugadors de futbol americ\u00e0 i cheerleaders, aix\u00ed com a la vida al carrer a la ciutat nord-americana durant l’Era Reagan, o els concerts d’un grup de m\u00fasica andina al fred nord. I tamb\u00e9 m\u00e9s tard als eixos d’una narrativa que, tot i tr\u00e0gica, mai arriba a consumar-se: la repressi\u00f3 de la vida en el context de la dictadura d’Augusto Pinochet. Rodrigo es faria adult amb la c\u00e0mera: 40 fotos i 30 diapositives s\u00f3n les imatges que, segons el parer de la curadora i el seu equip d’investigadors, format per Lucy Quezada i Jaime Cuevas, “cristal\u00b7litzen la mirada” de l’artista, i que havien estat exposades en part en espais locals i al Canad\u00e0 i Estats Units a finals de la d\u00e8cada de 1980. D’alguna manera, l’organitzaci\u00f3 de l’exposici\u00f3 est\u00e0 aconseguida en forma d’un arxiu que organitza en el temps una narrativa sense territori fix ni punts \u00fanics de mirada.<\/p>\n

Les fotos de De Negri no nom\u00e9s donen compte d’all\u00f2 que representen, a saber: l’esdevenir i la mirada d’un artista i activista pol\u00edtic en el context repressiu, sin\u00f3 tamb\u00e9 dels dispositius i suports de representaci\u00f3 de l’\u00e8poca, experimentats no nom\u00e9s per mitj\u00e0 de la fotografia com a mitj\u00e0, sin\u00f3 tamb\u00e9 com a espai de trobada amb el cos -reconstru\u00eft i en interacci\u00f3, en un nou present: el fot\u00f2graf que retrata el fot\u00f2graf davant d’un carro llan\u00e7a-aig\u00fces; una bomba lacrim\u00f2gena fora del Palau de la Moneda, seu del govern xil\u00e8; mirades absents i presents en el funeral de l’estudiant Ronald Wood, tirotejat dies abans del retorn de Rodrigo a Santiago, on la vida quotidiana a les poblacions, carrers o cementiris es componia gaireb\u00e9 sempre d’episodis premonitoris. En la seva intenci\u00f3 documental i objectual, les fotos reunides i re-nascudes en l’espai d’exposici\u00f3 deixen recon\u00e8ixer la seva naturalesa visual en tant vehicles de mem\u00f2ria. L’exposici\u00f3 formula llavors un nou cos del subjecte desaparegut, reconstituint-lo a partir d’instant\u00e0nies d’un altre present.<\/p>\n","protected":false},"excerpt":{"rendered":"

En un retorn, les imatges del passat es barregen amb les del present. Com dos temps al mateix temps. Un paquet amb 22 rotllos fotogr\u00e0fics per ser revelats mai arriba…<\/p>\n","protected":false},"author":1303,"featured_media":8315,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nRodrigo Rojas de Negri: \u201cUn exilio sin retorno\u201d a Santiago de Chile – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/rodrigo-rojas-de-negri-un-exilio2521\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rodrigo Rojas de Negri: \u201cUn exilio sin retorno\u201d a Santiago de Chile – A*Desk\" \/>\n<meta property=\"og:description\" content=\"En un retorn, les imatges del passat es barregen amb les del present. 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