Uma certa falta de Coer\u00eancia<\/a> \u00e9s l’espai que des de fa cinc anys regenten els artistes Andr\u00e9 Sousa i Mauro Cerqueira. Per ell hi han passat en tot aquest temps creadors de primera talla mundial. \u00c9s el capritx de dos artistes que uns metres m\u00e9s amunt, regenten tamb\u00e9 una antiga impremta que han convertit en el seu estudi. Uma certa falta de Coer\u00eancia suposa un proc\u00e9s d’investigaci\u00f3 per a ells i cada exposici\u00f3 respon a un nou pas que el seu projecte ha de donar, en el personal i en la carrera art\u00edstica de cadascun.<\/p>\nPedro de Llano (Santiago de Compostel\u00b7la, 1977) ha estat l’encarregat de comissariar aquesta mostra impossible. La iniciativa, sorgida de l’amistat que l’uneix a Sousa i Cerqueira, va sorgir com un repte. A de Llano, que va tenir el seu primer contacte amb Graham l\u2019any 1996, quan el nord-americ\u00e0 va impartir un taller al CGAC (Santiago de Compostel\u00b7la), la idea de treballar amb aquest artista li semblava un repte.<\/p>\n
Despr\u00e9s dels dubtes inicials, va redactar una carta i enviar la proposta. L’objectiu era conv\u00e8ncer Graham d\u2019all\u00f2 positiu de dur el seu treball a aquest lloc, a un espai amb unes caracter\u00edstiques molt diferents a les que est\u00e0 acostumat. La profunda relaci\u00f3 que Uma certa falta de Coer\u00eancia mant\u00e9 amb el medi urb\u00e0, tant en l’arquitect\u00f2nic com en el social, va suposar un punt a favor i Graham va acceptar l’oferta.<\/p>\n
L’habitual falta de pressupost va portar l’artista a proposar una s\u00e8rie de v\u00eddeos -Two way mirror cylinder inside cube and a video salon, Classic and Recent Installations \/ Pavilions: 1974-2008 i Death by chocolate, que se sumen al ja esmentat Rock My Religion -i que de Llano, Sousa i Cerqueira van decidir completar amb un altre material trobat en la seva investigaci\u00f3. Aquesta partia de la consulta dels arxius de l’arquitecte Pedro de Llano -pare del comissari- i col\u00b7laborador de Graham en el disseny de diferents pavellons, com el realitzat per a la terrassa del CGAC, els dos projectes que van donar com a resultat el pavell\u00f3 dels jardins de la Fundaci\u00f3 Serralves (Porto) i uns altres dos per al MACBA i la Fundaci\u00f3 T\u00e0pies que mai van arribar a construir-se.<\/p>\n
Les maquetes de Pedro de Llano i els documents corresponents al proc\u00e9s es van disposar d’una manera que fugia de la febre del documental: fotocopiant i encolant a manera de cartell totes aquestes fulles sobre els murs de l’espai; improvisades peanyes sobre les quals descansen les maquetes i uns murs escrostonats sobre els quals es projecten els v\u00eddeos. El Coer\u00eancia \u00e9s un espai brut i atrotinat que retorna a Graham aquest punt underground que el cub blanc mai tindr\u00e0. Perqu\u00e8 Rock’n’Roll entre parets blanques \u00e9s una impostura i ho sabem.<\/p>\n
A aquest material se suma la maqueta que Graham va realitzar com a esb\u00f3s de l’escultura de granit de l\u2019Illa das Esculturas de la ciutat de Pontevedra -aconsellable lloc en el qual, en estat d’aband\u00f3, conviuen des de 1999 (comissariades per X. Ant\u00f3n Castro) una s\u00e8rie d’obres site specific d’artistes com Richard Long, Robert Morris, Giovanni Anselmo, Ian Hamilton, Jos\u00e9 Pedro Croft, Jenny Holzer o Ulrich R\u00fcckriem-.<\/p>\n
Tamb\u00e9 hi ha una mena de road trip que Sousa, Cerqueira i de Llanos han estat realitzat en els \u00faltims mesos, seguint a Graham all\u00e0 on sabien de la seva pres\u00e8ncia, fent entrevistes i visitant, entre altres, un curi\u00f3s pavell\u00f3 que l’artista va projectar per a una col\u00b7lecci\u00f3 privada d’Extremadura. El pavell\u00f3, mai contemplat in situ per l’artista, va obrir la possibilitat que Graham viatg\u00e9s a Porto per aquesta mostra del Coer\u00eancia i aprofit\u00e9s aix\u00ed per contemplar la seva obra a Villanueva de la Vera (C\u00e0ceres). Sousa, de Llanos i Cerqueira no van dubtar a despla\u00e7ar-se a aquell lloc, als peus de la Serra de Gredos, per filmar i posar el material a disposici\u00f3 de l’artista.<\/p>\n
Tant el projecte del Coer\u00eancia com Future \u00e9s Dan Graham<\/em>, nom que han donat a aquesta at\u00edpica exposici\u00f3, s\u00f3n l’exemple perfecte de que ni la crisi ni les \u00e0nsies destructives de la pol\u00edtica cultural de qualsevol color ens podran moure del lloc que ocupem. I si tant els fot, que s\u2019arromanguin els pantalons i vinguin a les clavegueres.<\/p>\n","protected":false},"excerpt":{"rendered":"Baixem la pronunciada pendent de la R\u00faa 2 Caldeireiros, un carrer ocult que ha quedat a\u00efllat enmig del proc\u00e9s de gentrificaci\u00f3 de la ciutat de Porto. El carrer s’estreny, els…<\/p>\n","protected":false},"author":1268,"featured_media":8323,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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