{"id":8353,"date":"2013-11-13T02:00:00","date_gmt":"2013-11-13T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/11\/13\/limits-de-la-nostalgia-cardiff\/"},"modified":"2013-11-13T02:00:00","modified_gmt":"2013-11-13T02:00:00","slug":"limits-de-la-nostalgia-cardiff","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/limits-de-la-nostalgia-cardiff\/","title":{"rendered":"L\u00edmits de la nost\u00e0lgia. Cardiff & Bures Miller"},"content":{"rendered":"

\"15-cm_killmach_2007_0.jpg\"<\/p>\n

El Museu d’Art Contemporani de San Diego<\/a> presenta una mostra retrospectiva del treball de Janet Cardiff i Georges Bures Miller. Fins el 21 de gener de 2014 es pot veure Lost in the Memory Palace<\/em> a la seu que el museu t\u00e9 a La Jolla.<\/p>\n

La selecci\u00f3 de peces recull exemples dels seus treballs des de mitjans dels noranta fins al present, oferint una panor\u00e0mica de les intencions subjacents a les seves instal\u00b7lacions. Les viatjades The Dark Pool<\/em> (1995) i The Muriel Lake Incident<\/em> (1999), Opera for a Small Room<\/em> (2003), la incre\u00efble Roadtrip<\/em> (2004), The Killing Machine<\/em> (2007) i el mediocre Experiment in F Minor<\/em> (2013), componen l’exhibici\u00f3.<\/p>\n

Com sempre, les seves s\u00f3n escenografies pautades fins a l’extrem, on el gui\u00f3 o l’estructura prevalen sobre la resta d’elements i determinen en alt grau l’experi\u00e8ncia del p\u00fablic. Poc marge queda per a la pluralitat de viv\u00e8ncies en les seves instal\u00b7lacions, ja que la meravella del virtuosisme t\u00e8cnic sembla ser condici\u00f3, si escau, per delimitar les barreres del que poden sentir o pensar els que s’acostin a les peces.<\/p>\n

Tanmateix, Cardiff i Bures Miller segueixen enfrontant-nos amb la sempre pertinent pregunta sobre els l\u00edmits de la ficci\u00f3. Jugant amb les barreres que separen el de dins del de fora en les seves obres al\u00b7ludeixen tamb\u00e9 a aquelles que defineixen la separaci\u00f3 entre la representaci\u00f3, la seva escenografia i la instituci\u00f3 que les acull. Quins s\u00f3n els l\u00edmits f\u00edsics i quins els connotats. Quin regeix sobre l’altre. Amb encert, les obres i el t\u00edtol ploren sobre les micro-hist\u00f2ries i ho fan dins dels murs d’un museu.<\/p>\n","protected":false},"excerpt":{"rendered":"

El Museu d’Art Contemporani de San Diego presenta una mostra retrospectiva del treball de Janet Cardiff i Georges Bures Miller. Fins el 21 de gener de 2014 es pot veure…<\/p>\n","protected":false},"author":1245,"featured_media":8287,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nL\u00edmits de la nost\u00e0lgia. 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