Cristina Garrido<\/a>, per cert).<\/p>\nJa dins del MACBA, primer de tot m\u2019indiquen la zona on opinar a trav\u00e9s del web-cam. Prescindeixo d’aquesta invitaci\u00f3, prefereixo anar-me’n despr\u00e9s a casa i comen\u00e7ar aquest article. Hi ha molts codis QR, audio-guies i objectes per jugar o tenir les mans ocupades. S\u00f3n coses de la nostra \u00e8poca: les mans ocupades, el cap buit. Prescindeixo, tamb\u00e9, d’aquest enganyifa tecnol\u00f2gica i entro a veure l’exposici\u00f3 a seques.<\/p>\n
La col\u00b7lecci\u00f3 t\u00e9 bones obres i bons artistes, clar que s\u00ed!
\nUn bon rep\u00e0s hist\u00f2ric per les avantguardes pre- i post guerra; genial xafardejar entre els n\u00fameros d\u2019ASPEN the multim\u00e8dia magazine, un plaer, com sempre, grans hits com Mata Clark, Martha Rosler, Art & Language o GATPAC.<\/p>\n
Per\u00f2 veure obres en un museu de vegades \u00e9s com veure animals en un zoo: s\u00f3n bonics, per\u00f2 tancats no tenen sentit. I aix\u00f2 \u00e9s una mica el que vaig sentir amb l’exposici\u00f3 de les col\u00b7leccions del MACBA i “La Caixa”: no t\u00e9 ra\u00f3 de ser si tot est\u00e0 tancat, sense comunicar-se des de fora cap a dins i viceversa. Res m’interpel\u00b7la aqu\u00ed i ara, encara que sigui a trav\u00e9s del passat. Res arrenca de la hist\u00f2ria un trist di\u00e0leg amb el nostre temps. Res que tingui a veure amb la vida dels que habiten aquesta ciutat avui entra ni surt del MACBA. I aix\u00f2 que el museu \u00e9s di\u00e0fan i transparent, arquitect\u00f2nicament parlant.<\/p>\n
Participaci\u00f3 no \u00e9s opini\u00f3 i preguntar al p\u00fablic sobre el que pensen de l’art contemporani no permet replantejar continguts, tampoc anar m\u00e9s enll\u00e0 de l’obra per a (re)inserir-la en la\/es hist\u00f2ria\/es. En el recorregut per la col\u00b7lecci\u00f3 hi ha molts dispositius per interactuar virtualment, streaming i coses en temps real, tamb\u00e9 realitat augmentada, per\u00f2 el nostre temps permet i necessita la interpel\u00b7laci\u00f3 directa.<\/p>\n
Sortir per una webcam dient el que a cadasc\u00fa li sembla nom\u00e9s genera opini\u00f3, no pas criteri, ni cr\u00edtica. I la gent, en general, pensa dues coses de l’art contemporani, les dues extremes: o que \u00e9s una merda i una estafa o que \u00e9s molt bonic i interessant. Aix\u00ed que utilitzo part de l’esl\u00f2gan de comunicaci\u00f3 de Art 2 punts, com a pregunta final: Barcelona viu l’art contemporani, per\u00f2 l’art contemporani viu a Barcelona?<\/p>\n","protected":false},"excerpt":{"rendered":"
Anar al museu sense amor, amb la mateixa desgana amb qu\u00e8 es va a votar als que et semblen menys dolents. Anar al museu o anar a votar, dues activitats…<\/p>\n","protected":false},"author":1275,"featured_media":8377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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