{"id":8401,"date":"2013-11-25T02:00:00","date_gmt":"2013-11-25T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/11\/25\/remap-4-l-art-i-la-identitat\/"},"modified":"2013-11-25T02:00:00","modified_gmt":"2013-11-25T02:00:00","slug":"remap-4-l-art-i-la-identitat","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/remap-4-l-art-i-la-identitat\/","title":{"rendered":"ReMap 4 : l’art i la identitat"},"content":{"rendered":"

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\nEn temps de crisi financera, la cultura \u00e9s una de les primeres \u00e0rees que pateix les anomenades “retallades”. Ho hem vist a Espanya, amb diversos museus i artistes que lluiten per guanyar-se la vida. Gr\u00e8cia no \u00e9s l’excepci\u00f3. Per a un dels pa\u00efsos m\u00e9s durament afectats econ\u00f2micament, la cultura no pot situar-se en primera l\u00ednia de l’agenda del govern. Afortunadament, per\u00f2, els organitzadors de ReMap 4<\/a> van pensar diferent. L’edici\u00f3 d’aquest any, que \u00e9s la quarta, semblava estar tenint lloc no malgrat la crisi, sin\u00f3 a causa d’ella. Els organitzadors van sentir la necessitat d’abordar el tema a trav\u00e9s de l’art presentat, i la seva decisi\u00f3 hauria d\u2019inspirar-nos a tots per adonar-nos que l’art pot moltes vegades ser un refugi, un di\u00e0leg, un manifest, una protesta o fins i tot una soluci\u00f3.<\/p>\n

La crisi actual tamb\u00e9 s’ha convertit en una q\u00fcesti\u00f3 pol\u00edtica, una crisi social i sens dubte una d\u2019existencial. Sota aquestes circumst\u00e0ncies, una gran part de la societat grega ha arribat a q\u00fcestionar i buscar (re)definir la seva identitat. Almenys hauria de fer-ho. Remap 4, una plataforma d’art contemporani que reuneix la majoria dels galeries, artistes i curadors emergents internacionals, va prendre l’esfera p\u00fablica d’Atenes del 8 al 30 de setembre i va transformar, va comentar i va complementar el paisatge urb\u00e0 dels barris de Kerameikos i Metaxourgio.<\/p>\n

En el context sociopol\u00edtic actual, ReMap 4 va re-visitar els problemes als quals s’enfronta el pa\u00eds i els va re-presentar en alguns casos a trav\u00e9s d’una lent art\u00edstica i en d\u2019altres, d’una manera for\u00e7a crua i sense disfressa. Tal \u00e9s el cas de les obres de Stelios Karamanolis, que fa que els retrats del seu avi, un heroi de la Segona Guerra Mundial, actuin com a record d’una figura coneguda per ell nom\u00e9s a trav\u00e9s d’hist\u00f2ries i fotografies, retrats, que al mateix temps, segons el mateix artista, s\u00f3n la manifestaci\u00f3 material de la metaf\u00edsica de la vida. Aquest intent revela un anhel o la recerca d’una identitat perduda o potser una certa nost\u00e0lgia per alg\u00fa a qui l’artista mai va con\u00e8ixer, per\u00f2 que d’alguna manera ha idolatrat. Altres obres com les de Bill Balaskas, Ley Iam o Hanna Liden reflecteixen la situaci\u00f3 sociopol\u00edtica vol\u00e0til i actuen com un mapa de l’estat psicol\u00f2gic i material en descomposici\u00f3.<\/p>\n

Paral\u00b7lelament a la cr\u00edtica social que va exercir, ReMap 4 tamb\u00e9 va acostar-se a les q\u00fcestions de car\u00e0cter m\u00e9s art\u00edstic. Tal \u00e9s el cas de l’exposici\u00f3-a-l\u2019-exposici\u00f3 “In the studio”, que va ser presentada a la Kunsthalle Athena, on 41 artistes i les seves obres van retornar a un dels moments fonamentals en tot proc\u00e9s: la g\u00e8nesi de les obres d\u2019art. “In the studio” observa els factors i etapes d’una obra, des del moment de la seva concepci\u00f3, la din\u00e0mica del taller de l’artista i fins a la seva santificaci\u00f3. Mirant els models, maquetes i obres d’art inacabades els visitants podien sentir la dimensi\u00f3 oportuna d’aquest proc\u00e9s, mentre es visualitzava l’objecte material en proc\u00e9s de ser (re)format, un estat de canvi que la societat grega est\u00e0 experimentant tamb\u00e9 en aquest moment.<\/p>\n

En general, podr\u00edem veure ReMap 4 com a una met\u00e0fora de la condici\u00f3 f\u00edsica i psicol\u00f2gica de tota una societat, un esb\u00f3s de les restes materials dels barris atenesos, per\u00f2 tamb\u00e9 de l’\u00e8tica i la resist\u00e8ncia emocional dels grecs, la rutina dels quals s’ha transformat en una lluita di\u00e0ria per la superviv\u00e8ncia. En identificar els temes recurrents de la vida i la mort, la decad\u00e8ncia i la resurrecci\u00f3 al llarg de l’exposici\u00f3, un no podia deixar de preguntar-se si aquests temes s\u00f3n la resposta al dest\u00ed del pa\u00eds. Potser al final, en aquest context particular, tot es redueixi a una q\u00fcesti\u00f3 d’identitat. Qu\u00e8 est\u00e0 passant amb la societat grega? Qui \u00e9s el grec modern? Igual que les pintures de Wesley Martin Berg, el ciutad\u00e0 d’avui (una q\u00fcesti\u00f3 internacional, al cap i a la fi) \u00e9s un rodam\u00f3n itinerant, una amalgama, barreja de l’antic “hobo” (jornaler migratori) -encara que sense l’aire bohemi i el car\u00e0cter seductor d’antigament- i de la contempor\u00e0nia condemna a l’esclavitud davant els seus propis desitjos i les conspiracions pol\u00edtiques i financeres. No \u00e9s estrany que sigui el moment de plantejar la pregunta: “Qui s\u00f3c jo? Qu\u00e8 s\u00f3c jo?” Pot resultar gaireb\u00e9 impossible definir exactament qu\u00e8 \u00e9s l’art, per\u00f2 en aquest cas l’art s\u00ed que pot almenys ajudar a redefinir qu\u00e8 \u00e9s la nostra identitat.<\/p>\n","protected":false},"excerpt":{"rendered":"

En temps de crisi financera, la cultura \u00e9s una de les primeres \u00e0rees que pateix les anomenades “retallades”. Ho hem vist a Espanya, amb diversos museus i artistes que lluiten…<\/p>\n","protected":false},"author":1308,"featured_media":8363,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nReMap 4 : l'art i la identitat – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/remap-4-l-art-i-la-identitat\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ReMap 4 : l'art i la identitat – A*Desk\" \/>\n<meta property=\"og:description\" content=\"En temps de crisi financera, la cultura \u00e9s una de les primeres \u00e0rees que pateix les anomenades “retallades”. 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