{"id":8403,"date":"2013-11-28T02:00:00","date_gmt":"2013-11-28T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/11\/28\/proces-i-metode-de-la-historia-al\/"},"modified":"2013-11-28T02:00:00","modified_gmt":"2013-11-28T02:00:00","slug":"proces-i-metode-de-la-historia-al","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/proces-i-metode-de-la-historia-al\/","title":{"rendered":"Proc\u00e9s i m\u00e8tode de la Hist\u00f2ria al Guggenheim de Bilbao"},"content":{"rendered":"

\"Xabier
\nEl prendre la Hist\u00f2ria com a objecte de consideraci\u00f3 art\u00edstica, plausible d’interpretacions, i per tant susceptible d’experimentar successives metamorfosis -independentment de considerar-les artificials o no-, produeix generalment en l’espectador una sensaci\u00f3 de confrontaci\u00f3 entre el que considera \u00abseu\u00bb i el que no, entre l’aut\u00f2cton i l\u2019al\u00b7l\u00f2cton. Aquesta dicotomia \u00e9s la l\u00ednia base que rau en la mostra que es pot visitar al Museu Guggenheim de Bilbao, una exposici\u00f3 a \u00abtres mans\u00bb que sota el lema \u00abProc\u00e9s i m\u00e8tode<\/a>\u00bb engloba obres de tres dels artistes bascos m\u00e9s representatius del moment : I\u00f1aki Garmendia<\/a>, Erlea Maneros Zabala<\/a> i Xabier Salaberria<\/a>.<\/p>\n

La Hist\u00f2ria nom\u00e9s es produeix quan es troben esdeveniments i \u00e9ssers, un enunciat aquest, en principi nom\u00e9s narratiu, que m’he perm\u00e8s treure de la teoria cinematogr\u00e0fica que Seymour Chatman va desenvolupar a \u00abStory and Discurse: Narrative Structure in Fiction and Film\u00bb, i que aplico igualment al d’Hist\u00f2ria, ja que tot el que succeeix en el temps \u00e9s narraci\u00f3, i la Hist\u00f2ria, \u00e9s obvi, passa sempre en termes temporals. Aix\u00ed, les obres de Garmendia, Maneros Zabala i Salaberria incorporen irremeiablement als seus relats esdeveniments que precedeixen o que segueixen al fet hist\u00f2ric en si. Aquest succ\u00e9s perif\u00e8ric dota al treball dels artistes d’una altra dualitat superposada de la localitat a qu\u00e8 feia refer\u00e8ncia anteriorment.<\/p>\n

L’acci\u00f3 ara descrita, consubstancial a tota interpretaci\u00f3, ens porta a plantejar-nos que potser no \u00e9s casualitat que en el text de presentaci\u00f3 de la mostra es faci refer\u00e8ncia al proc\u00e9s hermen\u00e8utic del treball dels artistes, i que el t\u00edtol triat sigui precisament \u00abProc\u00e9s i m\u00e8tode\u00bb. Una clara al\u00b7lusi\u00f3? a l’obra \u00abVeritat i m\u00e8tode\u00bb del considerat pare de l’hermen\u00e8utica Hans – Georg Gadamer, i de la qual he de confessar que \u00fanicament em vaig llegir el primer volum, i fa d’aix\u00f2 tants anys que a penes recordo els detalls, per\u00f2 s\u00ed prou per tenir present que tota interpretaci\u00f3 ha d’allunyar-se de les nostres limitacions, ja que \u00e9s inevitable que el proc\u00e9s hermen\u00e8utic vari\u00ef a mesura que avanci. En transformar \u00abveritat\u00bb per \u00abproc\u00e9s\u00bb, tant Garmendia com Maneros Zabala com Salaberria ens indiquen que la Hist\u00f2ria \u00e9s tramposa, per\u00f2 tamb\u00e9 que per aix\u00f2 mateix es pot experimentar des de diferents actuacions: Garmendia a trav\u00e9s de la intra-hist\u00f2ria local; Maneros Zabala mitjan\u00e7ant la investigaci\u00f3 de la relaci\u00f3 entre hist\u00f2ria i mitjans de comunicaci\u00f3, i Salaberria preguntant-se pel concepte de \u00abmodernitat\u00bb dins del camp dels agents art\u00edstics.<\/p>\n","protected":false},"excerpt":{"rendered":"

El prendre la Hist\u00f2ria com a objecte de consideraci\u00f3 art\u00edstica, plausible d’interpretacions, i per tant susceptible d’experimentar successives metamorfosis -independentment de considerar-les artificials o no-, produeix generalment en l’espectador una…<\/p>\n","protected":false},"author":1284,"featured_media":8382,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nProc\u00e9s i m\u00e8tode de la Hist\u00f2ria al Guggenheim de Bilbao – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/proces-i-metode-de-la-historia-al\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Proc\u00e9s i m\u00e8tode de la Hist\u00f2ria al Guggenheim de Bilbao – A*Desk\" \/>\n<meta property=\"og:description\" content=\"El prendre la Hist\u00f2ria com a objecte de consideraci\u00f3 art\u00edstica, plausible d’interpretacions, i per tant susceptible d’experimentar successives metamorfosis -independentment de considerar-les artificials o no-, produeix generalment en l’espectador una...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/proces-i-metode-de-la-historia-al\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2013-11-28T02:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/11\/Xabier_Salaberria.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"439\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Susana G. 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