Nau Estruch<\/a>, l’ambient era fred i el terra, brut. La distribuci\u00f3 d’elements com projectors i pantalles en l’espai era estranya. El desconcert del p\u00fablic en veure que no hi havia en el lloc cap zona determinada destinada a nosaltres, cap platea, cap recorregut clar marcat, em va fer sospitar que els assistents haur\u00edem de participar activament, haur\u00edem de moure’ns, de fer alguna cosa. Ning\u00fa sabia b\u00e9 on posar-se fins que en una de les pantalles va comen\u00e7ar a projectar-se la cara d’una noia que parlava. M\u00e9s tard va apar\u00e8ixer un personatge de carn i ossos, l’Ariadna, que enfilada sobre una peanya baixa va comen\u00e7ar a fer playback sobre un discurs rob\u00f2tic. No s\u00e9 exactament quanta estona va passar per\u00f2 mentre va durar l’obra \u201cI\u2019m sick of thinking that my dead friends have gone to the Canary Islands\u201d, de Momu & No Es, els assistents vam haver de fer aquagym sense aigua, vam haver de ballar, vam haver d’escollir entre una aleta de pollastre o un bra\u00e7alet fosforescent. A alguns els van fer fora de la nau com a conseq\u00fc\u00e8ncia de la decisi\u00f3. A un se’l va emportar una limusina i altres vam haver d’estar dins la nau fins que va semblar que tot plegat s’acabava i ens van enunciar que est\u00e0vem morts.<\/p>\nNo s\u00e9 si vaig entendre el qu\u00e8 havia d’entendre. Personalment em van cridar molt m\u00e9s l’atenci\u00f3 les jerarquies dels diferents rols (p\u00fablic, autores, actors) que el contingut en s\u00ed de l’obra. Per aix\u00f2 vull pensar que del qu\u00e8 anava era de la decepci\u00f3: d’intentar fer-nos creure que pel simple fet de poder escollir un parell de coses potser ten\u00edem alguna mena de control sobre la situaci\u00f3 i que aix\u00f2 fos una mentida evident per a tots i totes les que est\u00e0vem all\u00e0. Aquesta decepci\u00f3, per tant, es desenvoluparia a dos nivells: per una banda, com una causa de la mentida frustrada, ja que era ben clar que en cap moment ning\u00fa va creure tenir alguna mena de control; i d’altra banda, per part dels assistents en veure que ens intentaven fer creure una farsa com aquesta i que, tot i no creure-hi, segu\u00edem el joc, les normes. Tot aquest engany es presentava amb una est\u00e8tica elaborada a partir de la tergiversaci\u00f3 de s\u00edmbols inconnexes entre ells, aix\u00ed com de la falsa autoritzaci\u00f3 del p\u00fablic. La jerarquia regnava entre tots nosaltres de tal manera que ens negava com a individus i ens portava a seguir les ordres i fer accions absurdes sota la mentida de sentir-nos protagonistes. I potser \u00e9s aqu\u00ed on trobo el sentit: en el fet que ho f\u00e9ssim en una mena d’in\u00e8rcia col\u00b7lectiva sense ni q\u00fcestionar-ho.<\/p>\n
El requeriment de la participaci\u00f3 activa del p\u00fablic no sempre s’apropa a la idea d’un teatre en el que els espectadors abandonen el seu rol per passar a ser actors o fins i tot autors de la pe\u00e7a. \u00c9s a dir, en el cas de l’obra \u201cI\u2019m sick of thinking that my dead friends have gone to the Canary Islands\u201d, que els assistents hagu\u00e9ssim de ballar o escollir entre dues opcions, no vol dir que deix\u00e9ssim de ser p\u00fablic ja que les vies que se’ns presentaven eren limitades: encara que semblava que ten\u00edem tot el protagonisme perqu\u00e8 els actors i les veus es dirigien a nosaltres, la individualitat de cadasc\u00fa, o fins i tot la identitat del p\u00fablic com a col\u00b7lectiu, s’ignorava i es negava. No tenia cap mena d’import\u00e0ncia. Hav\u00edem de complir amb les ordres perqu\u00e8 l’obra es desenvolup\u00e9s tal i com s’havia planejat. Qualsevol opci\u00f3 contr\u00e0ria… no me la puc imaginar.<\/p>\n","protected":false},"excerpt":{"rendered":"
\u201cVine a les Illes Can\u00e0ries, l’\u00fanic lloc del m\u00f3n on la temperatura \u00e9s ideal per a tu tot l’any, necessites venir a les Illes Can\u00e0ries… vine a les illes…\u201d Una…<\/p>\n","protected":false},"author":1259,"featured_media":8404,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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<\/p>\n