{"id":8457,"date":"2013-12-13T02:00:00","date_gmt":"2013-12-13T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/12\/13\/tris-vonna-michell-la-carrera-d-un\/"},"modified":"2013-12-13T02:00:00","modified_gmt":"2013-12-13T02:00:00","slug":"tris-vonna-michell-la-carrera-d-un","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/tris-vonna-michell-la-carrera-d-un\/","title":{"rendered":"Tris Vonna-Michell: la carrera d’un conta-contes"},"content":{"rendered":"

\"Tris
\nVaig con\u00e8ixer Tris Vonna-Michell l\u2019any 2006. Va ser en un d’aquests viatges que es fan durant els m\u00e0sters de comissariat. An\u00e0vem a Berl\u00edn, per\u00f2 vam tenir la sort de passar per la St\u00e4delschule de Frankfurt durant la Rundgang<\/em>, el moment de l’any en qu\u00e8 tots els alumnes exposen el seu treball en els estudis de l’escola. Per a un grup de m\u00e9s o menys unes 15 noies recentment instal\u00b7lades a la dur\u00edssima Londres, en un curs en qu\u00e8 es fomentava la competitivitat i la professionalitzaci\u00f3, la famosa escola de belles arts de Frankfurt ens va semblar un oasi. Els alumnes anaven amb bicicleta, cuinaven i menjaven junts, i sobretot, hi havia una relaci\u00f3 molt especial i directa amb els professors, tots artistes de renom, entre ells Simon Starling, Douglas Gordon, Tobias Rehberger o Judith Hopf.<\/p>\n

Tris Vonna Michell -crec recordar- era a la classe dels conceptual\u00edssims que portava Simon Starling, artista a qui admiro. Se’ns va presentar al menjador. Recordo que era un noi que parlava angl\u00e8s amb un fort accent del nord i molt r\u00e0pid. Jo no entenia la meitat del que deia per\u00f2 em resultava intu\u00eftivament interessant. Disparava una idea darrere d’una altra, com en les seves pr\u00f2pies performances, i el ritme de la seva veu tenia una mica de captivador i, gr\u00e0cies al meu angl\u00e8s b\u00e0sic, abstracte. Recordo que va esmentar com una de les seves refer\u00e8ncies a W.G. Sebald. Jo just acabava de llegir Austerlitz<\/em> i aix\u00f2 em va servir de pista per entendre la relaci\u00f3 que podia existir en la seva obra entre el text i la imatge, no com il\u00b7lustraci\u00f3 directa del que es diu, sin\u00f3 com apunt transversal al relat. Era fant\u00e0stic que algun artista aconsegu\u00eds no esmentar ni a Debord ni Ranci\u00e8re en tota la conversa.<\/p>\n

Aquella nit Vonna-Michell va realitzar una performance en la qual, de manera hipn\u00f2tica, anava explicant un complex\u00edssim relat, que saltava de personatge en personatge, de Par\u00eds a Berl\u00edn en una complicada hist\u00f2ria de detectius durant la Guerra Freda, per despr\u00e9s trobar-se amb Chopin i amb altres personatges al ritme espec\u00edfic d’un projector de diapositives. Em va semblar una mica m\u00e9s proper a un esdeveniment literari, amb una veu captivadora, que a les exposicions que havia vist fins llavors. \u00c9s curi\u00f3s com ara s’ha convertit en una cosa bastant com\u00fa, repetit fins a la sacietat en sagues de joves artistes storytellers<\/em>. Vam parlar sobre els inconvenients o avantatges de mostrar les seves performances en un lloc de parla no anglesa, de si era imprescindible entendre tot el relat o no, i com podria fer-se una traducci\u00f3 simult\u00e0nia i si tindria sentit.<\/p>\n

La seg\u00fcent vegada que vaig veure el seu treball va ser al cap d’un any en una gran individual que va realitzar en Witte de With, a Rotterdam. Emocionada, vaig escriure un text per al suplement Cultura\/s<\/em> de La Vanguardia a l’agost de 2007. Esmentava la seva relaci\u00f3 amb la Ursonate<\/em> de Kurt Schwitters, sobretot perqu\u00e8 seguia sense entendre’l, i em recordava a aquest conjunt de poemes de sons sense sentit, caracteritzats per un \u00fas del llenguatge r\u00e0pid i abstracte. I tamb\u00e9 comentava el graci\u00f3s que em resultava que un jove blanc i prim vest\u00eds amb una gorra de beisbol i un jersei talla XXL, abans que el hipster<\/em> exist\u00eds de forma massiva.<\/p>\n

Al desembre de 2013 el seu treball s’exposa per primera vegada a Barcelona, dins del cicle d’exposicions The Story Behind<\/em>. Les seves hist\u00f2ries no estan tant “darrere” com “entre” una amalgama de refer\u00e8ncies i imatges sincopades. L’obra A Watermark: Capitol Complex<\/em> (2013) consta d’una projecci\u00f3 de diapositives que mostra un collage d’imatges de la ciutat de Chandigarh, constru\u00efda per Le Corbusier a l’\u00cdndia, i altres imatges m\u00e9s abstractes. Les diapositives est\u00e0 sincronitzades amb un \u00e0udio de la veu de l’artista. Per\u00f2 no tornar\u00e9 a parlar del treball de Tris Vonna-Michell de nou.<\/p>\n

A m\u00e9s poc queda ja per dir quan fins i tot Hans Ulrich Obrist i Massimiliano Gioni han escrit sobre ell, sobre la velocitat del llenguatge, sobre la relaci\u00f3 entre realitat i ficci\u00f3, sobre la repetici\u00f3 i sobre la mem\u00f2ria en revistes de tot el m\u00f3n. Potser el m\u00e9s interessant, en boca d’Elena Filipovic, sigui la seva relaci\u00f3 amb la tradici\u00f3 oral del conta-contes. Actualment no podem comptar amb la seva hipn\u00f2tica pres\u00e8ncia, per\u00f2 s\u00ed amb la seva veu, aix\u00ed que ser\u00e0 millor que passin i l’escoltin.<\/p>\n","protected":false},"excerpt":{"rendered":"

Vaig con\u00e8ixer Tris Vonna-Michell l\u2019any 2006. Va ser en un d’aquests viatges que es fan durant els m\u00e0sters de comissariat. An\u00e0vem a Berl\u00edn, per\u00f2 vam tenir la sort de passar…<\/p>\n","protected":false},"author":1285,"featured_media":8432,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nTris Vonna-Michell: la carrera d'un conta-contes – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/tris-vonna-michell-la-carrera-d-un\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tris Vonna-Michell: la carrera d'un conta-contes – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Vaig con\u00e8ixer Tris Vonna-Michell l\u2019any 2006. 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