{"id":8473,"date":"2013-12-19T02:00:00","date_gmt":"2013-12-19T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2013\/12\/19\/sobre-la-literaturitzacio-holy\/"},"modified":"2013-12-19T02:00:00","modified_gmt":"2013-12-19T02:00:00","slug":"sobre-la-literaturitzacio-holy","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/sobre-la-literaturitzacio-holy\/","title":{"rendered":"Sobre la literaturitzaci\u00f3: \u201cHoly Bible\u201d i la divina viol\u00e8ncia"},"content":{"rendered":"<p><img decoding=\"async\" class=\" alignleft size-full wp-image-8469\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2013\/12\/holy-bible.jpg\" alt=\"holy-bible.jpg\" align=\"left\" width=\"670\" height=\"465\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2013\/12\/holy-bible.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2013\/12\/holy-bible-576x400.jpg 576w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><\/p>\n<p>Bertolt Brecht portava amb ell una B\u00edblia plena d&#8217;anotacions i imatges. La tractava com si fos una llibreta i a la portada hi tenia enganxada la fotografia d&#8217;un cotxe de carreres que havia retallat d&#8217;un diari. Brecht no nom\u00e9s va ser contemporani de Walter Benjamin, tamb\u00e9 amic del fil\u00f2sof de la reproductibilitat t\u00e8cnica, que va enunciar que a partir d&#8217;aleshores l&#8217;obra d&#8217;art seria accessible per a les masses i contribuiria al que va anomenar \u201cliteraturitzaci\u00f3\u201d de les formes de vida -concepte que fa refer\u00e8ncia a un proc\u00e9s de superaci\u00f3 dels rols \u201cautor\u201d (productor) i \u201clector\u201d (consumidor) per passar a parlar del que actualment anomenem prosumer-. D&#8217;alguna manera la teoria de Benjamin i la B\u00edblia de Brecht no em deixen de semblar dos elements del tot relacionats i \u00e9s que, el que un posava en paraules l&#8217;altre ho transformava a fets.<\/p>\n<p>Basant-se en aquest objecte personal de Brecht, els artistes Adam Broomberg i Oliver Chanarin han elaborat el projecte &#8220;<a href=\"http:\/\/www.mackbooks.co.uk\/books\/68-Holy-Bible.html\">Holy Bible<\/a>&#8221; una B\u00edblia il\u00b7lustrada amb imatges procedents de l&#8217;Archive of Modern Conflict, de Londres. Encara que han mantingut tant el format com el contingut de l&#8217;objecte, les imatges que han seleccionat de l&#8217;arxiu han estat impreses directament damunt del text, fent aix\u00ed que fragments d&#8217;aquest no siguin visibles, i amb color vermell han subratllat a cada p\u00e0gina algunes de les paraules que hi apareixen.<\/p>\n<p>D&#8217;aquesta manera, quan tenim la \u201cHoly Bible\u201d a les mans, el tipus de lectura que portem a terme passa per una recerca r\u00e0pida per la p\u00e0gina buscant un tra\u00e7 vermell i una posterior mirada a la imatge. El text b\u00edblic no subratllat s&#8217;ignora i el tema sobre el que llegim passa a ser el de la viol\u00e8ncia. I \u00e9s que tan violent com \u00e9s el gest de Broomberg i Chanarin de prohibir-nos l&#8217;acc\u00e9s a un text per mitj\u00e0 de la col\u00b7locaci\u00f3 d&#8217;imatges, com si fos una mena de censura; ho \u00e9s tamb\u00e9 el contingut de les imatges, en les que hi veiem a persones an\u00f2nimes mortes; saltant d&#8217;un vaixell en flames; paisatges devastats; soldats; armes; un nen lligat a un arbre; una flor; sang; cossos amuntegats els uns sobre els altres&#8230; tot plegat pervertint un text que \u00e9s, per a molts, sagrat. A la duresa del gest i de les imatges s&#8217;hi ha d&#8217;afegir la po\u00e8tica -no pas menys violenta- de les paraules subratllades en vermell, que pel simple fet d&#8217;estar remarcades, adquireixen r\u00e0pidament un vincle amb la imatge, com si els mots concrets haguessin estat sempre all\u00e0 sols per esperar la fotografia adequada.<\/p>\n<p>A \u201cHoly Bible\u201d hi trobem tamb\u00e9 un fragment del text \u201cTwo Essays on God and Disaster\u201d, d&#8217;Adi Ophir. Titulat \u201cDivine Violence\u201d aquest escrit del fil\u00f2sof israeli\u00e0 explica que en cada ocasi\u00f3 en la qu\u00e8, segons la narraci\u00f3 b\u00edblica, D\u00e9u s&#8217;ha presentat davant dels homes, s&#8217;ha produ\u00eft alguna desgr\u00e0cia, natural o provocada pels humans, que s&#8217;ha justificat com una senyal divina. Ophir parla de les v\u00edctimes de les calamitats, dels c\u00e0stigs divins que s&#8217;han guanyat degut a l&#8217;incompliment d&#8217;alguna llei que desconeixien, com a la materialitzaci\u00f3 de D\u00e9u a la Terra. Si tenim en compte aquesta condici\u00f3, el treball de Broomberg i Chanarin es pot interpretar com una transformaci\u00f3 de la B\u00edblia en un \u00e0lbum de fotos que repassa algunes de les escenes en les que un suposat D\u00e9u ha tingut lloc a la Terra a trav\u00e9s de v\u00edctimes an\u00f2nimes. \u201cHoly Bible\u201d \u00e9s potser una manera de passar comptes amb una figura divina que ha estat creada i mantinguda per l&#8217;\u00e9sser hum\u00e0 i que ha servit i serveix per justificar moltes de les seves barbaritats. <\/p>\n<p>Torno a Benjamin i penso que potser \u00e9s a aquesta mena de pr\u00e0ctiques a les que ell es referia, tamb\u00e9, quan parlava de la literaturitzaci\u00f3 de les formes de vida. Una literaturitzaci\u00f3 que en alguns casos passar\u00e0 per la viol\u00e8ncia -com el gest de Brecht i recentment de Broomberg i Chanarin- per\u00f2 que permetr\u00e0 la renovaci\u00f3 potser infinita dels discursos, fins i tot d&#8217;aquells que semblaven m\u00e9s consagrats.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bertolt Brecht portava amb ell una B\u00edblia plena d&#8217;anotacions i imatges. La tractava com si fos una llibreta i a la portada hi tenia enganxada la fotografia d&#8217;un cotxe de&#8230;<\/p>\n","protected":false},"author":1259,"featured_media":8469,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Sobre la literaturitzaci\u00f3: \u201cHoly Bible\u201d i la divina viol\u00e8ncia &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/sobre-la-literaturitzacio-holy\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sobre la literaturitzaci\u00f3: \u201cHoly Bible\u201d i la divina viol\u00e8ncia &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Bertolt Brecht portava amb ell una B\u00edblia plena d&#8217;anotacions i imatges. 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