MOR, un Museu Oral de la Revoluci\u00f3,<\/a> concebut per Beatriz Preciado i realitzat a partir de la investigaci\u00f3 i la col\u00b7laboraci\u00f3 dels alumnes del PEI (Programa d’Estudis Independents) del MACBA. Arxiu-exposici\u00f3 performatiu i sonor, el MOR es va estructurar en tallers, performances, itineraris pel Raval i interpretacions p\u00fabliques d’enunciats, discursos o manifestos. Totes les activitats es van tra\u00e7ar partint del q\u00fcestionament sobre com fer audibles (en el context del museu i de la ciutat contempor\u00e0nia) els llenguatges hist\u00f2rics de transformaci\u00f3 social, i inventats per les minories racials, de g\u00e8nere, sexuals, corporals i de diversitat funcional i cognitiva.<\/p>\n![\"b)](\"http:\/\/a-desk.org\/wp-content\/uploads\/2013\/12\/mor-foto-texto.jpg\")
<\/p>\n
Des Tussaint-Louverture, Olympe de Gouges, Jean Deroin, Karl Ulrich i Larry Kramer entre d’altres, s’han escoltant veus de cossos abjectes que s’han declarat subjectes pol\u00edtics sense haver tingut dret a parlar p\u00fablicament. Com succeeix aix\u00f2? va preguntar Ranci\u00e8re. Es va convidar als artistes i participants a respondre aquesta i d\u2019altres preguntes: Com s’inventa una escena de l’enunciaci\u00f3? Quina \u00e9s la “veu contempor\u00e0nia” que irromp en el llenguatge de la llei per interrompre el seu funcionament un\u00edvoc? Va q\u00fcestionar J. Butler.<\/p>\n
Moltes de les experi\u00e8ncies a qu\u00e8 es fan refer\u00e8ncia a l’arxiu MOR deixen clar que hi ha un valor important en la manera en qu\u00e8 les minories llancen enunciats constru\u00efts col\u00b7lectivament. De forma molecular, microsc\u00f2pica, exc\u00e8ntrica i no per aix\u00f2 inexistent. Amb el mateix efecte acumulatiu que ens va provocar als participants, l’experi\u00e8ncia d’intensificar l’escolta en la foscor o l’enunciaci\u00f3 d’actes de la parla, la oralitat del que s’ha dit va passar de imperceptible i individual col\u00b7lectiva i corp\u00f2ria. Resson\u00e0ncies, ecos, veus. Ja no eren les nostres, sin\u00f3 de tots.<\/p>\n
La invitaci\u00f3 a entendre ara la pot\u00e8ncia de la nostra situaci\u00f3 com una conjunci\u00f3 concreta de cossos, sentits, tasques, rutines, i interrupcions era clara, i ens conduiria a assumir que els cossos que “es continuen”, diu Marina Garc\u00e9s, tindran la possibilitat de construir una veu composta de multitud, org\u00e0nica i diversa. Aquesta concatenaci\u00f3 de cossos nascuda de la efracci\u00f3 construeix sens dubte una riquesa col\u00b7lectiva. Per uns dies, el MOR va donar una treva a la parella “museu- propietari” i \u201cindividus-sense-res-a-perdre”, afavorint la possibilitat que comencessin a escoltar-se. \u00c9s una invitaci\u00f3 oberta en el temps que valdria la pena repetir.<\/p>\n","protected":false},"excerpt":{"rendered":"
Entre el museu i la ciutat hi ha una relaci\u00f3 contractual (entenent la ciutat com a infraestructura d’ens privats i no privats que es relacionen). Marina Garc\u00e9s Marina Garc\u00e9s [[Marina…<\/p>\n","protected":false},"author":1292,"featured_media":8490,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
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