{"id":8546,"date":"2014-01-10T02:00:00","date_gmt":"2014-01-10T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/01\/10\/un-gran-marge-d-errors\/"},"modified":"2014-01-10T02:00:00","modified_gmt":"2014-01-10T02:00:00","slug":"un-gran-marge-d-errors","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/un-gran-marge-d-errors\/","title":{"rendered":"Un gran marge d’errors"},"content":{"rendered":"

\"Margen
\nDesmantellar els discursos hist\u00f2rics i paradigmes colonials subjacents en les narratives hegem\u00f2niques espanyoles \u00e9s el prop\u00f2sit del col\u00b7lectiu Declinaci\u00f3n Magn\u00e9tica<\/em> a l’exposici\u00f3 “Margen de error”, a la Tasneem Gallery<\/a> (Barcelona), la seva primera intervenci\u00f3 p\u00fablica despr\u00e9s de la seva formaci\u00f3 a partir del grup de recerca DKA (Decolonizing Knowledge and Aesthetics) com a operaci\u00f3 conjunta entre Matadero i el Goldsmiths College, llan\u00e7at a Madrid l’octubre del 2012.<\/p>\n

El punt de partida de l’exposici\u00f3 \u00e9s l’afirmaci\u00f3 que hi ha c\u00e0nons tan arrelats en la mentalitat post-colonial que fins i tot no ens adonem de la seva exist\u00e8ncia. En un dels v\u00eddeos de l’exposici\u00f3 se li demana als participants, despr\u00e9s d’enumerar els mals de la conquesta i colonitzaci\u00f3 d’Am\u00e8rica, que argumentin els beneficis i aportacions que va dur. Som aleshores testimonis del fet que la ment situa m\u00e9s f\u00e0cilment aquests “beneficis” com informaci\u00f3 factible que podem recordar causa de l’educaci\u00f3 rebuda. I \u00e9s que encara que tota aquesta informaci\u00f3 sembli ja m\u00e9s que revisada, Espanya \u00e9s encara avui l’\u00fanic pa\u00eds d’Europa que no t\u00e9 un m\u00e0ster ni estudis de postgrau dedicats al post-colonialisme.<\/p>\n

Veient les obres de l’exposici\u00f3 ens v\u00e9nen a la ment les paraules de Judith Butler quan parla de discriminar o distingir quins crims apareixen davant nostre com punibles o quines vides val la pena plorar; de la mateixa manera que apareix aquest racisme institu\u00eft pel nostre nivell de percepci\u00f3, que tendeix a produir versions ic\u00f2niques de poblacions eminentment mereixedores de dol, i d\u2019altres que no s’entenen com a tals i les p\u00e8rdues de les quals no mereixen ser plorades.<\/p>\n

Tamb\u00e9 ens n\u2019adonem de que encara resulta m\u00e9s f\u00e0cil parlar dels mals de la conquesta com a proc\u00e9s general que particularitzar en noms i fets, a no ser que aquests noms siguin tan llunyans i “pintorescs” com els de Crist\u00f2fol Colom, els reis cat\u00f2lics o els germans Pinz\u00f3n. M\u00e9s espin\u00f3s esdev\u00e9 el terreny quan es parla d’est\u00e0tues que aixequen dits afectuosos a cada rac\u00f3 de la geografia catalana, patricis de ciutat, “\u00e0nimes caritatives” que van aixecar escoles pies, que van fomentar el desenvolupament de ciutats i pobles… a costa del tr\u00e0fic d’esclaus. <\/p>\n

A l’obra titulada CC13 els artistes Daniela Ortiz i Xose Quiroga pregunten directament als participants pel dia de la Diada a Catalunya, si estarien a favor d’enderrocar l’est\u00e0tua de Colom, o esmenten la implicaci\u00f3 directa de ciutadans com Antonio L\u00f3pez i L\u00f3pez, (reconegut comerciant d’esclaus amb una est\u00e0tua que s’aixeca actualment a la Llotja del Comer\u00e7 de Barcelona), a la fundaci\u00f3 de bancs com el Hispanocolonial. Crec que aquest \u00e9s un dels punts en qu\u00e8 s’ha d’incidir m\u00e9s en exposicions com les de Tasneem o en obres com les de Daniela i Xose: no estem parlant de mals a\u00efllats, sin\u00f3 de personatges que no nom\u00e9s es van dedicar al comer\u00e7 de persones, sin\u00f3 que van pactar i van sustentar el poder mon\u00e0rquic espanyol i van establir les bases per al poder pol\u00edtic i econ\u00f2mic instaurat actualment a Catalunya, contra el qual milions de persones protesten.<\/p>\n

La mem\u00f2ria, l’acte repetitiu, \u00e9s el protagonista de l’exposici\u00f3 “Margen de Error” i \u00e9s la que ens traeix. La indol\u00e8ncia, l’acci\u00f3 de repetir mec\u00e0nicament les crueltats de la conquesta, la indifer\u00e8ncia ciutadana davant est\u00e0tues i monuments de la ciutat, l\u2019 \u201corgull\u201d que mostra l’inconscient davant un passat colonial on les crueltats i l’aniquilaci\u00f3 f\u00edsica i cultural “era inevitable, com en tot proc\u00e9s de conquesta en qu\u00e8 es constata el predomini del poble m\u00e9s desenvolupat”, s\u00f3n una s\u00e8rie de paradigmes a ser desmuntats a trav\u00e9s d’obres, del desmantellament f\u00edsic del llibre de text i de la investigaci\u00f3 i desenvolupament d’exercicis “acad\u00e8mics”.<\/p>\n","protected":false},"excerpt":{"rendered":"

Desmantellar els discursos hist\u00f2rics i paradigmes colonials subjacents en les narratives hegem\u00f2niques espanyoles \u00e9s el prop\u00f2sit del col\u00b7lectiu Declinaci\u00f3n Magn\u00e9tica a l’exposici\u00f3 “Margen de error”, a la Tasneem Gallery (Barcelona),…<\/p>\n","protected":false},"author":1262,"featured_media":8520,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nUn gran marge d'errors – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, 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