{"id":8574,"date":"2014-01-15T02:00:00","date_gmt":"2014-01-15T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/01\/15\/antes-de-irse-unes-idees-sobre-la\/"},"modified":"2014-01-15T02:00:00","modified_gmt":"2014-01-15T02:00:00","slug":"antes-de-irse-unes-idees-sobre-la","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/antes-de-irse-unes-idees-sobre-la\/","title":{"rendered":"Antes de irse. Unes idees sobre la pintura al MAC"},"content":{"rendered":"

\"Miren<\/p>\n

2014<\/em><\/a> \u00e9s un nou pas dins de la tasca que el comissari David Barro ha dut a terme dins del camp de la pintura. El MAC -abans MACUF- de la Corunya ha tirat endavant aquest projecte expositiu i editorial que t\u00e9 com a objectiu agrupar una s\u00e8rie de pintors -quaranta per ser exactes- espanyols o residents a Espanya que formen part d’una generaci\u00f3 que ha cobrat protagonisme en els \u00faltims anys.<\/p>\n

El punt de partida \u00e9s l’exposici\u00f3 1980<\/em>, realitzada l\u2019any 1979 a la galeria Juana Mord\u00f3 per Juan Manuel Bonet, \u00c1ngel Gonz\u00e1lez Garc\u00eda i Francisco Rivas en el text ja s’establien punts de plena actualitat. “Les tert\u00falies art\u00edstiques semblen molt preocupades per la crisi i el restrenyiment del mercat. Semblen oblidar, per\u00f2, que les crisis nom\u00e9s s\u00f3n superables excitant el mercat, provocant-lo si cal. Els pusil\u00b7l\u00e0nimes opten per l’encongiment, all\u00e0 ells. Per\u00f2 ara m\u00e9s que mai, cal fer passos endavant i arriscar-se”.<\/p>\n

2014\/Antes de irse<\/em>, que podr\u00e0 veure\u2019s fins al 30 de mar\u00e7 de 2014, est\u00e0 formada per set grans espais que alberguen intervencions i treballs espec\u00edfics com els de Miren Doiz, Laura Gonz\u00e1lez Cabrera o Guillem Mora amb peces de Jer\u00f3nimo Elespe, Philipp Fr\u00f6hlich, Santiago Giralda o Alain Urrutia, que s’ha despatxat a gust amb un gran llen\u00e7 flanquejat per dues peces de menor grand\u00e0ria i que \u00e9s, sense cap mena de dubte, el punt fort de l’exposici\u00f3. Tampoc es queda enrere Mirin Doiz. L’artista d’Iru\u00f1a presenta un treball que destaca per un desenvolupament circular, sense fronts oberts que permetin la fugida. Obliga a introduir-se en l’espai i aquest ens envolta per complet ocupant fins i tot el sostre de la sala.<\/p>\n

L’exposici\u00f3 destaca per la seva amplitud tant espacial com de referents a l’hora de parlar de pintura en aquest pa\u00eds. De Jer\u00f3nimo Elespe a Miren Doiz o de Philipp Fr\u00f6hlich a Laura Gonz\u00e1lez Cabrera el ventall \u00e9s ampli, sens dubte. Trobar a faltar alguns artistes o de m\u00e9s a d\u2019altres tamb\u00e9 \u00e9s sa, i vol dir que n\u2019hi ha m\u00e9s.<\/p>\n

2014<\/em> s\u00f3n una s\u00e8rie d\u2019 Idees sobre la pintura<\/em>, un treball dut a terme \u201cantes de irse\u201d. Aquest anunci de sortida o de fugida, de canvi de paradigma, correspon amb els quaranta anys que David Barro complir\u00e0 l\u2019any 2014, abans de la clausura d’aquesta mostra. Honrosa menci\u00f3 per al MAC, museu de les extenses afores de Madrid, del per\u00edmetre perif\u00e8ric de sis-cents quil\u00f2metres que s’ha establert des del centre de la terra<\/em>, per tirar endavant una programaci\u00f3 de nivell.<\/p>\n

La publicaci\u00f3 que sorgeix d’aquest projecte arriba en forma d’acurada edici\u00f3 que sens dubte suposar\u00e0 un dels cat\u00e0legs de l’any dins del panorama estatal. El text de 1980 deia: […] “resulta obvi que no \u00e9s aquesta una exposici\u00f3 de grup, ni molt menys de tend\u00e8ncia. La nostra llista ni \u00e9s tancada ni pret\u00e9n esgotar el tema. Per motius d’espai han quedat fora diversos noms que compten, i amb els que per descomptat caldr\u00e0 seguir comptant<\/em>. “Veient els motius que han portat a Barro a realitzar 2014<\/em>, se suposa que la idea \u00e9s m\u00e9s o menys la mateixa, tancar una llista d’artistes que ell considera representativa, per\u00f2 conscient de que hi haur\u00e0 veus discrepants que pensaran que ni estan tots els que s\u00f3n ni s\u00f3n tots els que estan.<\/p>\n

Cap d’aquests deu pintors que hem triat estan encara representats al Museo Espa\u00f1ol de Arte Contempor\u00e1neo, cap ha estat seleccionat mai per a les Biennals Internacionals, cap ha pogut mostrar-nos les grans exposicions de que \u00e9s capa\u00e7, cap t\u00e9 monografies ni estudis importants, la majoria amb prou feines pot viure de la seva obra, i fins i tot hi ha qui -a aquestes hores de segle!- fa figura d’aut\u00e8ntic male\u00eft.<\/em><\/p>\n

Aquells deu van aconseguir tirar endavant, els quaranta que ens ocupen ara tornen a trobar-se amb els mateixos problemes, segueixen sense poder viure del seu treball. Per aquest motiu, catalogar ha de servir per definir i obrir vies, per aconseguir que com a m\u00ednim l’artista sigui artista com el lampista \u00e9s lampista.<\/p>\n","protected":false},"excerpt":{"rendered":"

2014 \u00e9s un nou pas dins de la tasca que el comissari David Barro ha dut a terme dins del camp de la pintura. El MAC -abans MACUF- de la…<\/p>\n","protected":false},"author":1268,"featured_media":8524,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nAntes de irse. 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