{"id":8588,"date":"2014-01-20T02:00:00","date_gmt":"2014-01-20T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/01\/20\/whitney-va-smb-houston-una\/"},"modified":"2014-01-20T02:00:00","modified_gmt":"2014-01-20T02:00:00","slug":"whitney-va-smb-houston-una","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/whitney-va-smb-houston-una\/","title":{"rendered":"Whitney va smb Houston: una apologia de la subst\u00e0ncia pop"},"content":{"rendered":"

\"IMG_3581.jpg\"
\nEn aquests interrogatoris informals que ens fem els uns als altres quan no ens coneixem tant, una indagaci\u00f3 personal predilecta i generalment en relaci\u00f3 a la m\u00fasica consisteix a preguntar a l’altre “en qu\u00e8 grinyola”.<\/p>\n

Grinyolar, en un desviament popular del seu significat, sap mantenir-se en l’esfera d\u2019all\u00f2 sonor i accionar un flirteig de baixa freq\u00fc\u00e8ncia amb el “meta”. Si tenim en compte que la major part de gent a la que pregunto no es defineix per la seva adscripci\u00f3 a all\u00f2 que culturalment s’ent\u00e9n com “pop”, aquesta pregunta \u00e9s una mecanisme amb trampa, perqu\u00e8 pronostica ja la resposta. I \u00e9s que, malgrat les aparences, ni tan sols \u00e9s una pregunta: \u00e9s un test de verificaci\u00f3 i comprovaci\u00f3 del nostre grau de “subst\u00e0ncia pop”. I \u00e9s aix\u00ed com es “grinyola”, enunciant algun dels noms m\u00e9s c\u00e8lebres del repertori en proc\u00e9s de la m\u00fasica pop. Des de Rihanna a Shakira, passant per l’omnipresent Lady Gaga, la invulnerable Madonna, la imitada Beyonc\u00e9 o aquestes velles gl\u00f2ries amb qu\u00e8 injectem una dosi d’elit al mainstream<\/em>.<\/p>\n

Pensar les difer\u00e8ncies i matisos entre l’alta cultura, la cultura popular i la cultura pop \u00e9s una cosa de la que ja es va encarregar Hal Foster fa anys en un text per al cat\u00e0leg de l’exposici\u00f3 “Micropol\u00edtiques: art i quotidianitat (2001-1968. Aleshores Foster comentava la incapacitat d’escapat\u00f2ria de qualsevol de nosaltres -capdavanters de l’alta cultura inclosos- davant les estructures d’una producci\u00f3 pop que \u00e9s capa\u00e7 de fer-nos plorar -almenys estovar-nos involunt\u00e0riament- amb Titanic. O que s’apodera de nosaltres quan, en sortir del supermercat, ens quedem amb la tornada d’una can\u00e7\u00f3 al cap durant algunes hores, fins i tot dies.<\/p>\n

Davant d’una cultura pop (un element que no s’ent\u00e9n aqu\u00ed a la manera de Hal Foster) que s’apodera de nosaltres maquinalment, Els micr\u00f2fons<\/em> de Jorge Dutor i Guillem Mont de Palol <\/a> funciona per apropiaci\u00f3 conscient d\u2019algunes de les fites -i per extensi\u00f3, del tot- d’una cultura pop primordialment musical. En successius exercicis de repetici\u00f3 onom\u00e0stica Els micr\u00f2fons<\/em> posa en pr\u00e0ctica la concentraci\u00f3 simb\u00f2lica que habita aquells noms i cognoms que funcionen com un pack indivisible. Whitney va amb Houston i Grace va amb Jones, Indiana permetent. Per a aix\u00f2 s’acciona un mecanisme en el qual la veu, si b\u00e9 protagonista, no s’ent\u00e9n sense la semi\u00f2tica adjunta d’una expressi\u00f3 corporal que tamb\u00e9 \u00e9s relat. El relat d’una cultura pop que se sost\u00e9 des de l’escenari d’una altra cultura que, si la inclou, sol fer-ho des del comentari desqualificador o des de les derives dels estudis culturals. Tamb\u00e9 des del rubor, a causa de la greu infracci\u00f3 que comet el gust quan abandona la sala de confer\u00e8ncies de la ra\u00f3.<\/p>\n

Si b\u00e9 Els micr\u00f2fons<\/em> vol emfatitzar el poder de significaci\u00f3 d’un significant (la veu), gran part del seu atractiu resideix en la nostra impossibilitat per obviar el relat cultural compartit que amb prou feines necessita de dues paraules per fer-nos aterrar en un escenari com\u00fa. Qui no hagi gaudit escoltant a Youtube un hit pop, que llanci la primera pedra.<\/p>\n

En un context com el nostre, en qu\u00e8 els acudits i les bromes continuen subjectes a certa pedanteria i en el qual demostren tangencialment la nostra erudici\u00f3 preceptiva, seria terap\u00e8utic seguir celebrant la nostra “subst\u00e0ncia pop”, per\u00f2 sense la necessitat d’un aval per part del pervers context de l’art.<\/p>\n

Encara que ens entestem a negar-ho, l’alta cultura existeix, no ja com ess\u00e8ncia o en l’ordre dels seus continguts i personatges, sin\u00f3 pel poder d’autoritat que es d\u00f3na en certs llocs i subjectes d’enunciaci\u00f3. No \u00e9s el mateix parlar de Rihanna en un bar que a trav\u00e9s d’una performance. Com tampoc \u00e9s el mateix escoltar parlar de Rihanna a la choni<\/em> de torn que en boca d’un music\u00f2leg. Conscients dels intercanvis entre posicions culturals -de l’absorci\u00f3 volunt\u00e0ria del mainstream<\/em> per l’elit i de la reticent transformaci\u00f3 de l’elit en mainstream<\/em>– caldria animar la nostra ontologia pop amb la transcendentalitat d\u2019all\u00f2 banal. Contradict\u00f2riament, sense an\u00e0lisi com el d’aquest text.<\/p>\n","protected":false},"excerpt":{"rendered":"

En aquests interrogatoris informals que ens fem els uns als altres quan no ens coneixem tant, una indagaci\u00f3 personal predilecta i generalment en relaci\u00f3 a la m\u00fasica consisteix a preguntar…<\/p>\n","protected":false},"author":1273,"featured_media":8562,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nWhitney va smb Houston: una apologia de la subst\u00e0ncia pop – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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