{"id":8622,"date":"2014-02-01T02:00:00","date_gmt":"2014-02-01T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/02\/01\/aixi-naufraga-l-art-tecnicament\/"},"modified":"2014-02-01T02:00:00","modified_gmt":"2014-02-01T02:00:00","slug":"aixi-naufraga-l-art-tecnicament","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/aixi-naufraga-l-art-tecnicament\/","title":{"rendered":"Aix\u00ed naufraga l’art t\u00e8cnicament punter. El trist cas del Polizone"},"content":{"rendered":"

\"BARCO_HUNDIENDOSE-2.png\"
\nHi ha vaixells que nom\u00e9s valen per estar a terra. Com el “Vasa”, el vaixell de guerra que va manar fabricar entre 1621 i 1625 Gustau II Adolf de Su\u00e8cia, qui pretenia afegir a la seva flota el major vaixell mai fet, armat amb 64 canons i una dotaci\u00f3 de 30 mariners i 300 soldats, sent el seu trist dest\u00ed escorar-se i enfonsar-se durant el seu baptisme a escassos metres del port d’Estocolm. Els enginyers van calcular adequadament les magnituds per un pont de canons; Gustau va haver de demanar doble raci\u00f3 per enviar aquesta mala b\u00e8stia en orris.<\/p>\n

Polizone<\/em>, la instal\u00b7laci\u00f3 interactiva amb qu\u00e8 culmina la iniciativa Hu\u00e9sped<\/em>, proposada per INTACT Project i allotjada al Medialab-Prado, l’objectiu de la qual consisteix a utilitzar la tecnologia per simular una travessia mar\u00edtima, podria ser el Vasa d’aquest inici de segle. Els creadors van advertir a la concurr\u00e8ncia que hi assistissin preparats per contribuir activament en una experi\u00e8ncia meta-creativa que involucrava la participaci\u00f3 semi-presencial de Matralab (Montr\u00e9al, Quebec) i d’Arteleku (Donostia, Euskal Herria). Segons Roberta Bosco i Stefano Caldana, ten\u00edem davant nostre \u00abuna aposta molt atrevida i potser l’obra basada en t\u00e8cniques de telepres\u00e8ncia m\u00e9s complexa que mai s’hagi realitzat\u00bb .<\/p>\n

Per\u00f2 el prop\u00f2sit de la interacci\u00f3 comen\u00e7a a fracassar un cop el p\u00fablic, despr\u00e9s d’esperar quinze minuts de retard com ovelles en un corral, \u00e9s incapa\u00e7 d’entendre les repetitives indicacions de l’organitzaci\u00f3, que insisteixen \u201csi us plau situ\u00efn-se darrere del projector\u201d, en cap cas davant. Podria portar aqu\u00ed a col\u00b7laci\u00f3 l’anomenada Llei de Zinc de les Masses, segons la qual dos cranis pensen junts millor que nom\u00e9s un, per\u00f2 a partir de vint la cosa es fa com ning\u00fa, com ning\u00fa pensa en absolut; adquirim un encefalograma pla com\u00fa.<\/p>\n

Seria cruel, per\u00f2, titllar de ximple a un p\u00fablic que m\u2019inclou a mi, en companyia de multitud d’anglesos i alemanys, s\u00edmbols vivents de la distinci\u00f3 internacional i de no entendre res de res tamb\u00e9. Pitjor per a ells: vam poder escoltar per Skype als contertulians euskalduns i quebequesos queixar-se en perfecte castell\u00e0 de \u00abLos fallos de \u00faltimo momento\u00bb, suposant llavors que el programa requeria saltar-se les difer\u00e8ncies idiom\u00e0tiques; aix\u00f2 \u00e9s, explicar contes de vaixells en l’idioma de Miguel de Cervantes, qui segur els odiava a mort perqu\u00e8 va perdre un bra\u00e7 a bord d’un.<\/p>\n

I aix\u00ed va ser. L’orquestra esquin\u00e7ava la banda sonora d’alguna pel\u00b7l\u00edcula de terror, instruments de corda gronxant notes agud\u00edssimes, la percussi\u00f3 que oscil\u00b7la entre el sobtat i el mon\u00f2ton, mentre una veu desgrana una narraci\u00f3 carregada de lirisme i la segona persona del verb. Res d’Unai Velasco o Miqui Otero, els En este lugar<\/em> (Papel de fumar, 2012) i La c\u00e1psula del tiempo<\/em> (Blackie Books, 2013) dels quals considero respectius referents, aut\u00e8ntics t\u00f2tems de la poesia i del tuteig. Lluny d’aquests, Polizone<\/em> gasta un estil Carne Cruda<\/em>, el programa de R\u00e0dio 3 que tantes vegades ha decidit tirar-se a la piscina del simbolisme de \u2018cantimpalo\u2019.<\/p>\n

Els v\u00eddeos que pretenien reproduir els llums de l’onatge, tot sigui dit a favor de Polizone<\/em>, estaven fins al punt aconseguits que recordaven els versos de Juan Ram\u00f3n Jim\u00e9nez sobre l’alta mar com un llen\u00e7ol blanc que els morts empenyen des de baix.<\/p>\n

Per\u00f2 aquesta vegada sense el com<\/em>: un llen\u00e7ol blanc arrugat va ser tot l\u2019aprop que els art\u00edfexs de Polizone<\/em> van estar d’aconseguir el seu objectiu mim\u00e8tic. Suposo que el gruix del finan\u00e7ament va estar destinat a construir el far, un focus de llum que -segons sembla – controlava un personatge en streaming des v\u00e9s a saber on. O si no, que expliquin qu\u00e8 estava fent aquest tipus acostant-se a una c\u00e0mera web amb el pegat del dolent de Waterworld<\/em> (Kevin Reynolds, 1995) a l’ull.<\/p>\n

La gent estava confusa. A l’orquestra li faltava la guitarra i van apadessar l’assumpte amb una batukada<\/em>. Com senten: en mala hora acceptem els palets xinesos que els uixers del Medialab amablement van repartir entre el p\u00fablic. En principi nom\u00e9s valien per fer que rem\u00e0vem, per\u00f2 ara que tocava seguir el ritme colpejant uns passamans d’acer, fins als cap de fam\u00edlia, que anaven amb nens i havien de refor\u00e7ar l’entusiasme, van quedar gelats quan la seva prole entre cinc i nou anys va dir per\u00f2 papa, on \u00e9s el vaixell?<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Hi ha vaixells que nom\u00e9s valen per estar a terra. Com el “Vasa”, el vaixell de guerra que va manar fabricar entre 1621 i 1625 Gustau II Adolf de Su\u00e8cia,…<\/p>\n","protected":false},"author":1297,"featured_media":8602,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nAix\u00ed naufraga l'art t\u00e8cnicament punter. 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