{"id":8641,"date":"2014-02-06T02:00:00","date_gmt":"2014-02-06T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/02\/06\/qui-dorm-amb-hilma-af-klint\/"},"modified":"2014-02-06T02:00:00","modified_gmt":"2014-02-06T02:00:00","slug":"qui-dorm-amb-hilma-af-klint","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/qui-dorm-amb-hilma-af-klint\/","title":{"rendered":"Qui dorm amb Hilma af Klint?"},"content":{"rendered":"<p><img decoding=\"async\" class=\" alignleft size-full wp-image-8616\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/foto-2.jpg\" alt=\"foto-2.jpg\" align=\"left\" width=\"670\" height=\"436\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/foto-2.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/foto-2-595x387.jpg 595w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><br \/>\nResulta impactant saber que l&#8217;artista sueca Hilma af Klint (1862-1944) va escriure i va dibuixar en els seus quaderns de notes, durant la seva llarga vida com a artista, m\u00e9s de 25.000 p\u00e0gines amb un mateix objectiu: abordar els dubtes. Aquest fet ja la converteix en una artista excepcional. Indagar en el verb, la imatge i la percepci\u00f3 extrasensorial, aquest m\u00e9s enll\u00e0 de les aparences visuals, per assolir el coneixement d&#8217;una realitat no material que dirimeix tota la seva investigaci\u00f3 pict\u00f2rica. L&#8217;espiritualitat, la mediumnitat i la teosofia van acompanyar el seu singular itinerari a la plenitud de les avantguardes hist\u00f2riques de l&#8217;art.<\/p>\n<p>L&#8217;exposici\u00f3 <em>Hilma af Klint. Pionera de l&#8217;abstracci\u00f3<\/em> que ha arribat fins al Museu Picasso de M\u00e0laga oferta con\u00e8ixer, encara que parcialment, la ruta m\u00edstica d&#8217;aquesta artista gaireb\u00e9 desconeguda que sempre va treballar amb dones perqu\u00e8 nom\u00e9s elles eren capaces de recolzar-la en un cam\u00ed a contracorrent d&#8217;un temps marcat pel despertar del nou cicle cient\u00edfic i art\u00edstic, per\u00f2 entestat a limitar la pres\u00e8ncia de les dones en aquest escenari. Una exposici\u00f3 impecable en la seva posada en escena, per\u00f2 castradora en el titular: &#8216;Pionera de l&#8217;abstracci\u00f3&#8217;. Puc afirmar que en visitar la mostra es redueix al m\u00ednim l&#8217;inter\u00e8s per ubicar l&#8217;artista en una cursa oficial cap a la conquesta de l&#8217;abstracci\u00f3, entre els consagrats protagonistes de l&#8217;avantguarda menys figurativa (Kandinsky, Mondrian o Malevich). Hilma no pertany a aquesta genealogia masculina de la hist\u00f2ria de l&#8217;art, encara que comparteix temps i contextos. La seva obra \u00e9s valuosa pel seu proc\u00e9s i profunditat est\u00e8tica, marcada per ser dona, en la seva aventura per l&#8217;espai ocult de la vida i en l&#8217;absoluta vig\u00e8ncia de les seves obres cent anys despr\u00e9s.<\/p>\n<p>Hilma escrivia, dibuixava i pintava amb const\u00e0ncia. Els dibuixos de naturalisme bot\u00e0nic li obren les portes del microcosmos. La seva extraordin\u00e0ria producci\u00f3 cal recon\u00e8ixer-la com una obra \u00fanica composta per m\u00e9s de 1.000 pintures i travada en s\u00e8ries complexes i laborioses.  A la suma d&#8217;observaci\u00f3 i evocaci\u00f3, l&#8217;artista crea nous alfabets visuals, transcriu experi\u00e8ncies extrasensorials, explora les iconografies herm\u00e8tiques i ens magnetitza amb obres de grans dimensions on el color, la l\u00ednia, les paraules o els s\u00edmbols comparteixen amb l&#8217;espectador les seves indagacions sobre el m\u00f3n, el cosmos, els \u00e0toms, la mat\u00e8ria o l&#8217;energia. \u00c9s un treball en solitari, lluny del museu o el mercat, d&#8217;investigaci\u00f3 i plaer gr\u00e0fic que Hilma nom\u00e9s interromp durant quatre anys per cuidar la seva mare vella i cega.<\/p>\n<p>Despr\u00e9s d&#8217;una formaci\u00f3 acad\u00e8mica com a pintora de paisatges, el 1896 va iniciar les seves experi\u00e8ncies d&#8217;escriptura autom\u00e0tica que l&#8217;allunyen de la pintura tradicional, preliminars a una exploraci\u00f3 en la realitat oculta i l&#8217;inici d&#8217;una recerca que marca vida i obra. Una de les s\u00e8ries m\u00e9s vision\u00e0ria, <em>Les pintures per al temple<\/em>, les anomena obres d\u2019&#8217;enc\u00e0rrec&#8217; i no al\u00b7ludeix, per descomptat, el m\u00f3n del mercat de l&#8217;art. Familiaritzada amb l&#8217;espiritisme, el 1880 la p\u00e8rdua de la seva germana la impulsa a compartir pr\u00e0ctiques medi\u00famniques, perfecciona el seu llenguatge abstracte i simb\u00f2lic com a m\u00e8tode de prospecci\u00f3 sobre la polaritat del m\u00f3n modern i basant-se en les formes com a clau d&#8217;acc\u00e9s a un lloc on els sabers i les energies es fonen en una \u00fanica realitat, alliberada i m\u00edstica. Aquest era el seu repte. Potser per aix\u00f2 va decidir que les seves obres no havien d\u2019exposar-se fins a 20 anys despr\u00e9s de la seva mort.  Ella pintava per al futur i ara el futur ja \u00e9s aqu\u00ed.<\/p>\n<p>Prova de la bona recepci\u00f3 de Hilma af Klint \u00e9s l&#8217;\u00e8xit de p\u00fablic, per\u00f2 afegiria que m\u00e9s encara el temps d&#8217;atenci\u00f3 que cada espectador dedica a les obres. Els visitants busquen la dist\u00e0ncia m\u00e9s curta amb la superf\u00edcie pict\u00f2rica, tot un homenatge al seu saber t\u00e8cnic i el desvetllar de l&#8217;ocult que anticipa la imatge. L&#8217;\u00e8xit de Hilma no \u00e9s ser pionera de l&#8217;abstracci\u00f3, com la historiografia moderna planteja, sin\u00f3 ser capa\u00e7 de crear per al futur, per a un m\u00f3n m\u00e9s atent a la visi\u00f3 no material de la vida. Les traces biogr\u00e0fiques s\u00f3n determinants en la seva creativitat. La mort de la seva germana marca l&#8217;inici en l&#8217;espiritisme i la visi\u00f3 de l&#8217;ocult. La ceguesa de la seva mare suposa un temps de silenci visual per l&#8217;artista. La companyia de les dones amb qui comparteix sessions medi\u00famnicas per a la realitzaci\u00f3 de dibuixos, &#8216;De Fem&#8217; (les Cinc), defineix una forma de proc\u00e9s creatiu gens acad\u00e8mic, com ja apunt\u00e0 Haizea Barcenilla <a href=\"http:\/\/a-desk.org\/highlights\/Exponer-sin-matar-en-el-intento.html\">aqu\u00ed<\/a>. <\/p>\n<p>Hilma segueix sent un misteri, no en el pla de l&#8217;abstracci\u00f3 com a forma sin\u00f3 en el llenguatge conceptual de les seves imatges, en la condici\u00f3 de ser dona i de regalar-nos la possibilitat de redefinir par\u00e0metres de pensament per explicar la hist\u00f2ria de l&#8217;art i alhora les hist\u00f2ries particulars. L&#8217;entusiasme de la comiss\u00e0ria del projecte, <a href=\"http:\/\/www.youtube.com\/watch?v=8ew3SQiFGR0#t=35\">Iris M\u00fcller-Westermann<\/a>, sap mantenir l&#8217;espai de respecte cap a una artista tan fascinant i enigm\u00e0tica com Hilma af Klint sense caure en una classificaci\u00f3 aprior\u00edstica per a qualsevol lectura. Per aix\u00f2 m&#8217;atreveixo a proposar nous t\u00edtols que la rescatin de l&#8217;escenari legitimador de l&#8217;art oficial i ens prenguin tota veritat determinista enfront de nous dubtes m\u00e9s existencials i espirituals. Qui s\u00f3n les &#8216;De Fem&#8217;, companyes de Hilma af Klint? \u00bfPinta amb faldilles i pujada a una escala seus grans llen\u00e7os? Qui dorm amb Hilma af Klint? Aquests o altres possibles enunciats, \u00e9s clar.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Resulta impactant saber que l&#8217;artista sueca Hilma af Klint (1862-1944) va escriure i va dibuixar en els seus quaderns de notes, durant la seva llarga vida com a artista, m\u00e9s&#8230;<\/p>\n","protected":false},"author":1263,"featured_media":8616,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Qui dorm amb Hilma af Klint? 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