{"id":8703,"date":"2014-02-24T02:00:00","date_gmt":"2014-02-24T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/02\/24\/double-screen-not-quite-tonight2788\/"},"modified":"2014-02-24T02:00:00","modified_gmt":"2014-02-24T02:00:00","slug":"double-screen-not-quite-tonight2788","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/double-screen-not-quite-tonight2788\/","title":{"rendered":"Double Screen (not quite tonight jellylike)"},"content":{"rendered":"<p><img decoding=\"async\" class=\" alignleft size-full wp-image-8671\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/img0855.jpg\" alt=\"Double Scrre (not quite tonight jellylike). Anna Barham\" align=\"left\" width=\"670\" height=\"391\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/img0855.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/img0855-595x347.jpg 595w, https:\/\/a-desk.org\/wp-content\/uploads\/2014\/02\/img0855-312x182.jpg 312w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><\/p>\n<p>Al pavell\u00f3 nou hi havia un estand compartit per dues galeries, una belga i una altra anglesa. La belga \u00e9s Tatjana Pieters i l&#8217;anglesa, ARCADE. Representada per la segona hi ha la pe\u00e7a de la fira que he trobat m\u00e9s desafiant: <em>Double Screen (not quite tonight jellylike)<\/em>. \u00c9s un v\u00eddeo en dues pantalles produ\u00eft per Anna Barham al 2013. S&#8217;hi veuen unes mans interactuant amb una impressora UV de gran format. Imatges fixes i animacions generades en entorns en l\u00ednia habiten tamb\u00e9 la pantalla reconeixent la gravaci\u00f3.<\/p>\n<p>Les mans del t\u00e8cnic impressor generen context amb la m\u00e0quina, i les dues al seu torn ho fan juntes, i per la seva banda, amb les seg\u00fcents capes. La m\u00e0quina dosifica tinta de colors sobre un suport, les mans del t\u00e8cnic actuen all\u00e0 on el grau d&#8217;autonomia d&#8217;aquesta acaba. Per\u00f2 la relaci\u00f3 comen\u00e7a amb les paraules de l&#8217;artista, repetidament alterades per un programari de reconeixement de veu. La veu de l&#8217;artista pronuncia paraules, l&#8217;\u00e0mbit d&#8217;actuaci\u00f3 del programa comen\u00e7a all\u00e0 on la veu original se silencia. Les m\u00e0quines i els cossos es donen un sentit propi en el tancat \u2013encara que bifocal- \u00e0mbit de conviv\u00e8ncia.<\/p>\n<p>Doblant la cantonada de la paret per\u00f2 dins dels dominis de la galeria londinenca hi ha les c\u00f2pies <em>move_squid eye_flash<\/em> i <em>IMG_155000172014<\/em>. Les imatges estan tretes a partir del v\u00eddeo. El paper hologr\u00e0fic sobre el qual estan impreses confereix profunditat temporal a la relaci\u00f3 ling\u00fc\u00edstica que s&#8217;estableix entre l&#8217;hum\u00e0 i el no hum\u00e0. Com si la m\u00e0gica relaci\u00f3 d&#8217;extensi\u00f3 entre tots dos, connotada a aquesta experi\u00e8ncia compartida concreta, tingu\u00e9s hist\u00f2ria. Narrem la hist\u00f2ria sempre en est\u00e8reo i amb hologrames.<\/p>\n<p>Jo no s\u00e9 si la fira \u00e9s millor o pitjor que altres anys.<br \/>\nDefenso que dues coses en principi diferents s&#8217;associ\u00efn i cre\u00efn imatge.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Al pavell\u00f3 nou hi havia un estand compartit per dues galeries, una belga i una altra anglesa. La belga \u00e9s Tatjana Pieters i l&#8217;anglesa, ARCADE. Representada per la segona hi&#8230;<\/p>\n","protected":false},"author":1245,"featured_media":8671,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"class_list":["post-8703","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-asignar-ca"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Double Screen (not quite tonight jellylike) &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/double-screen-not-quite-tonight2788\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Double Screen (not quite tonight jellylike) &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Al pavell\u00f3 nou hi havia un estand compartit per dues galeries, una belga i una altra anglesa. 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