Zeitgeist<\/em>.<\/p>\n![\"b)](\"http:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/repeticion2.png\")
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No hi ha un tros tan enorme entre els rotllos de tires c\u00f2miques per veure en caixes de sabates -els sponsors de Converse somreien-, els collages, els exquisits mini-paisatges lunars i l’estesa performance de Marcel Duchamp, que entre el cos general de la seva obra i la fluixa intenci\u00f3 post-colonial de les seves m\u00e9s recents obres. No \u00e9s suficient el pas dels anys per aconseguir aquesta dubtosa proesa. A La Leyenda del sue\u00f1o<\/em> hi ha una mena de transformaci\u00f3 dolorosa. Un pas que va del joc tranquil a la pretensi\u00f3 maximalista transfronterera. On es descuida el m\u00e9s apreciable del treball de l’artista: la seva mirada cap als petits curtcircuits que alegren la vida quan un objecte es troba amb un altre. Fi. Res m\u00e9s avorrit que un surrealista queixant-se en p\u00fablic.<\/p>\n","protected":false},"excerpt":{"rendered":"\u00c1lvaro Barrios \u00e9s un autor prolix que, dins de la solidificada historiografia de l’art contemporani colombi\u00e0, \u00e9s analitzat des de tres perspectives: la d’autor proto-pop (que incorpora el seu inter\u00e8s…<\/p>\n","protected":false},"author":1312,"featured_media":8662,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n
Repetici\u00f3 (I). \u00c1lvaro Barrios al Museo de Arte del Banco de la Rep\u00fablica – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/repeticio-i-alvaro-barrios-al\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Repetici\u00f3 (I). \u00c1lvaro Barrios al Museo de Arte del Banco de la Rep\u00fablica – A*Desk\" \/>\n<meta property=\"og:description\" content=\"\u00c1lvaro Barrios \u00e9s un autor prolix que, dins de la solidificada historiografia de l’art contemporani colombi\u00e0, \u00e9s analitzat des de tres perspectives: la d’autor proto-pop (que incorpora el seu inter\u00e8s...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/repeticio-i-alvaro-barrios-al\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2014-03-01T02:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/repeticion_1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"446\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Guillermo Vanegas Fl\u00f3rez\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"Guillermo Vanegas Fl\u00f3rez\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuts\" \/>\n\t<meta name=\"twitter:label3\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data3\" content=\"Guillermo Vanegas Fl\u00f3rez\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/repeticio-i-alvaro-barrios-al\/\",\"url\":\"https:\/\/a-desk.org\/ca\/magazine\/repeticio-i-alvaro-barrios-al\/\",\"name\":\"Repetici\u00f3 (I). \u00c1lvaro Barrios al Museo de Arte del Banco de la Rep\u00fablica – A*Desk\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/repeticio-i-alvaro-barrios-al\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/repeticio-i-alvaro-barrios-al\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/repeticion_1.png\",\"datePublished\":\"2014-03-01T02:00:00+00:00\",\"dateModified\":\"2014-03-01T02:00:00+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/5644209a92ce2a206269d68d80adbcf4\"},\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/repeticio-i-alvaro-barrios-al\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/ca\/magazine\/repeticio-i-alvaro-barrios-al\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/repeticio-i-alvaro-barrios-al\/#primaryimage\",\"url\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/repeticion_1.png\",\"contentUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/repeticion_1.png\",\"width\":670,\"height\":446,\"caption\":\"repeticion_1.png\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/repeticio-i-alvaro-barrios-al\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/a-desk.org\/ca\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Repetici\u00f3 (I). \u00c1lvaro Barrios al Museo de Arte del Banco de la Rep\u00fablica\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/a-desk.org\/#website\",\"url\":\"https:\/\/a-desk.org\/\",\"name\":\"A*Desk\",\"description\":\"A*Desk Critical Thinking\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/a-desk.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ca\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/5644209a92ce2a206269d68d80adbcf4\",\"name\":\"Guillermo Vanegas Fl\u00f3rez\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/image\/140870862c05fdb7b87b3c73bb3688bd\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/45dcf91f0d5d64f5986a43583b5410ad?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/45dcf91f0d5d64f5986a43583b5410ad?s=96&d=mm&r=g\",\"caption\":\"Guillermo Vanegas Fl\u00f3rez\"},\"description\":\"Psic\u00f3logo y cr\u00edtico localizado en Bogot\u00e1. 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