{"id":8720,"date":"2014-03-03T02:00:00","date_gmt":"2014-03-03T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/03\/03\/el-superbe-comu-cristina-lucas-al\/"},"modified":"2014-03-03T02:00:00","modified_gmt":"2014-03-03T02:00:00","slug":"el-superbe-comu-cristina-lucas-al","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/el-superbe-comu-cristina-lucas-al\/","title":{"rendered":"El superb\u00e9 “com\u00fa”. Cristina Lucas al Matadero"},"content":{"rendered":"

\"Cristina
\nNo hi ha res com fer les preguntes oportunes a les persones adequades per a qu\u00e8 les respostes siguin precises. Cristina Lucas presenta a Matadero de Madrid una mostra, comissariada per Manuela Villa, el t\u00edtol de la qual, Es capital<\/a><\/em>, \u00e9s una resposta contundent a una s\u00e8rie d’interrogants que l’artista planteja, i que es tradueix en una investigaci\u00f3 i una tasca documental, no exempta d’ironia i sarcasme, sobre com el capitalisme ha enva\u00eft totes i cadascuna de les esferes de la vida.<\/p>\n

Capitalismo filos\u00f3fico<\/em> consta de nou projeccions de v\u00eddeo en qu\u00e8 Cristina Lucas entrevista a diferents professionals que treballen en diferents \u00e0mbits empresarials. No \u00e9s la primera vegada que l’artista utilitza la meye\u00fatica, pregunta i resposta, com a m\u00e8tode. Ho ha utilitzat en treballs anteriors com a M\u00e1s luz<\/em> (2003), Soldados.com<\/em> (2007), i a Quid pro quo<\/em> (2010). A Domin\u00f3 Can\u00edbal, a M\u00farcia, va obligar als periodistes que la entrevistaven a convertir-se ells mateixos en els entrevistats, per con\u00e8ixer la seva opini\u00f3 sobre la cr\u00edtica d’art. En aquesta ocasi\u00f3, deixa de banda l’especulaci\u00f3 filos\u00f2fica per indagar en com conceptes com l’art, la veritat, la just\u00edcia, la por, la vida, el temps o el dolor, s\u00f3n avui reelaborats i ajustats sense massa resist\u00e8ncia a la llei de oferta i demanda, i en com s\u00f3n legitimats pel m\u00f3n empresarial.<\/p>\n

Qu\u00e8 \u00e9s l’art per als galeristes i les cases de subhastes?; La bellesa per a un cirurgi\u00e0 pl\u00e0stic?; El temps per a un fabricant de rellotges?; La por per a una asseguradora?; El dolor per a una empresa farmac\u00e8utica?; la veritat per a un notari? O la vida per a una cl\u00ednica de fertilitat? Podem imaginar moltes de les respostes, tot i aix\u00ed resulten xocants, quan no punxants, algunes d’elles: “sense por no hi ha diners”; “l’objectiu del m\u00e0rqueting \u00e9s crear noves necessitats”; “la bellesa \u00e9s poder i possessi\u00f3”; “el temps \u00e9s l’organitzaci\u00f3 capitalista de la societat”, o “no hi ha just\u00edcia, en tant que les rendes del capital gaireb\u00e9 no tributen”. En el cas de l’art ens trobem amb vaguetats apel\u00b7lant la seva impossible definici\u00f3, tot i que els interrogats pertanyen tamb\u00e9 al m\u00f3n empresarial, a galeries i a cases de subhastes.<\/p>\n

La conclusi\u00f3 de l’artista davant de tanta pregunta \u00e9s contundent: tot \u00e9s cabdal. Una l\u00f2gica aclaparadora de la qual ni Karl Marx ha aconseguit escapar, tot i haver pronosticat que “l’acumulaci\u00f3 de plusv\u00e0lua es convertiria en la finalitat \u00faltima i \u00fanica de la humanitat”. Plusv\u00e0lua<\/em> \u00e9s una pe\u00e7a en v\u00eddeo que documenta la investigaci\u00f3 realitzada per l’artista sobre el periple dels manuscrits de Marx des del moment en qu\u00e8 van ser escrits fins que s\u00f3n posats al mercat i adquirits per una instituci\u00f3 holandesa a un preu desorbitat. Ironies del capitalisme, l’obra de Marx, en les p\u00e0gines ell mateix va anticipar el que podia passar, acaba esdevenint en fetitxe despr\u00e9s d’un complex proc\u00e9s cultural i social; lluny va estar segur Marx d’imaginar el que passaria amb els seus manuscrits.<\/p>\n

Qu\u00e8 hi ha darrere dels diners avui? Fins a quin punt \u00e9s avui el diner fictici? Muntanya d’or<\/em> s\u00f3n dues fotografies en gran format que representen la totalitat de l’or que hi ha emmagatzemat a la Reserva del Banc d’Espanya. Aquest metall va regular durant el segle XIX i fins al 1971 que un pa\u00eds pogu\u00e9s emetre m\u00e9s moneda que la recolzada per la quantitat d’or que posse\u00efa. L’or \u00e9s fotografiat per l’artista com si d’una rel\u00edquia es tract\u00e9s, per recordar-nos la volatilitat del sistema financer actual, en qu\u00e8 la circulaci\u00f3 de la majoria de les monedes est\u00e0 determinada pel mercat. Economia no ja l\u00edquida, sin\u00f3 gasosa.<\/p>\n

L’\u00faltima de les peces, El superbien com\u00fan<\/em>, \u00e9s potser la m\u00e9s sarc\u00e0stica. Es tracta d’una s\u00e8rie de cinc caixes de llum on l’artista retrata fam\u00edlies asi\u00e0tiques de classe alta que aspiren a un m\u00f3n de moda i articles de luxe. L’artista ironitza com aquest m\u00f3n de luxe est\u00e0 molt lluny de ser “com\u00fa” i la contradicci\u00f3, inherent al capitalisme, entre la limitaci\u00f3 de recursos disponibles i el desig il\u00b7limitat de posseir de certes classes privilegiades. Mentre molts s’esforcen a defensar un “b\u00e9 com\u00fa” per a tots, altres s’entesten a mantenir un “superb\u00e9 com\u00fa” nom\u00e9s accessible per a uns pocs, en un sistema on la cobd\u00edcia \u00e9s un impuls econ\u00f2mic i on el desig fetitxista est\u00e0 lligat a l’afectiu. I en aix\u00f2 no hi ha cap paradoxa. \u00c9s capital.<\/p>\n","protected":false},"excerpt":{"rendered":"

No hi ha res com fer les preguntes oportunes a les persones adequades per a qu\u00e8 les respostes siguin precises. Cristina Lucas presenta a Matadero de Madrid una mostra, comissariada…<\/p>\n","protected":false},"author":1246,"featured_media":8669,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nEl superb\u00e9 "com\u00fa". 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