{"id":8744,"date":"2014-03-06T02:00:00","date_gmt":"2014-03-06T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/03\/06\/nueva-traduccion-duchamp-en-las\/"},"modified":"2014-03-06T02:00:00","modified_gmt":"2014-03-06T02:00:00","slug":"nueva-traduccion-duchamp-en-las","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/nueva-traduccion-duchamp-en-las\/","title":{"rendered":"Duchamp a les costures de Hamilton"},"content":{"rendered":"

\"esquisse-1972.jpg\"
\nEl que Catalunya va aportar a Richard Hamilton va ser una merda. L’artista brit\u00e0nic acostumava a passar l\u2019agost a Cadaqu\u00e9s, i en un d’aquests estiuejos va descobrir una col\u00b7lecci\u00f3 de postals de Miers, un poblet al sud de Fran\u00e7a, on la gent solia anar a prendre aigua local, d’efectes laxants. De retorn al Regne Unit, fullejant revistes de moda, no va poder evitar l’associaci\u00f3 d’idees: els primers plans de les models a la gatzoneta, anuncis de paper higi\u00e8nic Andrex amb dones en plena natura, flors de color pastel. Ja tenia el punt de partida per a posar en pr\u00e0ctica l’estrat\u00e8gia de la dicotomia que havia apr\u00e8s de Marcel Duchamp: fer canvis dr\u00e0stics en la mat\u00e8ria, l’estil i la factura d’un conjunt d’obres a la seg\u00fcent.<\/p>\n

Shit and flowers<\/em> ha donat nom a la sala que recull el conjunt d’obres -fotografies i dibuixos de petit format- del “per\u00edode escatol\u00f2gic” de Hamilton, a la Tate Modern (Londres). Es tracta de l’habitacle n\u00famero 11, i d’entre les 18 que conformen la retrospectiva dedicada al pare de l’art pop brit\u00e0nic, \u00e9s una de les que menys criden l’atenci\u00f3.<\/p>\n

\u00c9s dif\u00edcil competir amb la quarta sala, on es troba la Fun house<\/em>, una instal\u00b7laci\u00f3 originalment dissenyada entre el propi Hamilton, l’arquitecte John Voelcker i l’artista John McHale per a l’exposici\u00f3 This is tomorrow<\/em> a la Whitechapel Gallery l\u2019any 1956, i que cont\u00e9 una gramola des de la qual sona una de Bill Hayes, un mural que mostra Charlton Heston a punt de trencar les taules de la llei, una catifa que fa olor de maduixes, i, el m\u00e9s popular, un micr\u00f2fon que convida als visitants a cridar, cantar, al que sigui. O amb els collages<\/em> i el pop de la cinquena sala (l\u2019any 1957 Hamilton va enllistar als arquitectes Peter i Alison Smithson les “caracter\u00edstiques del Pop Art” en una carta, inventant aix\u00ed el terme), o amb la dotzena, Treatment room<\/em>. S’hi acumulen els visitants, hipnotitzats davant la pantalla d’un televisor des del qual parla Margaret Tatcher, com si fossin breaking news<\/em>, o mai haguessin vist la dama de ferro pronunciant un discurs.<\/p>\n

El que no passa desapercebut \u00e9s la influ\u00e8ncia de Duchamp en el creador brit\u00e0nic. El franc\u00e8s \u00e9s esmentat constantment, i est\u00e0 present en el sal\u00f3 de la merda i les flors, o en els mapes de Palestina. El de l’esquerra correspon a la partici\u00f3 territorial proposada per l’Organitzaci\u00f3 de les Nacions Unides l\u2019any 1947 \u2013trobant-se llavors Palestina sota administraci\u00f3 brit\u00e0nica- i rebutjat per diverses organitzacions \u00e0rabs, i el de la dreta mostra l’ocupaci\u00f3 per part de l’Estat d’Israel en aquell moment. Van ser presentats al p\u00fablic per primera vegada a la Serpentine Gallery de Londres. Hamilton va considerar que exposar mapes en una galeria corresponia a la idea dels readymades<\/em> de Duchamp.<\/p>\n

Per\u00f2 el vincle entre els dos artistes es fa pal\u00e8s de forma m\u00e9s contundent a la sala 8. Aquesta \u00e9s presidida per La Mari\u00e9e mise \u00e0 nu par ses c\u00e9libataires, m\u00eame<\/em>, m\u00e9s coneguda com The large glass<\/em>, una obra realitzada per Duchamp l\u2019any 1913 i reconstru\u00efda per Hamilton entre 1965 i 1966 per a l’exposici\u00f3 The almost complete works of Marcel Duchamp<\/em> a la Tate Gallery, organitzada pel mateix artista brit\u00e0nic. Hamilton va ser el principal defensor de Duchamp al Regne Unit despr\u00e9s de la guerra, i la seva admiraci\u00f3 per ell mai va debilitar-se. L\u2019any 1963 va escriure que les obres del franc\u00e8s “revelen una gran sensibilitat, un gust intensament personal, i una ment capa\u00e7 de plasmar els pensaments clau del nostre temps en una subtil expressi\u00f3 pl\u00e0stica”. En \u00faltims anys va realitzar pintures, com relectura The large glass<\/em> i publicar una tipotraducci\u00f3<\/em> (traducci\u00f3 tipogr\u00e0fica) de les notes que Duchamp va prendre per realitzar aquesta obra.<\/p>\n

La retrospectiva va ser concebuda en el seu origen pel mateix Hamilton, per\u00f2 la mort el va sorprendre l\u2019any 2011, impedint veure el treball acabat. Han estat els comissaris Vicente Todol\u00ed, exdirector de la Tate, i Paul Schimmel, que l’han organitzada cronol\u00f2gicament i deixant patents els principals referents de l’artista. Al juny arribar\u00e0 a Madrid, al Reina Sofia, ampliada (s’exposaran 100 obres m\u00e9s que a Londres), i caldr\u00e0 veure si s\u2019hi escola tamb\u00e9 Duchamp entre les costures de Hamilton.<\/p>\n","protected":false},"excerpt":{"rendered":"

El que Catalunya va aportar a Richard Hamilton va ser una merda. L’artista brit\u00e0nic acostumava a passar l\u2019agost a Cadaqu\u00e9s, i en un d’aquests estiuejos va descobrir una col\u00b7lecci\u00f3 de…<\/p>\n","protected":false},"author":1286,"featured_media":8677,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nDuchamp a les costures de Hamilton – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/nueva-traduccion-duchamp-en-las\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Duchamp a les costures de Hamilton – A*Desk\" \/>\n<meta property=\"og:description\" content=\"El que Catalunya va aportar a Richard Hamilton va ser una merda. 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