{"id":8747,"date":"2014-03-11T02:00:00","date_gmt":"2014-03-11T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/03\/11\/rodolfo-andaur-l-embestida-del\/"},"modified":"2014-03-11T02:00:00","modified_gmt":"2014-03-11T02:00:00","slug":"rodolfo-andaur-l-embestida-del","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/rodolfo-andaur-l-embestida-del\/","title":{"rendered":"Rodolfo Andaur: L’embestida del paisatge"},"content":{"rendered":"

\"Pampa
\nEl paisatge \u00e9s un proc\u00e9s. I en canvi continu. I amb cont\u00ednues projeccions. Rodolfo Andaur \u00e9s un jove curador, format en periodisme, traducci\u00f3, amb un M.A. en hist\u00f2ria de l’ art a la Universitat Adolfo Ib\u00e1\u00f1ez de Xile. En el marc d’un programa de resid\u00e8ncies de la Neue Berliner Kunstverein NBK i el Goethe-Institut Santiago, Andaur visita Berl\u00edn durant unes setmanes amb una finalitat que \u00e9s proc\u00e9s: es titula “L’envestida del paisatge” i consisteix en una exploraci\u00f3 entorn aquesta dimensi\u00f3 de l’espai viscut a trav\u00e9s del v\u00eddeo. Els resultats han estat exposicions a Col\u00f2mbia, Argentina, Paraguai, Per\u00fa i Brasil.<\/p>\n

La curadoria \u00e9s un treball que es consuma en la investigaci\u00f3, la selecci\u00f3 i mediaci\u00f3 d’obres, per\u00f2 hi ha tra\u00e7ats de significat que es van donant en la indagaci\u00f3, com un vehicle que viatja enmig del desert i les seves petjades igualment m\u00f2bils. Consultant l’arxiu m\u00e9s complet d’art contemporani a Alemanya, Andaur busca cinc v\u00eddeos d’artistes alemanys i sud-americans en relaci\u00f3 amb el paisatge. La idea eix \u00e9s “el v\u00eddeo com a forma medial de crear discurs i com a marc de representaci\u00f3 actual. Es tracta a m\u00e9s de visualitzar interpretacions sobre el paisatge i la seva cosmovisi\u00f3 en la cultura contempor\u00e0nia”, segons explica l’originari del nord de Xile, que s’especialitza en art recent sud-americ\u00e0 i en teixir xarxes per formar noves escenes en punts tan perif\u00e8rics com Iquique – un gran port proper a les fronteres de Xile amb Per\u00fa i Bol\u00edvia – o Ays\u00e9n, una regi\u00f3 al sud del seu pa\u00eds, de dif\u00edcil comunicaci\u00f3 terrestre, de producci\u00f3 agr\u00edcola, ramadera i forestal, amb un historial recent d’assentaments urbans (70 anys a la data).<\/p>\n

Per mitj\u00e0 d’un dispositiu d’exploraci\u00f3, Andaur s’enfronta a una visita a la capital alemanya en qu\u00e8 es troba amb m\u00e9s preguntes que respostes: “Venint des de Xile, vaig decidir arribar a aquesta idea d\u2019”envestir” el paisatge m\u00e9s que representar-lo o fer obres sobre ell. L’inter\u00e8s de venir a Berl\u00edn est\u00e0 en l\u2019investigar sobre artistes alemanys que s’ocupen de treballar sobre el paisatge. ( … ) Una ciutat que fa vint anys era diferent i avui dia t\u00e9 una projecci\u00f3 urbana, cultural, que \u00e9s molt diferent a la que tenen els nostres pa\u00efsos a Sud-Am\u00e8rica. Per exemple, comparant-la amb una ciutat com Sao Paulo, que t\u00e9 deu milions d’habitants i a l\u2019hora de voler parlar de la ciutat, sempre es trobar\u00e0 amb el camp arquitect\u00f2nic i no dels canvis socials que Berl\u00edn va construir a finals dels 80s. El paisatge natural, d’altra banda, no s’explota aqu\u00ed com a Xile o el Brasil, ja que aqu\u00ed el paisatge rural resulta de transformacions de milers d’anys”.<\/p>\n

Des d’ara al 2015, Andaur preparar\u00e0 una exposici\u00f3 al voltant del tema, que t\u00e9 seient en una meditaci\u00f3 amb or\u00edgens al situacionisme: intervenir amb la petjada en el paisatge en tant que complex m\u00f2bil de realitats simult\u00e0nies i de difusos l\u00edmits. El gest es basa en una reflexi\u00f3 hist\u00f2rica, \u00e9s a dir, que des del paleol\u00edtic “l’observaci\u00f3 i la comprensi\u00f3 del paisatge van ser adquirits a trav\u00e9s de caminades i refer\u00e8ncies geogr\u00e0fiques i que al segle XVIII, tota la cerca per a concebre passar per un judici merament naturalista. Podem inferir que el concepte de paisatge es basa en la forma en qu\u00e8 ho contemplem. Observar formes, colors i refer\u00e8ncies arquitect\u00f2niques deixa sensacions indelebles. Aix\u00f2 explica que els esdeveniments presents i les experi\u00e8ncies del m\u00f3n reformessin al proc\u00e9s mec\u00e0nic-fisiol\u00f2gic d’observar al paisatge per passar a una perspectiva de car\u00e0cter interpretatiu (…). Estem interpretant la cosmogonia del paisatge i la seva expressi\u00f3 en la cultura contempor\u00e0nia per sincronitzar amb una perspectiva epistemol\u00f2gica”.<\/p>\n

La recerca d\u2019Andaur s’emmarca en un proc\u00e9s de transformaci\u00f3 d’identitats que \u00e9s propi de la globalitzaci\u00f3: el viatge en tant que forma de producci\u00f3 de coneixement i experi\u00e8ncia.<\/p>\n","protected":false},"excerpt":{"rendered":"

El paisatge \u00e9s un proc\u00e9s. I en canvi continu. I amb cont\u00ednues projeccions. Rodolfo Andaur \u00e9s un jove curador, format en periodisme, traducci\u00f3, amb un M.A. en hist\u00f2ria de l’…<\/p>\n","protected":false},"author":1303,"featured_media":8692,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nRodolfo Andaur: L'embestida del paisatge – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/rodolfo-andaur-l-embestida-del\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rodolfo Andaur: L'embestida del paisatge – A*Desk\" \/>\n<meta property=\"og:description\" content=\"El paisatge \u00e9s un proc\u00e9s. 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