{"id":8780,"date":"2014-03-31T02:00:00","date_gmt":"2014-03-31T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/03\/31\/amb-les-sabates-escatades-perque\/"},"modified":"2014-03-31T02:00:00","modified_gmt":"2014-03-31T02:00:00","slug":"amb-les-sabates-escatades-perque","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/amb-les-sabates-escatades-perque\/","title":{"rendered":"Amb les sabates escatades, perqu\u00e8 no passi desapercebuda: Ferm\u00edn Jim\u00e9nez Landa i El llac dels cignes"},"content":{"rendered":"

\"fermin.png\"
\nPoc importa que la seva estrena estigu\u00e9s marcada pels desajustos entre la m\u00fasica i la coreografia, per l’esc\u00e0s \u00e8xit que va assolir a tots els nivells. Perqu\u00e8 ni p\u00fablic ni cr\u00edtica es van compadir d\u2019 El llac dels cignes<\/em> quan la partitura de Txaikovski va sonar per primera vegada al Teatre Bolshoi de Moscou l\u2019any 1877.<\/p>\n

Ferm\u00edn Jim\u00e9nez Landa l’ha posat a sonar de nou a la galeria Bacelos de Vigo, amb el terra cobert de paper de vidre. Poc importa tot aix\u00f2 perqu\u00e8 Jim\u00e9nez Landa explica que podria haver estat el Trencanous<\/em> o El Danubi Blau<\/em>, per\u00f2 ha estat El llac dels cignes<\/em>, simplement perqu\u00e8 en relaci\u00f3 amb els dos mil plecs de vidre utilitzats, es genera un aspecte accentuadament sec, aspre, que \u00e9s molt poc llac i molt poc cigne<\/em>.<\/p>\n

La primera vegada que vaig veure a Ferm\u00edn Jim\u00e9nez Landa, ell estava sota una taula, elaborant un mosaic, separant confeti per colors en el que va titular: Arrebato del tedio<\/em>. Sobre les parets de l’estand que Bacelos regentava aquests dies a ARCO’13, penjaven les fulles que una m\u00e8dium havia guixat en una presumpta conversa amb F\u00e9lix Rodr\u00edguez de la Fuente. El treball de Jim\u00e9nez Landa es torna delirant, per\u00f2 sempre sota control. Les seves accions produeixen una sensaci\u00f3 d’estar davant d’una cosa que no ha estat pensat m\u00e9s enll\u00e0 d’un breu instant. No obstant aix\u00f2, revisant Moby Dick, el llibre on es reuneixen els treballs que l’artista ha realitzat entre 2011 i 2013, aquests gestos suposadament despreocupats adquireixen una dimensi\u00f3 m\u00e9s gran.<\/p>\n

Provocar aquesta sensaci\u00f3 de proximitat, de que els gestos s\u00f3n aparentment precipitats i senzills, insta el p\u00fablic a considerar aquests treballs propers a la vegada que elementals. Que se’ls podrien haver ocorregut a ells, \u00e9s clar. Penseu en les accions de William Wegman o Bas Jan Ader, o en Faemino y Cansado quan parlen de l\u2019evident<\/em> simplicitat de la seva activitat.<\/p>\n

L’interessant del treball de Jim\u00e9nez Landa \u00e9s, en primer lloc, que li ha passat a ell. En segon, la manca de prejudicis a l’hora de tirar endavant petites idees que, fruit d’una llarga reflexi\u00f3, provoquen aquesta sensaci\u00f3 de qu\u00e8 la majoria dels artistes fuig.<\/p>\n

Ara, entrar a l’espai de la galeria Bacelos resulta inquietant per la netedat de les seves parets. Jim\u00e9nez Landa ha decidit deixar-les en blanc i ha convertit el terra en un atzar\u00f3s mosaic sobre el que ha enganxat un a un tots aquests plecs taronges i verds. No hi ha un ordre preestablert, tot respon al caprici d’un artista que decideix generar un espai pel qual passejar es converteixi en un acte estrany, desagradable quan descobreixes que el paper de vidre no facilita el teu despla\u00e7ament, i penses en aquells ballarins de ballet lliscant pel escenari; en quant dif\u00edcil resultaria compassar m\u00fasica i ball en aquest espai al qual has entrat a no veure res, sin\u00f3 a sentir el lleu cruixit que els teus passos provoquen mentre Txaikovski sona a tot volum.<\/p>\n

Ferm\u00edn Jim\u00e9nez Landa \u00e9s un d’aquells artistes amb els quals pots mantenir una conversa que sempre porta a aquests entrebancs en els quals per norma general ning\u00fa repara. Relata durant un viatge en cotxe una experi\u00e8ncia personal viscuda fa anys amb Leopoldo Maria Panero i \u00e9s inevitable pensar en Peter Pan, perqu\u00e8 a la familiaritat dels seus gestos s’uneix el lluny\u00e0 de pert\u00e0nyer a un estadi temporal que malauradament se’ns ha escapat. Tots i cadascun dels seus treballs arrosseguen a parts iguals la ingenu\u00eftat i la picaresca infantil, a la vegada que compten amb els referents d’un post – conceptual basat en la ironia que \u00e9s tan dif\u00edcil mostrar en la seva justa mesura. Quan busquem crear alguna cosa per a tothom, per\u00f2 sense caure en la vulgaritat, podem rec\u00f3rrer al cinema i citar casos com els d’Ernst Lubitsch, Luis Garc\u00eda Berlanga o Aki Kaurism\u00e4ki, gent capa\u00e7 de tirar-nos a la cara les nostres mis\u00e8ries en clau d’humor, per a qu\u00e8 despr\u00e9s de passar una bona estona, en tornar a casa descobrim que aquestes pel\u00b7l\u00edcules arriben, com la primera edici\u00f3 de Memoires<\/em> de Guy Debord i Asger Jorn, cobertes de paper de vidre, perqu\u00e8 mai passin desapercebudes all\u00e0 per on vagin.<\/p>\n","protected":false},"excerpt":{"rendered":"

Poc importa que la seva estrena estigu\u00e9s marcada pels desajustos entre la m\u00fasica i la coreografia, per l’esc\u00e0s \u00e8xit que va assolir a tots els nivells. Perqu\u00e8 ni p\u00fablic ni…<\/p>\n","protected":false},"author":1268,"featured_media":8737,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nAmb les sabates escatades, perqu\u00e8 no passi desapercebuda: Ferm\u00edn Jim\u00e9nez Landa i El llac dels cignes – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/amb-les-sabates-escatades-perque\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Amb les sabates escatades, perqu\u00e8 no passi desapercebuda: Ferm\u00edn Jim\u00e9nez Landa i El llac dels cignes – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Poc importa que la seva estrena estigu\u00e9s marcada pels desajustos entre la m\u00fasica i la coreografia, per l’esc\u00e0s \u00e8xit que va assolir a tots els nivells. 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