{"id":8782,"date":"2014-03-26T02:00:00","date_gmt":"2014-03-26T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/03\/26\/manifesta-10-art-com-a-expressio\/"},"modified":"2014-03-26T02:00:00","modified_gmt":"2014-03-26T02:00:00","slug":"manifesta-10-art-com-a-expressio","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/manifesta-10-art-com-a-expressio\/","title":{"rendered":"Manifesta 10 \u00bfart com a expressi\u00f3 aut\u00f2noma i apol\u00edtica?"},"content":{"rendered":"

\"Chto<\/p>\n

L’article de Claudio M. Iglesias recentment publicat [aqu\u00ed<\/a>, continua amb el debat entorn de la propera edici\u00f3 de Manifesta 10<\/em>. Molt s’ha discutit sobre la biennal, que finalment es far\u00e0 al museu Ermitage, a Sant Petersburg. Lamentablement, pocs s\u00f3n els que han dut la discussi\u00f3 cap a l’essencial: la coexist\u00e8ncia entre manifestacions art\u00edstiques i pol\u00edtiques en un context de conflicte a temps real.<\/p>\n

Els debats van comen\u00e7ar l’any passat, quan Noel Kelly va crear una campanya en contra de la realitzaci\u00f3 de Manifesta 10<\/em> a R\u00fassia, particularment a causa de la implementaci\u00f3 de lleis antidemocr\u00e0tiques que condemnen l’homosexualitat. Kelly va cridar a boicotejar l’esdeveniment, incitant a la comunitat art\u00edstica internacional exigir que la biennal es traslladi o es cancel\u00b7li<\/a>, en suport a la comunitat LGBT. Hedwig Fijen, directora de la biennal, va contestar a la crida en un article<\/a> proposant la biennal com una inst\u00e0ncia de di\u00e0leg cultural rus-europeu.<\/p>\n

Fins a aquest moment la q\u00fcesti\u00f3 era si s’havia de fer o no la biennal en un pa\u00eds les lleis del qual reprimien la llibertat d’expressi\u00f3, al que es va sumar el conflicte a Ucra\u00efna. La discussi\u00f3 va adquirir una din\u00e0mica bin\u00e0ria, simplificant en un “si” (com a pont de di\u00e0leg internacional, des d’una veu “local” i no europea), o un “no” (per no ser c\u00f2mplice d’un govern violador dels drets humans). La crida a boicotejar la biennal va ser el punt inicial, per\u00f2 tamb\u00e9 un distractor de la discussi\u00f3. Molt f\u00e0cil d’atacar amb arguments geo-pol\u00edtics, per\u00f2 sostenible com a eina per repensar les bases de l’esdeveniment cultural.<\/p>\n

El debat comen\u00e7a a prendre formes m\u00e9s complexes, pr\u00f2pies d’un di\u00e0leg pol\u00edtic i cultural amb m\u00e9s matisos, quan el col\u00b7lectiu rus de teoria pol\u00edtica, art i activisme Chto Delat?<\/em> es pronuncia mitjan\u00e7ant una primera carta<\/a>, en la qual manifesten que l’art contemporani pot i ha de lidiar amb l’antagonisme i el conflicte, i esperen que Manifesta 10<\/em> pugui fer-se c\u00e0rrec de manera cr\u00edtica de la societat on es desenvoluparia. Assenyalen a m\u00e9s que per a ells encara \u00e9s prematur cridar a un boicot, doncs encara no \u00e9s clara la postura curatorial de la biennal pel que fa a aquests conflictes, tan pol\u00edtics com art\u00edstics. M\u00e9s tard publiquen un altre article, en el qual s’analitzen les possibilitats de la seva inclusi\u00f3 en la biennal, concloent que consideren important participar-hi, tot i preveure un to antiquat d\u2019art- aut\u00f2nom<\/em> en el discurs curatorial del projecte.<\/p>\n

No obstant aix\u00f2, Manifesta 10<\/em> publicava fa uns dies un comunicat<\/a> on es confirmaven els plans d’inaugurar la biennal el proper 28 de juny a Sant Petersburg. Kasper K\u00f6nig, curador de la biennal, realitzava el seu molt esperat statement, mitjan\u00e7ant el qual les possibilitats de generar un di\u00e0leg real o “pont cultural” -com plantejaven totes les postures contra-boicot- quedaven anul\u00b7lades. K\u00f6nig establia que si b\u00e9 intentaria mantenir l’exposici\u00f3 lliure de censures, seria “un error” reduir les possibilitats de treball a manifestacions pol\u00edtiques. El curador va ser contundent, referint-se a aquestes manifestacions com “representacions arrogants” i “provocacions barates”.<\/p>\n

Despr\u00e9s d’aquestes afirmacions Chto Delat? va anunciar la seva ren\u00fancia a la biennal<\/a>, argumentant que era evident que ni el curador ni la instituci\u00f3 havien estat capa\u00e7os de treballar amb el desafiament que significa generar un di\u00e0leg entre context pol\u00edtic i mitjans art\u00edstics.<\/p>\n

La resposta oficial va posar sobre la taula el conflicte clau d’aquest debat: \u00e9s l’art una expressi\u00f3 aut\u00f2noma i apol\u00edtica? Segons el curador de Manifesta 10<\/em>, ho \u00e9s. En el seu discurs, torna a la din\u00e0mica bin\u00e0ria posant en conflicte art versus<\/em> pol\u00edtica, i pren partit. Per\u00f2 art i pol\u00edtica no s\u00f3n contradictoris, sin\u00f3 indivisibles. L’art coexisteix i dialoga amb el seu entorn, \u00e9s provocador i contestatari en si mateix.<\/p>\n

Lamentable i anacr\u00f2nic, el discurs oficial de la biennal eludeix el comprom\u00eds cr\u00edtic amb el context pol\u00edtic en qu\u00e8 es desenvolupar\u00e0. Manifesta 10<\/em> tenia possibilitats de convertir-se en un esdeveniment cultural d’una immensa import\u00e0ncia pol\u00edtica i art\u00edstica, en n\u00e9ixer enmig de turbulents canvis socials. Amb aquest allunyament perd tristament l’oportunitat de constituir una manifestaci\u00f3 hist\u00f2rica i real, des de l’art contemporani cap al m\u00f3n sencer.<\/p>\n","protected":false},"excerpt":{"rendered":"

L’article de Claudio M. Iglesias recentment publicat [aqu\u00ed, continua amb el debat entorn de la propera edici\u00f3 de Manifesta 10. Molt s’ha discutit sobre la biennal, que finalment es far\u00e0…<\/p>\n","protected":false},"author":1309,"featured_media":8733,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nManifesta 10 \u00bfart com a expressi\u00f3 aut\u00f2noma i apol\u00edtica? – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/magazine\/manifesta-10-arte-como-expresion\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manifesta 10 \u00bfart com a expressi\u00f3 aut\u00f2noma i apol\u00edtica? – A*Desk\" \/>\n<meta property=\"og:description\" content=\"L’article de Claudio M. 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