{"id":8792,"date":"2014-03-16T01:00:00","date_gmt":"2014-03-16T01:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/03\/16\/les-vides-perfectes-de-robert\/"},"modified":"2014-03-16T01:00:00","modified_gmt":"2014-03-16T01:00:00","slug":"les-vides-perfectes-de-robert","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/les-vides-perfectes-de-robert\/","title":{"rendered":"Les vides perfectes de Robert Ashley"},"content":{"rendered":"<p>Al centre de l&#8217;escenari no trobem ni l&#8217;orquestra, ni als \u00abperformers\u00bb, ni tan sols a la m\u00fasica; en ell apareix \u00fanicament el compositor, veu metaf\u00f2rica i literal que produeix tota l&#8217;obra. Tamb\u00e9 caiem en l&#8217;error d&#8217;aguditzar les nostres o\u00efdes per assolir la m\u00fasica, per\u00f2 aquesta no sona igual a com estem acostumats; hem de pensar la m\u00fasica en hist\u00f2ries. El que cr\u00e8iem una representaci\u00f3 oper\u00edstica m\u00e9s ens sorpr\u00e8n en esdevenir un paisatge pol\u00edtic; el que ens estan explicant s&#8217;ha col\u00b7locat per fi al lloc apropiat: un parc, un supermercat, una televisi\u00f3&#8230; Aix\u00ed de contundent definia el concepte d\u2019 \u201c\u00f2pera\u201d <a href=\"http:\/\/www.robertashley.org\">Robert Ashley<\/a>.<\/p>\n<p>Sabem el que passa, tothom parla, no existeix en l&#8217;obra una versi\u00f3 acabada, definitiva; el flux \u00e9s dens i no hi ha idealitzaci\u00f3 possible, s\u00f3n les nostres vides perfectes les que Ashley exposa. \u00c9s un comptador d&#8217;hist\u00f2ries que va trobar una estructura per poder plantejar-nos \u00bfen qui ens convertim en sentir la m\u00fasica d&#8217;altres?<\/p>\n<p>\u00ab<em>Robert Ashley va morir el 3 de mar\u00e7 de 2014, tres mesos despr\u00e9s que acab\u00e9s la seva \u00faltima \u00f2pera &#8220;Crash&#8221;, i mentre s&#8217;estaven duent a terme els assajos per a la seva estrena a la 2014 Museu Whitney Biennial<\/em>\u00bb . Amb aquesta breu nota a la seva p\u00e0gina web coneix\u00edem la desaparici\u00f3 d&#8217;un dels grans de la m\u00fasica experimental i de la performance.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/37773090\" width=\"670\" height=\"377\" frameborder=\"0\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe> <\/p>\n<p><a href=\"http:\/\/vimeo.com\/37773090\">3:00pm &#8220;The Supermarket&#8221;<\/a> from <a href=\"http:\/\/vimeo.com\/varispeed\">Varispeed Collective<\/a> on <a href=\"https:\/\/vimeo.com\">Vimeo<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Al centre de l&#8217;escenari no trobem ni l&#8217;orquestra, ni als \u00abperformers\u00bb, ni tan sols a la m\u00fasica; en ell apareix \u00fanicament el compositor, veu metaf\u00f2rica i literal que produeix tota&#8230;<\/p>\n","protected":false},"author":1284,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Les vides perfectes de Robert Ashley &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/les-vides-perfectes-de-robert\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les vides perfectes de Robert Ashley &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Al centre de l&#8217;escenari no trobem ni l&#8217;orquestra, ni als \u00abperformers\u00bb, ni tan sols a la m\u00fasica; en ell apareix \u00fanicament el compositor, veu metaf\u00f2rica i literal que produeix tota...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/les-vides-perfectes-de-robert\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2014-03-16T01:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2025\/09\/a-desk-critical-thinking.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Susana G. 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