{"id":8793,"date":"2014-03-17T02:07:00","date_gmt":"2014-03-17T02:07:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/03\/17\/franz-erhard-walther-a-wiels\/"},"modified":"2014-03-17T02:07:00","modified_gmt":"2014-03-17T02:07:00","slug":"franz-erhard-walther-a-wiels","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/franz-erhard-walther-a-wiels\/","title":{"rendered":"Franz Erhard Walther a WIELS"},"content":{"rendered":"

\"Walther_copia.jpg\"
\nLa llegenda del minimal va m\u00e9s enll\u00e0 de la reiterativa producci\u00f3 industrial, seriada i modular. Des d’aquesta fredor de l’adjectiu passem a un m\u00e9s calor\u00f3s transvasament entre l’objecte i la situaci\u00f3, on es desencadena la q\u00fcesti\u00f3 relacional. Les peces redefineixen l’espai i la interacci\u00f3 passant, per molt que li pesi a Michael Fried, a una dimensi\u00f3 teatral, on l’espectador s’inclou com co-productor, aix\u00f2 \u00e9s com “Behold” en un ress\u00f2 transatl\u00e0ntic al concepte situacionista de “viveurs”.<\/p>\n

En aquest sentit, el treball de Franz Erhard Walther suposa un exquisit exemple en l’expansi\u00f3 cap a l’experi\u00e8ncia. Les seves primeres obres de finals dels cinquanta a principis dels seixanta, manipulen el paper i el cartr\u00f3 a la recerca d’una tridimensionalitat infringida per la cola, el tall o l’embolcall. A partir d’aqu\u00ed les seves obres es propaguen amb l’aparici\u00f3 de la tela, cosida a m\u00e0 per la seva parella, i arriben a les seus m\u00e9s reconegudes quotes amb el Primer Equip de Treball<\/em> (1963-1969), una s\u00e8rie de teles-objecte que han de ser activats<\/em> pels visitants. Aqu\u00ed l’objecte es converteix en un mitj\u00e0, on el seu \u00fas comporta una experimentaci\u00f3 en comunicaci\u00f3, meditaci\u00f3 i moviment. L’equival\u00e8ncia entre la recepci\u00f3 i el moment de la creaci\u00f3, passa per agrupar el cos en l’espai\/temps amb un gest, una activitat que es constitueix com a situaci\u00f3 d’\u00fas. Les condicions de l’acci\u00f3 es desenvolupen en aquestes dimensions, on la dist\u00e0ncia, la proporci\u00f3 i la intensitat s\u00f3n les coordenades de l’experi\u00e8ncia. Les m\u00faltiples possibilitats de l’esdevenir, la potencialitat amagada en cadascun d’aquests instruments<\/em>, reflecteixen les nostres pr\u00f2pies exist\u00e8ncies i activitats quotidianes, obrint-nos a la reflexi\u00f3 infinita sobre aquestes. I s\u00ed, hi ha qui ha volgut veure en aix\u00f2 una traducci\u00f3 germ\u00e0nica dels Parangol\u00e9s<\/em> d\u2019Oiticica. Igual de caracter\u00edstiques s\u00f3n les Formacions de Paret<\/em>, on cos i mur es troben gr\u00e0cies a una tela que ens emmarca i on podem resseguir en pr\u00f2pia carn els l\u00edmits entre l\u2019assamblage<\/em> i l\u2019environment<\/em>.<\/p>\n

Per Walther tan important \u00e9s el moment de l’activaci\u00f3 com el moment de l’emmagatzematge, el desplegar i plegar la tela, no nom\u00e9s facilita l’apreciaci\u00f3 del tacte suau, sin\u00f3 tamb\u00e9 suggereix un cert car\u00e0cter \u00fanic, d’expectaci\u00f3 i respecte per un material que encara que siguem nosaltres qui l’activa, guarda en la seva naturalesa \u00edntima una objectualitat viva i antropom\u00f2rfica.<\/p>\n

Aix\u00ed com l’emmagatzematge, la documentaci\u00f3 i la investigaci\u00f3 es mouen entre l’art i el no-art, per mitj\u00e0 del dibuix i l’aquarel\u00b7la, es fan expl\u00edcites les instruccions i els detalls de la instal\u00b7laci\u00f3. A partir d’aquests plans, vistes i anotacions es desxifren les fonts del pensament i el proc\u00e9s de treball.<\/p>\n

Igual d’especial \u00e9s l’inter\u00e8s que Walther ha tingut des dels seus inicis per la tipografia. Un dels primers exemples \u00e9s la impressi\u00f3 a color d’una s\u00e8rie de paraules com museu<\/em>, on la paraula busca alimentar ja una expansi\u00f3 corporal, on el llenguatge es transforma en acci\u00f3, o millor, en posici\u00f3 del cos, evidenciant la vessant performativa del disseny.<\/p>\n

Si l\u2019any 2011 les obres de Walther es van poder definir des del DIA:Beacon, aquests dies estan disponibles al Wiels<\/a> de Brussel\u00b7les, on haurien de funcionar tamb\u00e9 com un pavell\u00f3 annex al Museu d’Art \u00datil que ocupa a pocs quil\u00f2metres d’aqu\u00ed el Van Abbemuseum. Si b\u00e9 la utilitat de les peces de Walther no tenen aquesta voluntat transgressora, s\u00ed recalquen l’aspecte viu que tota Social Power Plant<\/em> es mereix. I a m\u00e9s, es posicionen com un perfecte moment intermedi entre la interacci\u00f3 de l\u2019Abstract Cabinet<\/em>, de l’energ\u00e8tic duo El Lissitzky-Alexander Dorner i la utilitat militant de la l\u00ednia Eduardo Costa-Tania Bruguera.<\/p>\n","protected":false},"excerpt":{"rendered":"

La llegenda del minimal va m\u00e9s enll\u00e0 de la reiterativa producci\u00f3 industrial, seriada i modular. Des d’aquesta fredor de l’adjectiu passem a un m\u00e9s calor\u00f3s transvasament entre l’objecte i la…<\/p>\n","protected":false},"author":1267,"featured_media":8705,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nFranz Erhard Walther a WIELS – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/franz-erhard-walther-a-wiels\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Franz Erhard Walther a WIELS – A*Desk\" \/>\n<meta property=\"og:description\" content=\"La llegenda del minimal va m\u00e9s enll\u00e0 de la reiterativa producci\u00f3 industrial, seriada i modular. 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