{"id":8794,"date":"2014-03-21T01:00:00","date_gmt":"2014-03-21T01:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/03\/21\/com-explicar-documenta-13-a-una\/"},"modified":"2014-03-21T01:00:00","modified_gmt":"2014-03-21T01:00:00","slug":"com-explicar-documenta-13-a-una","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/com-explicar-documenta-13-a-una\/","title":{"rendered":"Com explicar Documenta 13 a una societat morta"},"content":{"rendered":"

\"DSC00616.jpg\"
\nVaig arribar a Kassel el 2 de setembre de 2012, dies abans que la 13 edici\u00f3 de Documenta clausur\u00e9s. Comprovava dies abans del meu viatge l’escassa i dispar pres\u00e8ncia espanyola a la programaci\u00f3 oficial. Dora Garc\u00eda, Albert Serra i Enrique Vila-Matas. Tamb\u00e9 Dal\u00ed, Julio Gonz\u00e1lez i alguna col\u00b7laboraci\u00f3 a m\u00e9s.<\/p>\n

Havia comen\u00e7at el meu inter\u00e8s mesos abans, quan una s\u00e8rie de col\u00b7legues s’havien acostat a la inauguraci\u00f3 i quan aquestes p\u00e0gines s’omplien d’opinions que en molts casos coincidien en noms com Tino Sehgal, Susan Philipsz, Pierre Huyghe, Ryan Gander, Theaster Gates, Janet Cardiff & George Bures Miller o Lara Favaretto entre molts altres.<\/p>\n

Vaig abandonar la ciutat el dijous 6, cinc dies abans que Enrique Vila-Matas inici\u00e9s la seva participaci\u00f3 com a escriptor resident al Dschingis Khan, un restaurant xin\u00e8s situat en un dels extrems del Karlsaue Park. M’inquietava llavors la forma en qu\u00e8 un escriptor podia participar d’aquella manera en una Documenta. Seure en una de les taules del restaurant, quadern en m\u00e0, i anar escrivint no s\u00e9 el qu\u00e8 sota l’atenta mirada dels que, concretament en una de les jornades que ell va romandre all\u00e0, havien decidit provar el menjar asi\u00e0tic d’aquell restaurant allunyat del centre de la ciutat.<\/p>\n

Fa un temps vaig llegir la not\u00edcia de la imminent sortida del seu nou llibre, Kassel no convida a la l\u00f2gica<\/em>. Vaig viatjar a Kassel sol, les dates no coincidien amb les de cap possible acompanyant i em vaig plantar all\u00e0 perqu\u00e8 en cap cas volia perdre all\u00f2.<\/p>\n

A la tornada no vaig saber com explicar a la meva fam\u00edlia i amics moltes de les sensacions del viatge, de l’experi\u00e8ncia viscuda dins d’aquesta habitaci\u00f3 perduda al Grand City Hotel Hessenland, per a la qual Tino Sehgal havia creat una nova situaci\u00f3; de l’andana de la Hauptbahnhof en qu\u00e8 sonava Study for strings<\/em>, composici\u00f3 creada pel txec Pavel Haas per l’orquestra del seu camp de concentraci\u00f3 poc abans de ser enviat a Auschwitz.<\/p>\n

No vaig saber com explicar-los la impressi\u00f3 que em va produir la instal\u00b7laci\u00f3 sonora de Cardiff i Bures Miller al bosc; el paisatge que Pierre Huyghe va crear amb l’ajut d’aquell gos m\u00e0gic que va copar les p\u00e0gines de tots els mitjans a nivell mundial o la brisa de Ryan Gander al Fridericianum.<\/p>\n

Vila-Matas acaba d\u2019estendre un pont pel qual l’art transita cap a un p\u00fablic al qual la cr\u00edtica no \u00e9s capa\u00e7 d’arribar. Explicar l’art lluny d\u2019all\u00f2 objectual, sota una h\u00e0bil mirada que es mostra esc\u00e8ptica des del primer moment. Vila-Matas descobreix a Kassel una s\u00e8rie de sensacions que aconsegueixen obrir una via a l’esc\u00e8ptic i apropar el purament espiritual a un p\u00fablic especialitzat que visitem Documenta llibre en m\u00e0, anotant, arrufant les celles i sense ser conscients -en molts casos- del p\u00f2sit que aquesta experi\u00e8ncia ha deixat en el que hem estat fent en l’\u00faltim any i mig.<\/p>\n

Qui havia dit que l’art contemporani estava de capa caiguda? Nom\u00e9s els intel\u00b7lectuals de pa\u00efsos incultes i deprimits com el meu podien arribar a pensar aquest tipus de barbaritats<\/em>. Despertar l’inter\u00e8s per un medi desconegut i carregar contra els prejudicis que han convertit l’artista en un individu la categoria del qual sembla trobar-se un esgla\u00f3 per sota de la de la resta d’habitants, que sembla haver de demanar perd\u00f3 constantment. Aix\u00f2 passa en un pa\u00eds que es vanta de la seva pr\u00f2pia incultura, que s’enfanga a mand\u00edbula batent en els fangs de la ineptitud i l’adoctrinament m\u00e9s podrit. Kassel no convida a la l\u00f2gica \u00e9s un llibre per llegir i per regalar a molts.<\/p>\n","protected":false},"excerpt":{"rendered":"

Vaig arribar a Kassel el 2 de setembre de 2012, dies abans que la 13 edici\u00f3 de Documenta clausur\u00e9s. Comprovava dies abans del meu viatge l’escassa i dispar pres\u00e8ncia espanyola…<\/p>\n","protected":false},"author":1268,"featured_media":8723,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nCom explicar Documenta 13 a una societat morta – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/magazine\/como-explicar-documenta-13-a-una\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Com explicar Documenta 13 a una societat morta – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Vaig arribar a Kassel el 2 de setembre de 2012, dies abans que la 13 edici\u00f3 de Documenta clausur\u00e9s. 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