{"id":8795,"date":"2014-03-28T02:00:00","date_gmt":"2014-03-28T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/03\/28\/as-you-can-see-polish-art-today2849\/"},"modified":"2014-03-28T02:00:00","modified_gmt":"2014-03-28T02:00:00","slug":"as-you-can-see-polish-art-today2849","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/as-you-can-see-polish-art-today2849\/","title":{"rendered":"As you can see. Polish Art Today"},"content":{"rendered":"

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\nMolt, certament. M\u00e9s de cent obres i de vuitanta artistes actuals polonesos en una col\u00b7lectiva organitzada pel Museu d’Art Modern de Vars\u00f2via<\/a> (MSN per als amics) a la seva seu temporal: un lloc que t\u00e9 la seva gr\u00e0cia i fins i tot el seu puntet de tendresa, almenys per als que ja ens hem tornat una mica estranys, amb el temps entre congelacions hivernals, enyorances comunistes i regustet de metall oxidat. Els seus finestrals, amb vistes al darrere del gran Palau de la Cultura i la Ci\u00e8ncia, reben el visitant presentant abans d’entrar la primera obra de la mostra: un rostre femen\u00ed estilitzat d\u2019Orlowska, mirant a la ciutat. Com un segell que sempre hagu\u00e9s estat aqu\u00ed. Bon comen\u00e7ament.<\/p>\n

Com que no es pot parlar de tot (disculpin les abs\u00e8ncies) aplicarem un criteri absurd, barreja del aleatori practicat durant una visita saltimbanqui, classificat per\u00f2 no per les “seccions” predeterminades, sin\u00f3 en l’ordre que va seguir la sotasignat (vegeu: ambidextra, despistada i sense orientaci\u00f3), amb una selecci\u00f3 efectuada entre el capritx de la mem\u00f2ria i la captura d’un m\u00f2bil escrostonat, i amanit tot amb algunes gotes de reflexi\u00f3 de tarda de diumenge.<\/p>\n

Terror. El grotesc altar de Piotr Ukla\u0144ski en pujar les escales. La viol\u00e8ncia sorprenentment decorativa, altament simb\u00f2lica de l’obra d\u2019Ewa Axelrad: un paravent constru\u00eft amb escuts de policies antiavalots; est\u00e8tica del terror, imatge mirall separant dos mons, el bo, el dolent… quin \u00e9s quin? Seguint, la as\u00e8ptica, neutral, decorativa, impol\u00b7luta s\u00e8rie fotogr\u00e0fica de Katarzyna Mirczak. Exposats sobre fons blanc, en marcs id\u00e8ntics en color, gruix i mida, objectes retallats primorosament… Un mostrari art\u00edstic tret de l’Institut Forense de Crac\u00f2via.<\/p>\n

Ci\u00e8ncia. Igor Omulecki. Norman Leto. L’ull que descobreix la bellesa decorativa de la mirada microsc\u00f2pica, el minimalisme de les ones ac\u00fastiques \u00bftorna l’artista a la naturalesa? \u00bfRenaixement? \u00bfre-renaixement? \u00bfrequetevuelta de rosca?<\/p>\n

Geografia imagin\u00e0ria. L’estudi rigor\u00f3s i documentat de les illes fantasmes de Agnieszka Kurant: invitaci\u00f3 a un viatge a temps remots, llocs m\u00edtics, all\u00e0 quan no se sabia tot (i de veritat se sabia tant) i la imaginaci\u00f3 tenia el seu lloc i ra\u00f3 de fer. Una altra illa, ara negra (contrapunt o harmonia?) a la seva esquena. Suspesa en l’aire, amb un moviment gaireb\u00e9 humanament respiratori, abducci\u00f3 cap a un forat negre (negre petroli, no carb\u00f3). Obra d’Aleksandra Wasilkowska, un T\u00e0natos al rev\u00e9s, un joc en un m\u00f3n capgirat.<\/p>\n

Objectes. Els tamborets retor\u00e7ats, contorsionats, impossibles de Monika Sosnowska. Desposse\u00efts de la seva funci\u00f3, convertits en un garbuix art\u00edstic (no s\u00e9 quin dels dos termes hauria de posar entre cometes). Foucault homenatjat per Miros\u0142aw Balka. Les paraules, les coses. La goma suspesa des del sostre, agitant els nostres pensaments amb els moviments imprevisibles provocats per la for\u00e7a hidr\u00e0ulica. P\u00e8ndol trasbalsat. Witek Orski i el seu tr\u00edptic de carn crua, fotografiat, descontextualitzat (extirpat), impecablement emmarcat; estranyament de la carn com a objecte. Massa real: atracci\u00f3 i rebuig. Bona jugada. L’acumulaci\u00f3 d’objectes reals, inventats, o reinventats de manera surrealista proposada pel duo BRACIA. La llum, el brunzit de les mosques, l’escenografia del quotidianament sol \u00fas i inquietant. La vida, no en<\/em> sin\u00f3 una<\/em> galleda d’escombraries.<\/p>\n

Humor, den\u00fancia. Pawe\u0142 Althamer abillat com Kozio\u0142ek Mato\u0142ek, el personatge d’animaci\u00f3 dels anys 30 que “po szerokim szuka\u0107 \u015bwiecie tego, co jest bardzo blisko<\/em>” (“per l’ample m\u00f3n busca el que est\u00e0 tan a prop”) travessant Bras\u00edlia, manifestant-se, dormint a la seva habitaci\u00f3 de nit. L’heroi – cabra humanitzat, amb la seva panxeta, el seu missatge directe. Koziolek Mato\u0142ek reconstru\u00eft, re-interpretat, present, solemne: inconfusible Althamer. Co wida\u0107. As you can see.<\/em> Com pots veure. I no nom\u00e9s, ni de bon tros.<\/p>\n","protected":false},"excerpt":{"rendered":"

Molt, certament. M\u00e9s de cent obres i de vuitanta artistes actuals polonesos en una col\u00b7lectiva organitzada pel Museu d’Art Modern de Vars\u00f2via (MSN per als amics) a la seva seu…<\/p>\n","protected":false},"author":1318,"featured_media":8735,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nAs you can see. 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M\u00e9s de cent obres i de vuitanta artistes actuals polonesos en una col\u00b7lectiva organitzada pel Museu d’Art Modern de Vars\u00f2via (MSN per als amics) a la seva seu...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/as-you-can-see-polish-art-today2849\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2014-03-28T02:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/03\/5326d5355c162.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"447\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ineska (In\u00e9s R. Artola)\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ineska (In\u00e9s R. 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