{"id":8831,"date":"2014-04-14T02:00:00","date_gmt":"2014-04-14T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/04\/14\/transcomunicacio-instrumental-de\/"},"modified":"2014-04-14T02:00:00","modified_gmt":"2014-04-14T02:00:00","slug":"transcomunicacio-instrumental-de","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/transcomunicacio-instrumental-de\/","title":{"rendered":"Transcomunicaci\u00f3 Instrumental de Carlos Valverde. M\u00e9s enll\u00e0 de les paraules"},"content":{"rendered":"

\"15.jpg\"
\nRebo l’e-mail de la inauguraci\u00f3 de Transcomunicaci\u00f3n instrumental<\/em>, la proposta de Carlos Valverde per al cicle Pertorbacions<\/a>, comissariat per Jordi Antas a La Capella de Sant Roc, Valls. Amb la pressa habitual, de vegades llegim les coses en diagonal. Mal fet, ja que aqu\u00ed residien algunes claus del projecte: s’esmenta alguna cosa d’un mur, una porta, i una clau que cal sol\u00b7licitar per correu postal, la qual, tot sembla indicar, obrir\u00e0 la porta. En els \u00faltims projectes de Valverde, la recerca d’un p\u00fablic implicat de forma activa -m\u00e9s enll\u00e0 de ser un mer observador d’objectes-, \u00e9s un dels elements claus. Tot i aix\u00f2, vaig decidir no demanar la clau, ja que anava el dia de la inauguraci\u00f3, i volia veure qu\u00e8 passava… si alg\u00fa l’havia demanat o no, si s’obria o es tancava aquesta estranya porta. En efecte, aqu\u00ed resideix ja un posicionament com a p\u00fablic, i una expectativa creada, que enlla\u00e7a amb un altre element essencial i molt vinculat amb aquesta participaci\u00f3 activa del visitant: l’experi\u00e8ncia com a moment \u00fanic, viu i irrepetible; certa enteniment performatiu de l’experi\u00e8ncia est\u00e8tica on els diferents elements implicats -peces, espai, arquitectura, audi\u00e8ncia- generen noves ag\u00e8ncies entre ells que poden produir escenaris inesperats.<\/p>\n

En arribar a La Capella, efectivament, un mur amb una petita porta aixecat a uns metres de l’entrada bloqueja el pas, i un misteri\u00f3s fum s’est\u00e9n per l’espai. El treball i la intervenci\u00f3 conscient sobre una arquitectura concreta \u00e9s una altra de les constants de Valverde, que ho escomet des de la perspectiva d’un escultor. En travessar el mur, una vegada “apareguda” la clau, descobrim que un dispositiu col\u00b7locat a l’absis va escopint fum. A prop, una altra petita porta donava acc\u00e9s a una petita i estranya habitaci\u00f3, en la qual ens topem amb un vell monitor de televisi\u00f3 i una c\u00e0mera de v\u00eddeo que apunta al primer, en una mena de circuit tancat que ofereix estranyes imatges.<\/p>\n

D’aqu\u00ed el terme transcomunicaci\u00f3 instrumental,<\/em> una pr\u00e0ctica que es desenvolupa des dels seixanta, que estableix un proc\u00e9s de comunicaci\u00f3 -presumptament- amb l’origen en el m\u00e9s enll\u00e0, mitjan\u00e7ant dispositius electr\u00f2nics. Uns exercicis visionaris que busquen generar teories cient\u00edfiques sobre un suposat “m\u00f3n subterrani”, enfrontant el coneixement racional i l\u00f2gic amb un altre d’origen incert i imprec\u00eds”. Valverde ho porta al seu terreny per desplegar el seu treball i incorporar una capa m\u00e9s, que apunta a establir una comunicaci\u00f3 que transcendeix el llenguatge i all\u00f2 narratiu, i una relaci\u00f3 amb la significaci\u00f3 de la materialitat -o la immaterialitat-, i l’afectivitat dels objectes, els cossos, l’espai i l’intangible.<\/p>\n

M\u00e9s enll\u00e0 de voler explicar-nos una hist\u00f2ria, Valverde proposa una experi\u00e8ncia on all\u00f2 viscut pren la posici\u00f3 central, apropant-se al pensament de Karen Barad, que proposa un canvi en el focus, passant del representacionalisme a la performativitat per abordar la materialitzaci\u00f3 dels cossos -humans i no humans-, i les pr\u00e0ctiques materials-discursives; on espai, temps i mat\u00e8ria s\u00f3n re-configurats posant l’\u00e8mfasi en aquesta performativitat inherent al proc\u00e9s. Aqu\u00ed, les diferents ag\u00e8ncies s’expandeixen, i el terme post-hum\u00e0 adquireix un recorregut que excedeix els l\u00edmits del m\u00f3n f\u00edsic, buscant un contacte amb altres dimensions.<\/p>\n

A Arrebato<\/em>, la pel\u00b7l\u00edcula d’Iv\u00e1n Zulueta de 1980, els personatges circumden cert misticisme de la imatge deidificada i el seu entramat representacional. Nom\u00e9s a trav\u00e9s de dos agents externs (la c\u00e0mera i l\u2019hero\u00efna<\/em>) s\u00f3n capa\u00e7os d’arribar a la connexi\u00f3 m\u00edstica. A La Capella de Sant Roc es despleguen tamb\u00e9 diversos dispositius que pretenen posar-nos en comunicaci\u00f3 amb un cert misticisme tecno-representacional inherent a aquest espai concret, la seva arquitectura, la seva hist\u00f2ria i el seu entorn (f\u00edsic o intangible). I com en tota comunicaci\u00f3 (contingui o no llenguatge), hem d’estar disposats a conversar.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rebo l’e-mail de la inauguraci\u00f3 de Transcomunicaci\u00f3n instrumental, la proposta de Carlos Valverde per al cicle Pertorbacions, comissariat per Jordi Antas a La Capella de Sant Roc, Valls. Amb la…<\/p>\n","protected":false},"author":1295,"featured_media":8775,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nTranscomunicaci\u00f3 Instrumental de Carlos Valverde. 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