{"id":8832,"date":"2014-04-15T02:00:00","date_gmt":"2014-04-15T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/04\/15\/anomena-un-artista-xines-en-menys\/"},"modified":"2014-04-15T02:00:00","modified_gmt":"2014-04-15T02:00:00","slug":"anomena-un-artista-xines-en-menys","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/anomena-un-artista-xines-en-menys\/","title":{"rendered":"Anomena un artista xin\u00e8s en menys de deu segons"},"content":{"rendered":"

\"Stools.
\nSi haguessis de pronunciar el nom d’un dels mil tres-cents milions d’habitants que viuen a la Xina, quin seria? Si haguessis de nomenar alguna de les problem\u00e0tiques sociopol\u00edtiques i culturals m\u00e9s rellevants que ocorren en un dels pa\u00efsos m\u00e9s poderosos del planeta, quins serien? Si et plantegessis visibilitzar i internacionalitzar alguna d’aquestes q\u00fcestions, com ho faries? Si les respostes t\u2019han resultat relativament f\u00e0cils, t’han semblat per aix\u00f2 poc importants?<\/p>\n

Des del passat dos d’abril, el Museu Martin Gropius Bau ofereix el que la premsa alemanya insisteix subtitular com la “major exhibici\u00f3 a Berl\u00edn” d’Ai Wei Wei. I com sol passar en aquesta ciutat amb exposicions de tal import\u00e0ncia<\/em>, les cues se succeeixen a l’entrada de l’edifici durant setmanes. Per\u00f2 un cop dins, \u2018Evidence<\/a>\u2019 no nom\u00e9s aporta evid\u00e8ncies, com el t\u00edtol i artista resolen de cop, tamb\u00e9 resulta massa evident a nivell de lectura, i aix\u00f2 pot ser motiu de disgust per a alguns. El cas \u00e9s que m\u00e9s enll\u00e0 de la grandesa medi\u00e0tica a la qual sembla haver-se abonat el ‘Gropius Bau’ [[Al mateix temps presenta l’exposici\u00f3 sobre David Bowie de l’any passat al Victoria & Albert Museum de Londres, una altra de Richter i una altra de Wols, fot\u00f2graf alemany de els anys 30, i no fa tant, va estar la “grand\u00edssima” mostra d’Anish Kapoor.]], les dimensions<\/em> de la mostra s\u00f3n indiscutibles:<\/p>\n

En nombre, perqu\u00e8 l’artista i activista xin\u00e8s sembla tenir certa tend\u00e8ncia a comptabilitzar. 6000<\/em> s\u00f3n els tamborets tradicionals de fusta que et reben a la gran sala de la claraboia (Lichthof<\/em>) d’entrada: Stools<\/em> \u00e9s una impactant plantada del que va ser el moble m\u00e9s usat a cada llar xinesa durant diversos segles de la dinastia Qing (alguns d’ells tenen m\u00e9s de 500 anys), i ara rebutjat a nivell dom\u00e8stic en nom del pl\u00e0stic de la modernitat. 81<\/em> s\u00f3n els dies que Wei Wei va passar il\u00b7legalment a la pres\u00f3 l\u2019any 2011 i el t\u00edtol de la reproducci\u00f3 exacta de la seva cel\u00b7la. 4851<\/em> d\u00f3na nom al v\u00eddeo que compr\u00e8n els m\u00e9s de (actualment) 5000 noms recopilats per iniciativa de l’artista i amb col\u00b7laboraci\u00f3 ciutadana despr\u00e9s del silenci governamental posterior al desastr\u00f3s terratr\u00e8mol de Sichuan, l\u2019any 2008.<\/p>\n

En discurs, perqu\u00e8 sigui a partir de xifres o no, la ideologia ocupa un lloc fonamental en la biografia i obra de Wei Wei. Peces que es desenvolupen a trav\u00e9s d’un proc\u00e9s m\u00e9s po\u00e8tic o simb\u00f2lic tamb\u00e9 es caracteritzen per ser percussors d’una realitat que l’artista vol assenyalar, posar en evid\u00e8ncia, i en fi, denunciar. Una plaga de crancs de porcellana (He xie<\/em>) rememora la seva festa -vetada- per acompanyar la destrucci\u00f3 del seu taller, al costat del riu, per ordre policial. Gerros de la dinastia Han, recoberts amb una capa de pintura metal\u00b7litzada per a autom\u00f2bil, desactiven en si mateixos la poderosa preemin\u00e8ncia de la seva hist\u00f2ria i la seva pr\u00f2pia veracitat. Circle of Animals<\/em> (caps daurats d’animals zodiacals) disparen a la idea d’autenticitat (versus fake<\/em>), la legitimitat del patrimoni o la repatriaci\u00f3.<\/p>\n

En passar d’una sala a una altra no nom\u00e9s es veuen peces de l’artista xin\u00e8s m\u00e9s conegut a nivell mundial. Amb molt poc esfor\u00e7 tamb\u00e9 s’ent\u00e9n una evident cr\u00edtica pol\u00edtica i lluita pels drets humans. En quatre de les sales les parets estan recobertes per alguns dels certificats signats que Wei Wei va enviar a cada ciutad\u00e0 xin\u00e8s que va ajudar a pagar els 17M \u20ac de la seva acusaci\u00f3 per corrupci\u00f3. \u00c9s veritat, no cal furgar molt per adonar-se que la selecci\u00f3 i disposici\u00f3 de les obres a Evidence<\/em> demostren el triomf<\/em> de l’artista xin\u00e8s en la seva voluntat de transformaci\u00f3 d’una realitat que vol denunciar: la translaci\u00f3 d’ideologia a experi\u00e8ncia tangible directa, mitjan\u00e7ant l’\u00fas de materials, quantitats o pr\u00e0ctiques, \u00e9s autom\u00e0tica. Wei Wei coneix la seva condici\u00f3 i juga les seves cartes com li d\u00f3na la gana; potser per aix\u00f2 la seva exhibici\u00f3 viatja a Berl\u00edn i ell segueix sense visat per sortir de la Xina, captiu en un pa\u00eds on potser amb poques capes ja es pugui dir molt.<\/p>\n

En sortir de l’exposici\u00f3 la paraula que em va venir al cap va ser “f\u00e0cil”, per\u00f2 aquesta petita r\u00e0bia va mutar, en poques voltes de rosca mental, en celebraci\u00f3 de l’efic\u00e0cia: A un discurs clar, un producte clar. Davant una cr\u00edtica espec\u00edfica, un objecte; instal\u00b7laci\u00f3; acci\u00f3; edifici; demolici\u00f3, el que sigui que convingui, tamb\u00e9 clars. En qualsevol cas, dubto que a partir d’ara aquesta arg\u00fcible abs\u00e8ncia<\/em> de fons en l’obra de Wei Wei em resulti oportunista o nom\u00e9s<\/em> medi\u00e0tica. I si aix\u00f2 passa, ser\u00e0 per a mi un s\u00edmptoma d’\u00e8xit pel que fa als prop\u00f2sits de l’agitador xin\u00e8s, perqu\u00e8 s\u00ed, potser les seves eines siguin f\u00e0cils d’interpretar, per\u00f2 no per aix\u00f2, tenint en compte el prop\u00f2sit de la seva exist\u00e8ncia, menys importants.<\/p>\n","protected":false},"excerpt":{"rendered":"

Si haguessis de pronunciar el nom d’un dels mil tres-cents milions d’habitants que viuen a la Xina, quin seria? Si haguessis de nomenar alguna de les problem\u00e0tiques sociopol\u00edtiques i culturals…<\/p>\n","protected":false},"author":1269,"featured_media":8778,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nAnomena un artista xin\u00e8s en menys de deu segons – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/anomena-un-artista-xines-en-menys\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anomena un artista xin\u00e8s en menys de deu segons – A*Desk\" \/>\n<meta property=\"og:description\" content=\"Si haguessis de pronunciar el nom d’un dels mil tres-cents milions d’habitants que viuen a la Xina, quin seria? 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