{"id":8839,"date":"2014-04-17T02:00:00","date_gmt":"2014-04-17T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/04\/17\/atrapats-al-parc-tematic-l\/"},"modified":"2014-04-17T02:00:00","modified_gmt":"2014-04-17T02:00:00","slug":"atrapats-al-parc-tematic-l","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/atrapats-al-parc-tematic-l\/","title":{"rendered":"Atrapats al parc tem\u00e0tic: l’escatologia com a dest\u00ed"},"content":{"rendered":"

\"Imagen
\nL’imaginari escatol\u00f2gic en la seva doble accepci\u00f3 sem\u00e0ntica, en relaci\u00f3 a l’imaginari apocal\u00edptic, el desastre, la cat\u00e0strofe, i tamb\u00e9 en el seu vincle amb el activament residual; els excrements i la so called<\/em> “mat\u00e8ria fosca”. S\u00f3n els eixos entre els quals oscil\u00b7la Merda i cat\u00e0strofe. S\u00edndromes culturals en l’art contemporani<\/em> de Fernando Castro Flores (Editorial F\u00f3rcola, 2014). Un fragmentari mapa-guia de viatge-bit\u00e0cola on la cr\u00edtica i la cl\u00ednica es conjuguen (encara que sense deixar-se seduir per la par\u00e0frasi deleuziana) per diagnosticar les malalties que assetgen tant a la instituci\u00f3 de l’art com a la teoria i la cr\u00edtica.<\/p>\n

El parc tem\u00e0tic \u00e9s la met\u00e0fora en qu\u00e8 m\u00e9s s’insisteix, i com en una pel\u00b7l\u00edcula de s\u00e8rie B passada de moda (Atrapats al parc tem\u00e0tic!) l’autor ens empeny a una intr\u00e8pida carrera d’una sala a una altra per escapar tant del contagi de la “trans-est\u00e8tica banalitzada” com de la anhedonia generalitzada per intentar una aproximaci\u00f3 \u00e8tica a l’art contemporani. En aquest sentit, diagnosticar\u00e0 una simptomatologia provisional on el parc tem\u00e0tic mutar\u00e0 a fira de les atrocitats i despr\u00e9s a cl\u00ednica de rehabilitaci\u00f3 del sinistre familiar, amb Ballard i Freud com desencantats guies tur\u00edstics i ocasionals infermers, durant gran part del trepidant itinerari. Segons l’autor, habitem la realitat amb un ritme adrenal\u00ednic que impedeix la contemplaci\u00f3 i la conseq\u00fcent resist\u00e8ncia cr\u00edtica:<\/p>\n

“La intenci\u00f3 de l’art cr\u00edtic d’interrompre la velocitat d’aquest flux \u00e9s tan imprescindible com desesperada, perqu\u00e8 fins i tot el proc\u00e9s art\u00edstic o te\u00f2ric que intenta explorar les ombres, falles i forats de la ideologia dominant pot ser neutralitzat durant la cursa, catalogat i exposat en les millors vitrines del Museu” (p.12)<\/p>\n

No obstant aix\u00f2, hem d’assenyalar que el seu estil assag\u00edstic sol contagiar-se del mateix que diagnostica. El ritme entretallat de la seva escriptura amb constants vincles, refer\u00e8ncies i enlla\u00e7os que interrompen la lectura evidencia una admirable voluntat enciclop\u00e8dica que es torna indigesta amb les prol\u00edfiques notes i refer\u00e8ncies de les notes i cites que ocupen un tercera part del llibre. Aquesta cad\u00e8ncia es desaccelera en el cap\u00edtol “L’art (de perdre\u2019s) en un bosc”. Aqu\u00ed l’autor analitza l’obra de Robert Smithson i la seva operaci\u00f3 de deconstrucci\u00f3 de les ru\u00efnes post-industrials, els buits monumentals i les arquitectures espectrals. Operaci\u00f3 que neutralitza tota petjada d’idealitzaci\u00f3 rom\u00e0ntica per formular una est\u00e8tica del desencant basada en una apologia de la deriva que l’autor vincular\u00e0 amb les intervencions de Richard Long, David Nash i Andy Goldsworthy. I en l’obra, sobretot d’aquests dos \u00faltims, analitzar\u00e0 una immersi\u00f3 epif\u00e0nica en la for\u00e7a transformadora de la naturalesa, que l’autor associa inesperadament amb la resist\u00e8ncia mim\u00e8tica i la defensa de l\u2019intu\u00eftiu pre-iconogr\u00e0fic de l’Art Povera, abans que amb el retorn al neol\u00edtic del Land Art.<\/p>\n

I en aquesta apologia de la deriva, del viatge sense mapa, en la defensa de l’experi\u00e8ncia contemplativa (amb Thoreau com a precursor) \u00e9s on escoltem les sirenes de l’ambul\u00e0ncia salvadora perqu\u00e8, segons Castro Flores, com a societat estem a nom\u00e9s una rosca mal cargolada, un cintur\u00f3 sense ajustar, de detonar la cat\u00e0strofe quan la merda arribi al ventilador i acabar del parc tem\u00e0tic a l’hospital. Per tant, l’urgent diagn\u00f2stic dels l\u00edmits evasius de l’art cr\u00edtic i l’art fraudulent \u00e9s la funci\u00f3 que competeix al cr\u00edtic per evadir l’escatologia com a destinaci\u00f3 inexorable de la cultura. No obstant aix\u00f2, algunes preguntes segueixen retrunyint m\u00e9s enll\u00e0 de l’enrenou de les sirenes: \u00c9s la met\u00e0fora cl\u00ednica el lloc m\u00e9s pertinent per pensar l’art i la cultura del present? I si \u00e9s aix\u00ed, quin \u00e9s el lloc de l’economia pol\u00edtica? \u00bfNo ser\u00e0 aquest un altre exercici forense, una altra al\u00b7legoria, un altre s\u00edmbol cristal\u00b7litzat de la derrota?<\/p>\n","protected":false},"excerpt":{"rendered":"

L’imaginari escatol\u00f2gic en la seva doble accepci\u00f3 sem\u00e0ntica, en relaci\u00f3 a l’imaginari apocal\u00edptic, el desastre, la cat\u00e0strofe, i tamb\u00e9 en el seu vincle amb el activament residual; els excrements i…<\/p>\n","protected":false},"author":1322,"featured_media":8796,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nAtrapats al parc tem\u00e0tic: l'escatologia com a dest\u00ed – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/atrapats-al-parc-tematic-l\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Atrapats al parc tem\u00e0tic: l'escatologia com a dest\u00ed – A*Desk\" \/>\n<meta property=\"og:description\" content=\"L’imaginari escatol\u00f2gic en la seva doble accepci\u00f3 sem\u00e0ntica, en relaci\u00f3 a l’imaginari apocal\u00edptic, el desastre, la cat\u00e0strofe, i tamb\u00e9 en el seu vincle amb el activament residual; 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