{"id":8840,"date":"2014-04-18T02:08:00","date_gmt":"2014-04-18T02:08:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/04\/18\/penetrant-a-l-anima-magda-moskwa\/"},"modified":"2014-04-18T02:08:00","modified_gmt":"2014-04-18T02:08:00","slug":"penetrant-a-l-anima-magda-moskwa","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/penetrant-a-l-anima-magda-moskwa\/","title":{"rendered":"Penetrant a l&#8217;\u00e0nima: Magda Moskwa"},"content":{"rendered":"<p><img decoding=\"async\" class=\" alignleft size-full wp-image-8798\" src=\"http:\/\/a-desk.org\/wp-content\/uploads\/2014\/04\/magdalena_moskwa3-_galeria_wyzytujaca-_varsovia-_abril_2014-_ines_r-_artola-_adesk-2.jpg\" alt=\"Magdalena Moskwa. Galeria Wyzytujaca\" align=\"left\" width=\"670\" height=\"502\" srcset=\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/04\/magdalena_moskwa3-_galeria_wyzytujaca-_varsovia-_abril_2014-_ines_r-_artola-_adesk-2.jpg 670w, https:\/\/a-desk.org\/wp-content\/uploads\/2014\/04\/magdalena_moskwa3-_galeria_wyzytujaca-_varsovia-_abril_2014-_ines_r-_artola-_adesk-2-534x400.jpg 534w\" sizes=\"(max-width: 670px) 100vw, 670px\" \/><br \/>\nLa <a href=\"http:\/\/www.tugaleria.pl\/\">Galeria Wyzytuj\u0105ca<\/a> de Vars\u00f2via ha obert una monogr\u00e0fica amb els darrers treballs de <a href=\"http:\/\/www.magdamoskwa.art.pl\/\">Magdalena Moskwa<\/a>, artista -consagrada- origin\u00e0ria de \u0141\u00f3d\u017a. Leszek Czajski, amo de la galeria, em va comentar com l&#8217;artista anava concretant el seu centre d&#8217;atenci\u00f3, des del retrat i els fragments de cos fins a arribar a visions detallad\u00edssimes del que semblen (s\u00f3n?) orificis; ranures; racons; de l\u2019anatomia humana. Em va conduir, per comprovar-ho, fins a l&#8217;\u00faltima obra realitzada per l&#8217;artista: un orifici augmentat per una lupa, perforat en profunditat, albirat per la il\u00b7luminaci\u00f3 de la galeria que en aquest moment semblava convertir-se en llum quir\u00fargica improvisada. Venes, p\u00e8ls, secrecions, mucoses, elasticitat muscular. La sorpresa -rebuig- fascinaci\u00f3 va ser instant\u00e0nia. I els va passar a tots els que hi &#8220;guaitaven\u201d.<\/p>\n<p>Vaig intercanviar algunes paraules amb l&#8217;artista. No, no vam parlar de forats; orificis; buits ni coses per l&#8217;estil; tampoc de q\u00fcestions femenines, feministes, feminoides. Em va comentar, senzillament, que preferia deixar l&#8217;espectador reaccionar davant la seva obra. (Quants artistes expliquen la seva obra?). Per\u00f2 com que havia observat que el que s&#8217;escrivia de la seva obra era el mateix des de feia anys (cas clar d\u2019imperdonable mandra cr\u00edtica) va haver d\u2019&#8221;explicar-se&#8221; recentment en comptades entrevistes. En efecte, l&#8217;obra de Moskwa ha sofert una evoluci\u00f3 significativa. No obstant aix\u00f2, es tracta d&#8217;una evoluci\u00f3 l\u00f2gica, dins d&#8217;uns par\u00e0metres que van, per dir-ho d\u2019alguna manera, afinant-se. El resultats s\u00f3n suggerents i innovadors, i aix\u00f2 que parteixen de l&#8217;art dels antics flamencs.<\/p>\n<p>Aprofundir en el treball de Moskwa suposa deixar-se atrapar per una est\u00e8tica i un discurs que endinsen les seves arrels a la hist\u00f2ria de la pintura, alhora que en les pr\u00f2pies de l&#8217;\u00e9sser hum\u00e0. El cos, bell i horrible contenidor de l&#8217;\u00e0nima, aquesta tamb\u00e9 amb dos pols a les fronteres de la bogeria. Les seves obres s\u00f3n, podr\u00edem dir, invitacions a penetrar.<\/p>\n<p>En moments precedents, Moskwa va crear retrats de persones inexistents, fruits de fusions i deformacions escrupolosament treballades; dibuixats amb precisi\u00f3 de cirurgi\u00e0 (perd\u00f3, d&#8217;antic flamenc); inserits en espais buits; blancs o platejats, de clares reminisc\u00e8ncies ic\u00f2niques; amb detalls decorativistes org\u00e0nics (tant com les v\u00edsceres Sant Erasme) subratllant una teatralitat minuciosament planificada. \u00c9ssers com trets de faules, o de tractats de medicina psiqui\u00e0trica. Una galeria dels horrors fascinantment est\u00e8tica.<\/p>\n<p>I si els antics flamencs usaven pinzells d&#8217;un p\u00e8l, com ens ha d&#8217;estranyar que Moskwa -que els admira- empri directament p\u00e8ls; resines, i t\u00e8cniques mixtes fins arribar a la h\u00edper-realitat; fingida per\u00f2 palpable, dels orificis que ens presenta en la seva \u00faltima obra? Venes, capil\u00b7lars, morbositat de la pell. La pell, c\u00e0lida, latent, fr\u00e0gil, danyada, supurada. Embolcall del cos. De Sisamnes, i de tots.<\/p>\n<p>Que Moskwa faci, a m\u00e9s, incursions en el camp del disseny de vestuari ens parla d&#8217;una mateixa idea: la roba com a <em>segona pell<\/em>. Vestits de teles tosques, velles, usades, amb vida. Cosides, cenyides, opriments, estripades. Les vestidures buides, desprenent pels seus &#8220;porus&#8221; pres\u00e8ncies m\u00e9s potents i efectives que les reals. La fotografia \u00e9s igualment emprada per l&#8217;artista, no amb finalitat documental, sin\u00f3 com a captadora de l&#8217;esperit, de la proximitat real de la bogeria. Submergir-se en l&#8217;obra de Magda Moskwa \u00e9s &#8220;penetrar&#8221; cap a algun lloc del que despr\u00e9s resulta complicat &#8220;sortir&#8221; sense haver patit canvis.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Galeria Wyzytuj\u0105ca de Vars\u00f2via ha obert una monogr\u00e0fica amb els darrers treballs de Magdalena Moskwa, artista -consagrada- origin\u00e0ria de \u0141\u00f3d\u017a. Leszek Czajski, amo de la galeria, em va comentar&#8230;<\/p>\n","protected":false},"author":1318,"featured_media":8798,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Penetrant a l&#039;\u00e0nima: Magda Moskwa &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/penetrant-a-l-anima-magda-moskwa\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Penetrant a l&#039;\u00e0nima: Magda Moskwa &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"La Galeria Wyzytuj\u0105ca de Vars\u00f2via ha obert una monogr\u00e0fica amb els darrers treballs de Magdalena Moskwa, artista -consagrada- origin\u00e0ria de \u0141\u00f3d\u017a. 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