{"id":8843,"date":"2014-04-22T02:00:00","date_gmt":"2014-04-22T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/04\/22\/mes-enlla-de-milano-radicale\/"},"modified":"2014-04-22T02:00:00","modified_gmt":"2014-04-22T02:00:00","slug":"mes-enlla-de-milano-radicale","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/mes-enlla-de-milano-radicale\/","title":{"rendered":"M\u00e9s enll\u00e0 de Milano radicale, pensant en una altra Barcelona"},"content":{"rendered":"

\"1346344103.jpg\"
\nA l’espai de Sala d’Art Jove s’ha pogut veure aquests dies Efectes colaterals, M\u00e9s enll\u00e0 de Milano Radicale<\/em>, exposici\u00f3 organitzada per Homesession i comissariada per Aria Spinelli. La inauguraci\u00f3 va comptar amb una xerrada a la qual no vaig poder assistir, aix\u00ed que aquest text ve a ser una forma m\u00e9s de contribuir a aquest debat, tot i que hauria preferit poder discutir amb algunes de les persones que van participar al llarg les xerrades organitzades en relaci\u00f3 al projecte.<\/p>\n

Una de les preguntes claus a Efectes colaterals<\/em> \u00e9s: qu\u00e8 pot l’art pol\u00edtic? L’an\u00e0lisi i la documentaci\u00f3 cr\u00edtica entorn de la q\u00fcesti\u00f3, es va generar a partir de la investigaci\u00f3 del col\u00b7lectiu milan\u00e8s radical intention<\/em>. Com a marc de refer\u00e8ncia hist\u00f2ric, a m\u00e9s de comptar amb artistes emergents contemporanis, es van incloure artistes o col\u00b7lectius que van produir obres i realitzar projectes entre els anys 70 i 80, assenyalant el conflicte pol\u00edtic i social de la seva \u00e8poca. Unes dates no tan llunyanes, que permeten establir di\u00e0legs amb els seus protagonistes, generar trobades f\u00edsiques i posar en com\u00fa problem\u00e0tiques, anhels i decepcions de l’anomenat art radical.<\/p>\n

El proc\u00e9s i el projecte en si s\u00f3n entesos en aquest cas com di\u00e0legs oberts i espais de dubte, construint un sentit que m\u00e9s que arribar a conclusions, apunta preguntes. La sala d’exposici\u00f3 s’ent\u00e9n aix\u00ed com un lloc m\u00e9s, no l’\u00fanic, on activar l’art. Un lloc on plantejar correspond\u00e8ncies i afinitats entre artistes que fa 30 anys van posar en dubte un sistema que avui sembla ser el mateix. Un escenari amb un altre color per\u00f2 la mateixa merda, vaja. Llavors, servirien les experi\u00e8ncies d’aquesta \u00e8poca per a la nostra?<\/p>\n

“Articular hist\u00f2ricament el passat no significa con\u00e8ixer-lo” tal com veritablement ha estat. “Significa apoderar-se d’un record tal com brilla en un instant de perill”. El passat nom\u00e9s es reconeix en el present, no t\u00e9 cap identitat amb si mateix, igual que el present no pot entendre\u2019s en termes de pura pres\u00e8ncia. Aquesta estranya sensaci\u00f3 de pensar que la hist\u00f2ria es construeix des de l’actualitat, ocorre sempre en diferit, mai en som protagonistes. D’aqu\u00ed la necessitat del document, l’oblit, la projecci\u00f3 i la recuperaci\u00f3.<\/p>\n

Un cop citat a Benjamin, per alleugerir pes, plantejo la fantasia d’un salt fins a finals dels setanta, pensant en qu\u00e8 passava a Barcelona. Imaginant quins documents i obres recolliria si volgu\u00e9s trobar moments radicals i de pot\u00e8ncia que poguessin ser afins amb el nostre temps.<\/p>\n

Se m’acut un arxiu Kinki i precari, amb Oca\u00f1a passejant per la Rambla, les primeres manis del Front d’ Alliberament Gai de Catalunya, Nazario i la revista Makoki, el Vaquilla, La banda trapera del r\u00edo i tot l\u2019underground lumpen<\/em> que d’alguna manera va sorgir quan el nostre pa\u00eds va deixar de ser obertament fatxa per passar al pur\u00e9 mental i pol\u00edtic que tenim avui. El que no van ser els setanta ni els vuitanta, \u00e9s potser el que m\u00e9s m’interessa per plantejar possibles lapses i continu\u00eftats hist\u00f2riques i culturals.<\/p>\n

M’acomiado amb una altra cita, aquesta vegada menys acad\u00e8mica que Walter Benjamin, per\u00f2 igual de contundent, per il\u00b7luminar com un llamp -o com una flamarada de gasolina- de manera breu i fuga\u00e7 aquest text que parla d’una exposici\u00f3 com a excusa per preguntar altres coses, i de Mil\u00e0 com a pretext per rememorar una altra Barcelona: \u201cCiudad podrida nos traes la noche y el miedo, ahora que est\u00e1s dormida, las calles son llenas de fuego<\/em>\u201d (La Banda Trapera del R\u00edo, \u201cCiudad podrida\u201d).<\/p>\n","protected":false},"excerpt":{"rendered":"

A l’espai de Sala d’Art Jove s’ha pogut veure aquests dies Efectes colaterals, M\u00e9s enll\u00e0 de Milano Radicale, exposici\u00f3 organitzada per Homesession i comissariada per Aria Spinelli. La inauguraci\u00f3 va…<\/p>\n","protected":false},"author":1275,"featured_media":8809,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[6474],"acf":[],"yoast_head":"\nM\u00e9s enll\u00e0 de Milano radicale, pensant en una altra Barcelona – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/mes-enlla-de-milano-radicale\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"M\u00e9s enll\u00e0 de Milano radicale, pensant en una altra Barcelona – A*Desk\" \/>\n<meta property=\"og:description\" content=\"A l’espai de Sala d’Art Jove s’ha pogut veure aquests dies Efectes colaterals, M\u00e9s enll\u00e0 de Milano Radicale, exposici\u00f3 organitzada per Homesession i comissariada per Aria Spinelli. 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