{"id":8851,"date":"2014-04-26T02:00:00","date_gmt":"2014-04-26T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/04\/26\/principio-de-incertidumbre-the2891\/"},"modified":"2014-04-26T02:00:00","modified_gmt":"2014-04-26T02:00:00","slug":"principio-de-incertidumbre-the2891","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/principio-de-incertidumbre-the2891\/","title":{"rendered":"“Principio de Incertidumbre”. The Goma. Jugada a 3 bandas"},"content":{"rendered":"

\"Principio
\nLa gran implicaci\u00f3 filos\u00f2fica de la mec\u00e0nica qu\u00e0ntica \u00e9s que no existeix alguna cosa considerable com a observador independent. La formulaci\u00f3 m\u00e9s popular d’aquesta concepci\u00f3 \u00e9s potser el principi d’incertesa que va postular Werner Heisenberg l\u2019any 1925. Aleshores els habitants del m\u00f3n es trobaven en una etapa de redescobriment, ja que des de l’aparici\u00f3 dels raigs X i la teoria de la relativitat, la realitat es presentava completament diferent al que abans havia estat. Aix\u00f2 va significar un gran canvi en la consci\u00e8ncia humana i va afectar profundament a l’art que en aquells dies comen\u00e7ava a trobar respostes en una visi\u00f3 abstracta del m\u00f3n. Els f\u00edsics d’avui saben que la consci\u00e8ncia forma part dels seus mesuraments, “el que observem” va escriure Heisenberg, “no \u00e9s la naturalesa en si mateixa, sin\u00f3 la naturalesa exposada al nostre m\u00e8tode indagador”. El que suggeria aquest concepte no newtoni\u00e0 era que la realitat sobrepassa les nostres capacitats l\u00f2giques per aprehendre.<\/p>\n

Des d’aquesta perspectiva \u00e9s interessant pensar l’art com una disciplina que se sustenta sobre la base de la creaci\u00f3 de subjectivitat mitjan\u00e7ant (o no) la mat\u00e8ria. Principio de Incertidumbre<\/a>, l’exposici\u00f3 comissariada per Bernardo Sopelana a The Goma, ve a proposar-nos, de la m\u00e0 de la teoria de Heisenberg, que obrim la ment i sostinguem un enfocament del m\u00f3n deixant de banda les nostres concepcions espai-temporals, cosa que pot sonar il\u00b7l\u00f2gica, per\u00f2 resultar tremendament il\u00b7luminadora. Per a aix\u00f2 els artistes han disposat les seves obres del tal manera que ens desorienten en una constel\u00b7laci\u00f3 totalment ca\u00f2tica de situacions i narratives subjacents en la incertesa.<\/p>\n

Aquesta exposici\u00f3 planteja un “passat” i un “futur”, trencant el sempre present “ara” que, en la seva totalitat, cont\u00e9 a tots dos en una unitat intemporal. \u00c9s sabut que sistemes de coneixement no lineal com l\u2019Iching<\/em> funcionen acceptant que una part del tot \u00e9s representativa en qualsevol moment de la seva integritat, de la mateixa manera que una petita porci\u00f3 d’un holograma cont\u00e9 no obstant la seva imatge sencera. A Dateless<\/em> Alfredo Rodr\u00edguez ens presenta els vestigis arqueol\u00f2gics de la creaci\u00f3 d’un holograma dividit en tres fragments que van ser creats mitjan\u00e7ant un proc\u00e9s fotogr\u00e0fic amb l’objectiu de mutar la mem\u00f2ria de l’objecte original. Utilitzant el principi alqu\u00edmic de la mutaci\u00f3, aquest artista va diluint i materialitzant la realitat establint la impossibilitat de comprovar l’exist\u00e8ncia d’un temps i un cos \u00fanics, i amb tot aix\u00f2, aportant diferents nivells de comprensi\u00f3 i acc\u00e9s a l’origen de la imatge, la seva forma, contingut i significat.<\/p>\n

Momentum<\/em> d’Alejandro Guijarro, d\u00f3na una ullada a l’estrany m\u00f3n de la f\u00edsica qu\u00e0ntica en una s\u00e8rie fotogr\u00e0fica de les pissarres de les universitats m\u00e9s prestigioses del m\u00f3n en la mat\u00e8ria. Sense aquests c\u00e0lculs els f\u00edsics no podrien dissenyar les centrals nuclears, explicar com el sol es mant\u00e9 calent o com els impulsos del conscient i l’inconscient de la ment formen una unitat aparentment en equilibri. En aquest \u00faltim cas \u00e9s interessant veure com la f\u00edsica qu\u00e0ntica creua els seus coneixements amb els de disciplines tan ancestrals com la meditaci\u00f3, mitjan\u00e7ant la qual, assenyalen els monjos Zen, el nostre cervell pot aquietar fins i tot la seva activitat m\u00e9s m\u00ednima provocant la quasi dissoluci\u00f3 de la nostra consci\u00e8ncia.<\/p>\n

Ara, sabent que la ci\u00e8ncia t\u00e9 en compte la nostra consci\u00e8ncia per fer les seves mesures, caldria preguntar-nos, \u00bfsi la nostra consci\u00e8ncia fos diferent, el m\u00f3n que observem tamb\u00e9 ho seria? o com fa Nicol\u00e1s Lamas, citant a Einstein, What does a fish know about the water in which he swims all his life?<\/em> En aquesta pe\u00e7a el joc de billar \u00e9s utilitzat com a met\u00e0fora de les diferents posicions espacials que pot cobrar el joc desprove\u00eft de les seves regles i materialitat conegudes. Les boles s’han transformat en uns elements informes que no obstant aix\u00f2 tenen una inquieta aura de realitat i proveeixen, com altres peces de l’exposici\u00f3, un entorn curiosament reconeixible malgrat la seva petita grand\u00e0ria. Principi d’Incertesa<\/em> provoca aquesta part del cervell que, activada per l’ull, experimenta les sensacions f\u00edsiques m\u00e9s desconcertants.<\/p>\n

\u00c9s que la realitat, com es preguntaria Eisenberg, nom\u00e9s existeix perqu\u00e8 nosaltres l’observem? Nom\u00e9s les ments poden practicar la ci\u00e8ncia i produir art, nom\u00e9s les ments molt entrenades i els instruments dissenyats per elles poden detectar la realitat no \u00f2bvia. Bernardo Sopelana ha sembrat en nosaltres la incertesa, i al contrari del pragmatisme de Frank Stella, ens assegura que el que veiem no \u00e9s el que veiem i que si b\u00e9 els objectius de l’art s\u00f3n permanents, el seu desplegament canvia de forma paral\u00b7lela al canvi en la consci\u00e8ncia i mentalitat humanes.<\/p>\n","protected":false},"excerpt":{"rendered":"

La gran implicaci\u00f3 filos\u00f2fica de la mec\u00e0nica qu\u00e0ntica \u00e9s que no existeix alguna cosa considerable com a observador independent. La formulaci\u00f3 m\u00e9s popular d’aquesta concepci\u00f3 \u00e9s potser el principi d’incertesa…<\/p>\n","protected":false},"author":1321,"featured_media":8821,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\n"Principio de Incertidumbre". The Goma. 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