{"id":8947,"date":"2014-06-30T02:00:00","date_gmt":"2014-06-30T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/06\/30\/treure-el-cavallet-o-enterrar-l\/"},"modified":"2014-06-30T02:00:00","modified_gmt":"2014-06-30T02:00:00","slug":"treure-el-cavallet-o-enterrar-l","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/","title":{"rendered":"Treure el cavallet o enterrar l’obra. Nature After Nature al Fridericianum de Kassel"},"content":{"rendered":"

\"a)
\nLa divisi\u00f3 entre natura i cultura est\u00e0 obsoleta. La naturalesa som nosaltres i tot el que ens envolta.<\/em> Aix\u00ed comen\u00e7a el text que Susanne Pfeffer ha elaborat per donar forma al projecte titulat Nature After Nature<\/a><\/em> que es podr\u00e0 veure fins a finals de juliol al Fridericianum de Kassel. Pfeffer, actual directora del museu, ha seleccionat els artistes Olga Balema, Juliette Bonneviot, Bj\u00f6rn Braun, Nina Canell, Alice Channer, Ajay Kurian, Sam Lewitt, Jason Loebs, Marlie Mul, Magali Reus, Nora Schultz i Susanne M. Winterling per a mostrar una s\u00e8rie de treballs que alerten d’aquesta l\u00ednia parella que segueixen a l’actualitat art i natura. <\/p>\n

Resulta estrany visitar Kassel sense Documenta, sense cues ni espais p\u00fablics intervinguts. No obstant aix\u00f2, i malgrat la calma d’un lustre que viu la ciutat, el museu Fridericianum mant\u00e9 una activitat incessant. Referent europeu de mostres paradigm\u00e0tiques, Nature After Nature<\/em> \u00e9s, despr\u00e9s de l\u2019extensament comentada Speculations on Anonymous Materials<\/em>, la segona exposici\u00f3 que l’actual directora realitza per al museu, i sembla que una altra vegada ha aconseguit no deixar indiferent a ning\u00fa. <\/p>\n

Accedim a l’edifici, escollim el nostre recorregut perqu\u00e8 res est\u00e0 dirigit, i despr\u00e9s de creuar el hall, ens trobem en primer lloc les peces de Bj\u00f6rn Braun i Nina Canell que ocupen la part baixa de la rotonda. Braun estableix una relaci\u00f3 harmoniosa entre el medi natural i les seves creacions, cedint cables i fibres naturals a una s\u00e8rie d’ocells de la varietat diamant zebra<\/em> -de l’esp\u00e8cie dels pinsans descoberts per Darwin a Les Illes Galapagos- amb els qu\u00e8 han constru\u00eft els seus nius, que posteriorment s\u00f3n exhibits per Braun. Tamb\u00e9 utilitza el cau d’un senglar, del qual elabora un motlle de fibra o diferents paratges per a generar unes peces monocromes m\u00e9s properes al minimal<\/em> que a qualsevol relaci\u00f3 possible amb el medi natural. Braun treballa amb elements sint\u00e8tics per tal d’immortalitzar certes arquitectures ef\u00edmeres de naturalesa animal o paratges susceptibles de patir canvis a curt termini. Parteix del profund respecte cap al medi natural i planteja un resultat que de vegades sorpr\u00e8n pels seus acabats industrials. En el cas de Nina Canell, les peces es reparteixen pel Fridericianum com a lleus gestos de complicitat, que centren el seu inter\u00e8s en materials incorporis -com ara camps magn\u00e8tics, forces f\u00edsiques o subst\u00e0ncies que s’allunyen d\u2019all\u00f2 que \u00e9s perceptible, per\u00f2 que no obstant aix\u00f2 s\u00f3n part important de la nostra vida. Aire o frag\u00e0ncies solidificades i cablejats el\u00e8ctrics de gran pot\u00e8ncia disposats a manera de joies o peces de museu arqueol\u00f2gic. No ens trobem en aquest primer cop d’ull les obres m\u00e9s monumentals, sin\u00f3 les m\u00e9s subtils. \u00c9s una exposici\u00f3 per veure amb calma i l’efecte no \u00e9s immediat, per\u00f2 \u00e9s durador. <\/p>\n

Al lateral d’aquesta planta baixa, Olga Balema disposa grans bosses plenes d’aigua envasades al buit juntament amb objectes peribles, clara al\u00b7lusi\u00f3 a l’imparable proc\u00e9s de canvi, al pas del temps sobre el medi natural i sobre nosaltres mateixos. Tamb\u00e9 la s\u00e8rie de circuits tancats d’aigua que cauen sobre teixits i xapes d’acer, tenyint les teles i l’aigua d’\u00f2xid, mostren la reacci\u00f3 dels diferents elements en contacte. <\/p>\n

Nature After Nature<\/em> es distribueix per les sales principals de les plantes baixa i primera del museu, sense establir una divisi\u00f3 estricta per artistes, responent a un ordre menys artificial, que genera un discurs lliure, sense instruccions ni certeses que marquin un itinerari de manera rigorosa. Tampoc les sales dirigeixen l’espectador: podr\u00edem accedir d’una altra manera, veure-la de dalt a baix o de dreta a esquerra i no obstant aix\u00f2, he escollit a Canell i Braun per iniciar aquest cam\u00ed m\u00e9s subtil que muta en grans instal\u00b7lacions com la d’Alice Channer o Magali Reus, que partint de frigor\u00edfics dom\u00e8stics concep instal\u00b7lacions basades en una intenci\u00f3 m\u00e9s pl\u00e0stica, per\u00f2 que, no obstant aix\u00f2, no permeten que els elements utilitzats parlin \u00fanicament d’instal\u00b7laci\u00f3, obligant l’espectador a tenir en compte aquests grans calaixos, la c\u00e0rrega simb\u00f2lica dels quals dista molt de delegar tot el seu poder en la forma. <\/p>\n

\"Reus_Magali_01_R_Nils_Klinger.jpg\"<\/p>\n

Marlie Mul o Sam Levitt comparteixen espai amb treballs que semblen situar-se a gran dist\u00e0ncia dins d’aquest paraig\u00fces fixat que \u00e9s la naturalesa i l’art, ja com a binomi indissoluble. Juliette Bonneviot participa amb una s\u00e8rie d’obres que ofereixen un resultat elegant, proper al disseny, utilitzant planxes de metacrilat deformades sobre objectes d’\u00fas quotidi\u00e0. L\u2019industrial i all\u00f2 natural s\u2019agafen la m\u00e0, generant h\u00edbrids que en el cas de Bonneviot, Susanne M. Winterling o Ajay Kurian mostren una naturalesa domesticada, convertida en disseny o espectacle. Jocs de llums, lluentors i formes que enllaunen un mitj\u00e0 salvatge. Una cosa que descobrim al terrari on Kurian recrea la g\u00e0bia d’un h\u00e0mster, animal alienat per antonom\u00e0sia. <\/p>\n

Disposats sobre les caixes en qu\u00e8 han estat transportats, Jason Loebs pren grans roques amb betes de minerals utilitzats en la construcci\u00f3 de microxips, creant consci\u00e8ncia, d’alguna manera, del preu que la naturalesa ha de pagar en benefici del desenvolupament cient\u00edfic. \u00c9s una manera molt subtil de mostrar, en plena febre de l’ecol\u00f2gic, d’on provenen els aparells que omplen les nostres llars. Perqu\u00e8 finalment tot ho estem arrencant del mateix lloc. <\/p>\n

N\u2019hi ha prou amb una primera presa de contacte per adonar-se de la magnitud del que aqu\u00ed es vol explicar, i de les m\u00faltiples vies obertes que un tema tan ampli \u00e9s capa\u00e7 de proporcionar a l’espectador. Tamb\u00e9 de la relaci\u00f3 ja inseparable entre natura i art en una ciutat sobre la qual segueix planejant la colossal figura de Joseph Beuys o la d’altres com Walter de Maria, de qui el seu quil\u00f2metre de bronze roman enterrat en vertical a escassos metres de la porta del Fridericianum, i sembla travessar tots i cadascun dels estrats que Nature After Nature<\/em> analitza ara. \u00c9s un moment de canvis, no hi ha dubte, i com a tal ha de reflectir-se en l’art. <\/p>\n","protected":false},"excerpt":{"rendered":"

La divisi\u00f3 entre natura i cultura est\u00e0 obsoleta. La naturalesa som nosaltres i tot el que ens envolta. Aix\u00ed comen\u00e7a el text que Susanne Pfeffer ha elaborat per donar forma…<\/p>\n","protected":false},"author":1268,"featured_media":8938,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"\nTreure el cavallet o enterrar l'obra. Nature After Nature al Fridericianum de Kassel – A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Treure el cavallet o enterrar l'obra. Nature After Nature al Fridericianum de Kassel – A*Desk\" \/>\n<meta property=\"og:description\" content=\"La divisi\u00f3 entre natura i cultura est\u00e0 obsoleta. La naturalesa som nosaltres i tot el que ens envolta. Aix\u00ed comen\u00e7a el text que Susanne Pfeffer ha elaborat per donar forma...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/\" \/>\n<meta property=\"og:site_name\" content=\"A*Desk\" \/>\n<meta property=\"article:published_time\" content=\"2014-06-30T02:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/06\/Braun_Bjo_ern_02_R_Nils_Klinger_43_.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"446\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"\u00c1ngel Calvo Ulloa\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrit per\" \/>\n\t<meta name=\"twitter:data1\" content=\"\u00c1ngel Calvo Ulloa\" \/>\n\t<meta name=\"twitter:label2\" content=\"Temps estimat de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minuts\" \/>\n\t<meta name=\"twitter:label3\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data3\" content=\"\u00c1ngel Calvo Ulloa\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/\",\"url\":\"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/\",\"name\":\"Treure el cavallet o enterrar l'obra. Nature After Nature al Fridericianum de Kassel – A*Desk\",\"isPartOf\":{\"@id\":\"https:\/\/a-desk.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/06\/Braun_Bjo_ern_02_R_Nils_Klinger_43_.jpg\",\"datePublished\":\"2014-06-30T02:00:00+00:00\",\"dateModified\":\"2014-06-30T02:00:00+00:00\",\"author\":{\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/aa5343d9283d358682ee0ccf2195a5ce\"},\"breadcrumb\":{\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/#breadcrumb\"},\"inLanguage\":\"ca\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/#primaryimage\",\"url\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/06\/Braun_Bjo_ern_02_R_Nils_Klinger_43_.jpg\",\"contentUrl\":\"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/06\/Braun_Bjo_ern_02_R_Nils_Klinger_43_.jpg\",\"width\":670,\"height\":446,\"caption\":\"a) Bj\u00c3\u00b6rn Braun. (Foto de Nils Klinger)\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Portada\",\"item\":\"https:\/\/a-desk.org\/ca\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Treure el cavallet o enterrar l’obra. Nature After Nature al Fridericianum de Kassel\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/a-desk.org\/#website\",\"url\":\"https:\/\/a-desk.org\/\",\"name\":\"A*Desk\",\"description\":\"A*Desk Critical Thinking\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/a-desk.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"ca\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/aa5343d9283d358682ee0ccf2195a5ce\",\"name\":\"\u00c1ngel Calvo Ulloa\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"ca\",\"@id\":\"https:\/\/a-desk.org\/#\/schema\/person\/image\/5efcb3cc979dad39f823143cba45214c\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/18d27f5800ee49b0abb26eb9e5bfe8e6?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/18d27f5800ee49b0abb26eb9e5bfe8e6?s=96&d=mm&r=g\",\"caption\":\"\u00c1ngel Calvo Ulloa\"},\"url\":\"https:\/\/a-desk.org\/ca\/autor\/angel\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Treure el cavallet o enterrar l'obra. Nature After Nature al Fridericianum de Kassel – A*Desk","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/","og_locale":"ca_ES","og_type":"article","og_title":"Treure el cavallet o enterrar l'obra. Nature After Nature al Fridericianum de Kassel – A*Desk","og_description":"La divisi\u00f3 entre natura i cultura est\u00e0 obsoleta. La naturalesa som nosaltres i tot el que ens envolta. Aix\u00ed comen\u00e7a el text que Susanne Pfeffer ha elaborat per donar forma...","og_url":"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/","og_site_name":"A*Desk","article_published_time":"2014-06-30T02:00:00+00:00","og_image":[{"width":670,"height":446,"url":"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/06\/Braun_Bjo_ern_02_R_Nils_Klinger_43_.jpg","type":"image\/jpeg"}],"author":"\u00c1ngel Calvo Ulloa","twitter_card":"summary_large_image","twitter_misc":{"Escrit per":"\u00c1ngel Calvo Ulloa","Temps estimat de lectura":"5 minuts","Written by":"\u00c1ngel Calvo Ulloa"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/","url":"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/","name":"Treure el cavallet o enterrar l'obra. Nature After Nature al Fridericianum de Kassel – A*Desk","isPartOf":{"@id":"https:\/\/a-desk.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/#primaryimage"},"image":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/#primaryimage"},"thumbnailUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/06\/Braun_Bjo_ern_02_R_Nils_Klinger_43_.jpg","datePublished":"2014-06-30T02:00:00+00:00","dateModified":"2014-06-30T02:00:00+00:00","author":{"@id":"https:\/\/a-desk.org\/#\/schema\/person\/aa5343d9283d358682ee0ccf2195a5ce"},"breadcrumb":{"@id":"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/#breadcrumb"},"inLanguage":"ca","potentialAction":[{"@type":"ReadAction","target":["https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/"]}]},{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/#primaryimage","url":"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/06\/Braun_Bjo_ern_02_R_Nils_Klinger_43_.jpg","contentUrl":"https:\/\/a-desk.org\/wp-content\/uploads\/2014\/06\/Braun_Bjo_ern_02_R_Nils_Klinger_43_.jpg","width":670,"height":446,"caption":"a) Bj\u00c3\u00b6rn Braun. (Foto de Nils Klinger)"},{"@type":"BreadcrumbList","@id":"https:\/\/a-desk.org\/ca\/magazine\/treure-el-cavallet-o-enterrar-l\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Portada","item":"https:\/\/a-desk.org\/ca\/"},{"@type":"ListItem","position":2,"name":"Treure el cavallet o enterrar l’obra. Nature After Nature al Fridericianum de Kassel"}]},{"@type":"WebSite","@id":"https:\/\/a-desk.org\/#website","url":"https:\/\/a-desk.org\/","name":"A*Desk","description":"A*Desk Critical Thinking","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/a-desk.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"ca"},{"@type":"Person","@id":"https:\/\/a-desk.org\/#\/schema\/person\/aa5343d9283d358682ee0ccf2195a5ce","name":"\u00c1ngel Calvo Ulloa","image":{"@type":"ImageObject","inLanguage":"ca","@id":"https:\/\/a-desk.org\/#\/schema\/person\/image\/5efcb3cc979dad39f823143cba45214c","url":"https:\/\/secure.gravatar.com\/avatar\/18d27f5800ee49b0abb26eb9e5bfe8e6?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/18d27f5800ee49b0abb26eb9e5bfe8e6?s=96&d=mm&r=g","caption":"\u00c1ngel Calvo Ulloa"},"url":"https:\/\/a-desk.org\/ca\/autor\/angel\/"}]}},"_links":{"self":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/8947"}],"collection":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/users\/1268"}],"replies":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/comments?post=8947"}],"version-history":[{"count":0,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/posts\/8947\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/media\/8938"}],"wp:attachment":[{"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/media?parent=8947"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/categories?post=8947"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/tags?post=8947"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/a-desk.org\/ca\/wp-json\/wp\/v2\/coauthors?post=8947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}