{"id":8957,"date":"2014-08-25T02:07:00","date_gmt":"2014-08-25T02:07:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/08\/25\/arxiu-cedric-andrieux-aprendre-a\/"},"modified":"2014-08-25T02:07:00","modified_gmt":"2014-08-25T02:07:00","slug":"arxiu-cedric-andrieux-aprendre-a","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/arxiu-cedric-andrieux-aprendre-a\/","title":{"rendered":"Arxiu: C\u00e9dric Andrieux: aprendre a exposar-se"},"content":{"rendered":"<p><em>Un text que comen\u00e7a gaireb\u00e9 com una declaraci\u00f3 d&#8217;alcoh\u00f2lics an\u00f2nims, en primera persona. No \u00e9s habitual que els autors \u201cs&#8217;exposin\u201d d&#8217;aquesta manera en els seus articles. Sonia Fern\u00e1ndez Pa ho fa en aquest escrit sobre C\u00e9dric Andrieux una pe\u00e7a del core\u00f2graf J\u00e9r\u00f4me Bel. Perqu\u00e8 la cr\u00edtica no ha de ser sempre la que mira i analitza des de la dist\u00e0ncia.<\/em><\/p>\n<p><iframe loading=\"lazy\" width=\"670\" height=\"503\" src=\"\/\/www.youtube.com\/embed\/mH_MGp4Lglw\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><em>Hola. Em dic Sonia Fern\u00e1ndez Pan (remarcar el segon cognom sempre ha estat important per a mi, suposo que per subratllar algun tipus de difer\u00e8ncia envers la freq\u00fc\u00e8ncia del primer i tamb\u00e9 per introduir el fonamental component matern del segon). Vaig n\u00e9ixer l\u2019any 1981, tinc 32 anys i estic soltera. S\u00f3c cr\u00edtica d&#8217;art i comiss\u00e0ria \u00bfindependent?. De vegades em costa assumir les etiquetes professionals, sobretot si no estan legitimades per un contracte laboral. El meu inter\u00e8s per l&#8217;art contemporani va ser relativament tard\u00e0, m\u00e9s o menys vers l&#8217;any 2000, gr\u00e0cies a un dels pocs professors de la Universitat de Santiago de Compostel\u00b7la que, a m\u00e9s d&#8217;impartir el seu programa d&#8217;estudis, era capa\u00e7 de transmetre la seva passi\u00f3 per l\u2019art contemporani, cosa ins\u00f2lita en un context universitari considerablement anacr\u00f2nic. Volia especialitzar-me en l&#8217;Antic Egipte i Gr\u00e8cia, fins que Janis Kounellis amb els seus cavalls, Gina Pane amb les seves ferides i Marina Abramovic amb la seva viol\u00e8ncia inicial van apar\u00e8ixer per demostrar, en menys d&#8217;una hora, que l&#8217;art podia ser una altra cosa. En aquell temps volia ser professora d&#8217;universitat, aspiraci\u00f3 que va desapar\u00e8ixer anys m\u00e9s tard durant un doctorat que vaig abandonar per una p\u00e8rdua de fe progressiva en el m\u00f3n acad\u00e8mic i la seva hip\u00f2crita gesti\u00f3 del coneixement. Aix\u00f2 em va deixar encallada i pessimista durant alguns anys, per no saber &#8220;qu\u00e8 volia ser de gran&#8221;. Amb l&#8217;inconvenient de ser massa gran com per no saber-ho i l&#8217;incompliment latent d&#8217;unes expectatives pr\u00f2pies i alienes. L&#8217;\u00e8xit en pot\u00e8ncia \u00e9s tamb\u00e9 el frac\u00e0s en pot\u00e8ncia.<\/em><\/p>\n<p>El par\u00e0graf anterior \u00e9s un intent de reproducci\u00f3 del comen\u00e7ament de <em>C\u00e9dric Andrieux<\/em> del core\u00f2graf J\u00e9r\u00f4me Bel (al Mercat de les Flors el 4 i 5 d&#8217;octubre), pe\u00e7a solista que pren el seu t\u00edtol del ballar\u00ed que la protagonitza. El precedeix <em>Veronique Doisneau<\/em>, un treball hom\u00f2leg amb la ballarina que cedeix el seu nom a la pe\u00e7a. Per\u00f2 Veronique, a difer\u00e8ncia de C\u00e9dric, transita m\u00e9s per una hist\u00f2ria personal de la dansa que per una experi\u00e8ncia vital associada a la dansa. Un possible exercici per al futur seria el perqu\u00e8 d&#8217;aquesta gran subtil difer\u00e8ncia entre ballar\u00ed i ballarina.<\/p>\n<p>Posant en escena la seva pr\u00f2pia biografia, <em>C\u00e9dric Andrieux<\/em> aconsegueix diverses coses al mateix temps. D&#8217;una banda, construeix un recorregut per la dansa contempor\u00e0nia, fent intel\u00b7ligible per als inexperts un context al que molts ens resistim per aquesta por cont\u00ednua a &#8220;no entendre&#8221; dins de l&#8217;ecosistema cultural, on costa adquirir el grau de maduresa suficient per admetre en p\u00fablic que no s&#8217;entenen certes coses o que no se saben tantes altres. Poc s\u00e9 de dansa, he assistit a un espectacle de l&#8217;emblem\u00e0tic Merce Cunningham que no ha aconseguit superar les desencertades expectatives d&#8217;espectador novell, i seria incapa\u00e7 d&#8217;apuntar el nom del core\u00f2graf de moda sense passar abans per Internet. I no obstant aix\u00f2, despr\u00e9s de C\u00e9dric Andrieux, la dansa ja no \u00e9s aquell territori indesxifrable d&#8217;abans.<\/p>\n<p>D&#8217;altra banda, C\u00e9dric Andrieux reconstrueix des de l&#8217;escenari una experi\u00e8ncia vital honesta i sincera \u2013seria igual si fos ficci\u00f3, l&#8217;espectador la percep com honesta i d&#8217;aqu\u00ed el seu enorme impacte- on l&#8217;elegant m\u00f3n de la dansa perd la seva p\u00e0tina de glamour i es converteix en un altre espai de treball marcat per la contradicci\u00f3 entre all\u00f2 visible i l&#8217;ocult, entre la persona i la seva imatge, per la complicada relaci\u00f3 entre la passi\u00f3 com a professi\u00f3 i el manteniment de tota passi\u00f3 despr\u00e9s de la seva professionalitzaci\u00f3. A la impecable posada en escena de la dansa el precedeixen -i succeeixen- pors, frustracions, circumst\u00e0ncies emocionals, apatia, casualitats, successos hist\u00f2rics, aspiracions, fracassos en pot\u00e8ncia i \u00e8xits a mitges. \u00c9s la dansa, per\u00f2 podria ser qualsevol altre territori, tamb\u00e9 l&#8217;art.<\/p>\n<p><em>C\u00e9dric Andrieux<\/em> no relata res que no siguem capa\u00e7os d&#8217;intuir, sentir o saber. La seva pot\u00e8ncia est\u00e0 en aquesta comprometedora franquesa de convertir en expl\u00edcit l&#8217;impl\u00edcit i en p\u00fablic el privat. Aquesta vegada de veritat, i no des de la gratu\u00eftat te\u00f2rica que tant es porta i que no es veu representada a la pr\u00e0ctica. En fer-nos pensar en com el nostre context de treball, al mateix temps que presumeix de subjectivitat i contestaci\u00f3 pol\u00edtica, ens exigeix convertir-nos en un <em>statement<\/em> de nosaltres mateixos que tingui l&#8217;habilitat de prescindir, com tot curr\u00edculum, de nosaltres mateixos. Especialment si transportem incomoditat, fragilitat o inseguretat. Caient en la innecess\u00e0ria i paradoxal pedanteria de tergiversar a Kant, m\u00e9s que aquell <em>sapere aure<\/em>, caldria treure el complex de fer \u00fas conscient de la pr\u00f2pia experi\u00e8ncia i no tan sols de la brillantor que ens d\u00f3na la ra\u00f3 d&#8217;un coneixement imperatiu. Ah, i no quedar-nos tampoc en l&#8217;an\u00f2nim aplaudiment col\u00b7lectiu al final d&#8217;una funci\u00f3, on sempre \u00e9s un altre el que s&#8217;exposa al p\u00fablic.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un text que comen\u00e7a gaireb\u00e9 com una declaraci\u00f3 d&#8217;alcoh\u00f2lics an\u00f2nims, en primera persona. No \u00e9s habitual que els autors \u201cs&#8217;exposin\u201d d&#8217;aquesta manera en els seus articles. Sonia Fern\u00e1ndez Pa ho&#8230;<\/p>\n","protected":false},"author":1241,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Arxiu: C\u00e9dric Andrieux: aprendre a exposar-se &#8211; A*Desk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/a-desk.org\/ca\/magazine\/arxiu-cedric-andrieux-aprendre-a\/\" \/>\n<meta property=\"og:locale\" content=\"ca_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arxiu: C\u00e9dric Andrieux: aprendre a exposar-se &#8211; A*Desk\" \/>\n<meta property=\"og:description\" content=\"Un text que comen\u00e7a gaireb\u00e9 com una declaraci\u00f3 d&#8217;alcoh\u00f2lics an\u00f2nims, en primera persona. 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