{"id":8991,"date":"2014-10-20T02:00:00","date_gmt":"2014-10-20T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/10\/20\/formigues-amb-llapis-i-pedres\/"},"modified":"2014-10-20T02:00:00","modified_gmt":"2014-10-20T02:00:00","slug":"formigues-amb-llapis-i-pedres","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/formigues-amb-llapis-i-pedres\/","title":{"rendered":"Formigues amb llapis i pedres. Isabel Banal a Blanc sota Negre"},"content":{"rendered":"

\"ibanal.jpg\"
\nDe vegades \u2013i cada cop menys- hom es creua amb coses sorprenents; petits centellejos que il\u00b7luminen la perenne tenebra de la contemporane\u00eftat. Aquests poden manifestar-se en formes molt diverses: des d\u2019un v\u00eddeo viral a youtube fins a un article al diari passant, com \u00e9s el cas, per exposicions art\u00edstiques.<\/p>\n

Volviendo sola \/ con mi carga de arroz \/ \u00a1La v\u00eda L\u00e1ctea!<\/em> Amb aquest haiku de Takeshita Shizuno-jo es tanca l\u2019exposici\u00f3 (perdoneu per l\u2019spoiler) d\u2019Isabel Banal a l\u2019Arts Santa M\u00f2nica de Barcelona, (instituci\u00f3 d\u2019altra banda, for\u00e7a comentada en els darrers dies, encara que per altres per altres motius<\/a>). Tornant a Banal, aquests petits versos orientals s\u00f3n la clau de volta que permet entendre el conjunt de la mostra\u2013 a m\u00e9s de donar-li t\u00edtol \u201cVia L\u00e0ctea\u201d \u2013 i posar-la en situaci\u00f3 dins el cicle Blanc sota negre<\/a>, en el que s\u2019enllacen sis exposicions consecutives de sis artistes molt diferents per\u00f2 amb un nexe molt ben definit: la dona. <\/p>\n

Si b\u00e9 \u00e9s cert que fen\u00f2mens com Femen<\/a>, col\u00b7lectius com Sangre Menstrual<\/a> o artistes com Deborah de Robertis<\/a> han aportat repercussi\u00f3 medi\u00e0tica a una problem\u00e0tica antiga, la que versa entorn la invisibilitat de la dona, tamb\u00e9 ho \u00e9s que l\u2019avantguarda del feminisme m\u00e9s actiu no es troba en conson\u00e0ncia amb aquesta imatge p\u00fablica. Per\u00f2, el que es busca en aquest cicle, Blanc sota negre, i en particular amb la figura d\u2019Isabel Banal \u00e9s una ruptura de t\u00f2pics, una fugida del territori hostil del debat pol\u00edtic i social cap a un afable paratge de serenor i tranquil\u00b7litat. <\/p>\n

El blanc com a met\u00e0fora dels buits que es generen en el m\u00f3n art\u00edstic quan un es refereix a les dones com a creadores. Aquest blanc, que est\u00e0 sota negre en el cicle expositiu, ens remet a aquell Inside the Visible<\/a><\/em> de Catherine de Zegher, que venia acompanyat del subt\u00edtol An Elliptical Traverse of 20th Century Art in, of, and from the Feminine<\/em>. De Zegher proposava un recorregut femen\u00ed a trav\u00e9s l\u2019art del segle XX, que com el riu Guadiana, anava apareixent i desapareixent de manera intermitent en funci\u00f3 de les artistes citades. <\/p>\n

No obstant, tot i que Via L\u00e0ctea est\u00e0 clarament dins un cicle creat per dones i sobre dones, s\u2019assoleix amb \u00e8xit una normalitat molt necess\u00e0ria a l\u2019hora d\u2019abordar qualsevol debat, amb les tensions inherents que aquest pot suscitar, com \u00e9s el del feminisme i el paper de la dona en societat. Aqu\u00ed no trobarem la duresa del discurs de la reivindicaci\u00f3 laboral, ni tampoc consignes en contra del falocentrisme<\/em>. <\/p>\n

Banal va n\u00e9ixer i cr\u00e9ixer a un petit poble enfilat sobre les pedres, Castellfollit de la Roca, i molt probablement la particularitat topogr\u00e0fica d\u2019aquest lloc \u00e9s la que ha marcat profundament el tarann\u00e0 art\u00edstic d\u2019aquesta creadora, a mig cam\u00ed entre all\u00f2 banal \u2013 valgui la redund\u00e0ncia \u2013 i all\u00f2 transcendental: amb els peus a terra per\u00f2 amb la mirada sempre al cel, tal i com suggereix el haiku que tanca \u201cVia L\u00e0ctea\u201d.<\/p>\n

\u00c9s en aquest punt mig entre all\u00f2 m\u00e9s transcendent i la humilitat d\u2019all\u00f2 m\u00e9s terrenal on s\u2019ubica l\u2019obra una terra elevata<\/em> sobre la qual l\u2019espectador s\u2019ha d\u2019inclinar per a poder veure les peces. Aquestes s\u00f3n, alhora, una baula important d\u2019aquesta cadena bidireccional. Isabel Banal s\u2019ajup a l\u2019hora de crear les obres, ja sigui per tal de collir els llapis que despr\u00e9s indexa en la seva obra-arxiu, com per collir pedres amb el davantal, fer un frottage dels carrers de Roma o b\u00e9 per oferir una molla de pa a unes formigues treballadores a canvi de l\u2019objecte que traginen cap al seu formiguer.<\/p>\n

Lluny de simbolitzar un gest d\u2019humiliaci\u00f3 o submissi\u00f3, ens trobem amb un gest treballador, humil. Els llapis, els davantals, les pedres, s\u00f3n elements que pertanyen a la intimitat d\u2019una artista en qui es pot recon\u00e8ixer una dimensi\u00f3 molt propera i realista que, posant-nos hist\u00f2rics, podria remetre\u2019ns a l\u2019escola paisatg\u00edstica olotina. <\/p>\n

El terreny de joc en aquesta partida \u00e9s la mencionada terra elevata<\/em>, les taules sobre les que l\u2019espectador s\u2019ha d\u2019abalan\u00e7ar per a contemplar el fruit del treball de l\u2019artista, per acabar al\u00e7ant la mirada i trobar-se amb el haiku de Shizuno-jo. I \u00e9s que, des del punt de vista de la Via L\u00e0ctia de la que parlen els versos, al cap i a la fi tots som formigues, formigues treballadores que a corre-cuita anem d\u2019un lloc a l\u2019altre i que, a vegades \u2013 i cada cop menys \u2013 ens deixem sorprendre per petits detalls que ens fan ser conscients de nosaltres mateixos en la nostra singularitat.<\/p>\n","protected":false},"excerpt":{"rendered":"

De vegades \u2013i cada cop menys- hom es creua amb coses sorprenents; petits centellejos que il\u00b7luminen la perenne tenebra de la contemporane\u00eftat. Aquests poden manifestar-se en formes molt diverses: des…<\/p>\n","protected":false},"author":1317,"featured_media":8989,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[6508],"acf":[],"yoast_head":"\nFormigues amb llapis i pedres. 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