{"id":8999,"date":"2014-10-13T02:00:00","date_gmt":"2014-10-13T02:00:00","guid":{"rendered":"http:\/\/a-desk.org\/2014\/10\/13\/virgina-woolf-tempestes-i\/"},"modified":"2014-10-13T02:00:00","modified_gmt":"2014-10-13T02:00:00","slug":"virgina-woolf-tempestes-i","status":"publish","type":"post","link":"https:\/\/a-desk.org\/ca\/magazine\/virgina-woolf-tempestes-i\/","title":{"rendered":"Virgina Woolf. Tempestes i raps\u00f2dias a la National Portrait Gallery, Londres"},"content":{"rendered":"

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\nLa s\u00f2lida posici\u00f3 que Virginia Woolf (1882-1941) ocupa en la literatura del segle XX \u00e9s irrefutable. Per recon\u00e8ixer la seva gran (plus)v\u00e0lua liter\u00e0ria com a escriptora, seria recomanable llegir immediatament despr\u00e9s d’una de les seves obres, un llibre d’un autor contemporani destacat. La difer\u00e8ncia qualitativa \u00e9s insuportable. Comissariada per la bi\u00f2grafa Frances Spalding, l’exposici\u00f3 Virginia Woolf: Art, Life and Vision<\/a> que presenta la National Portrait Gallery de Londres fins al 26 d’octubre, emfatitza la biografia il\u00b7lustrada d’una de les autores brit\u00e0niques m\u00e9s llorejades de la hist\u00f2ria. Aquesta combinaci\u00f3 d’imatge i biografia explora diferents aspectes de la seva personalitat. Com en qualsevol persona, dins de Virginia Woolf, aquella dona d’aspecte malenconi\u00f3s i let\u00e0rgic tamb\u00e9 hi havia multituds. <\/p>\n

Estructurada en cinc blocs -i encapsulada en el que s’assembla bastant a un breu passad\u00eds zigzaguejant enva\u00eft per un batall\u00f3 de curiosos octogenaris- l’exposici\u00f3 respon al patr\u00f3 cronol\u00f2gic de la seva vida i de la gent amb la qual es va relacionar. Tot i que la intenci\u00f3 primig\u00e8nia era remarcar la import\u00e0ncia d’aquesta novel\u00b7lista, periodista, cr\u00edtica, intel\u00b7lectual, assagista, lectora i editora, la mostra (amb \u00e8mfasi en els retrats) embasta -a estones amb vigor i de vegades amb vaguetat- la seva vida i els seus \u00e8xits, a m\u00e9s del rosari d’amics, parents llunyans, rivals o aliats. No obstant aix\u00f2, queden plasmats els seus interessos i ambicions creatives en una exhibici\u00f3 caracteritzada per una narrativa visual que connecta imatges, objectes i idees; aborda la seva faceta feminista, antimilitarista i antiimperialista, la seva fascinaci\u00f3 per Londres i la seva consci\u00e8ncia de modernitat, sense ignorar la vulnerabilitat de la seva salut mental: la seva vida -m\u00e9s que afectada- va estar sempre subratllada per la inestabilitat mental. <\/p>\n

Aquells que van participar en les reunions setmanals (anomenades despectivament Bloomsberries pel seu tarann\u00e0 exclusiu i esnob) que organitzaven a la seva casa de Bloomsbury tamb\u00e9 estan representats a la NPG. S’accentua la influ\u00e8ncia d’amics com Roger Fray (de qui va heretar la seva admiraci\u00f3 per C\u00e9zanne i l’anhel imperi\u00f3s de convertir la seva literatura en pintura postimpressionista), Lytton Strachey, John M. Keynes, Duncan Grant. No obstant aix\u00f2, se\u2019n silencia d\u2019altres del grup com E.M. Forster o Bertrand Russell. A la seva vida tamb\u00e9 hi van ocupar un lloc destacat Violet Dickinson, que la va recolzar en les seves primeres crisis nervioses i la va motivar per iniciar la seva carrera liter\u00e0ria; Vita-Sackville-West, a qui va dedicar Orlando i amb qui va iniciar un roman\u00e7; o Katherine Mansfield, amb la qual va mantenir una ambigua relaci\u00f3 de t\u00e8rbola amistat, fonamentada en malentesos i gelosia. <\/p>\n

Componen l’exposici\u00f3 m\u00e9s de 140 objectes, aix\u00ed com fotografies (de la seva tia-\u00e0via Julie Margaret Cameron, Beresford, Gis\u00e8le Freund o Man Ray) i quadres del seu ampli cercle d’amistats (pintats per la seva germana Vanessa Bell, Duncan Grant o Roger Fry), fragments dels seus diaris, il\u00b7lustracions de Vanessa Bell per als seus llibres, o exemplars originals impresos per ella mateixa i el seu marit Leonard Woolf a Hogarth Press, l’editorial que van fundar l\u2019any 1917. A m\u00e9s, inclou dues cartes de su\u00efcidi (cedides per la British Library i exhibides per primer cop al Regne Unit) i el bast\u00f3 trobat pel seu marit en un banc a la vora del riu Ouse el dia que va desapar\u00e8ixer. El seu cos va ser trobat un mes despr\u00e9s per nens que llan\u00e7aven pedres al que creien que era un tronc. <\/p>\n

Lligada a la vida pol\u00edtica, social i cultural brit\u00e0nica, Virginia Woolf ha estat admirada, imitada, criticada, analitzada, deconstru\u00efda, satiritzada. \u00c9s cert el que va dir: \u00abLes paraules sobreviuen als canvis del temps gaireb\u00e9 millor que qualsevol altra mat\u00e8ria\u00bb. Va escriure amb economia (tirant paraules al foc per mantenir viva la narraci\u00f3), lirisme i acceleraci\u00f3, el que en el seu moment es va considerar modern. Auda\u00e7. Va confrontar els clix\u00e9s victorians i va establir nous est\u00e0ndards de cr\u00edtica i escriptura creativa. Va anul\u00b7lar el seu background<\/em> victori\u00e0 per instal\u00b7lar-se a la modernitat. Va ser immillorable dotant frases i par\u00e0grafs d’altres significats que distaven molt d’all\u00f2 que realment escrivia. Les seves paraules van aconseguir una doble dimensi\u00f3. I fins i tot una tercera (emocional). Virginia Woolf va comen\u00e7ar a escriure professionalment l\u2019any 1905. A les seves obres no hi ha trama ni acci\u00f3, nom\u00e9s consci\u00e8ncia. Una barreja de psicologia i emocions, passat, records. Els seus personatges reflexionen sobre la vida i el temps. La seva prosa l\u00edrica -carregada d’impressions auditives i visuals- es va allunyar de l’observaci\u00f3 descriptiva pr\u00f2pia del realisme, fins a arribar al virtuosisme estil\u00edstic i la grandesa narrativa. <\/p>\n

Va ser part d’una dinastia la riquesa de la qual es basava en coneixements i agilitat mental, m\u00e9s que en el patrimoni hereditari. Com a membre de l’aristocr\u00e0cia intel\u00b7lectual, a la seva llar familiar de Kensington hi gaudien de gran import\u00e0ncia el discurs, la xerrada, els llibres, les cartes, les idees, l’ambient emocional. La comunicaci\u00f3 era essencial. El seu pare -un eminent cr\u00edtic literari- llegia cada nit als seus fills durant una hora i mitja cl\u00e0ssics infantils o a Walter Scott. La inf\u00e0ncia \u00e9s el lloc en el qual habitem la resta de les nostres vides. La influ\u00e8ncia familiar i el ric ambient cultural que Virginia Woolf va viure al 26 de Hyde Park Gate va ser fonamental per al seu desenvolupament literari posterior. La influ\u00e8ncia de Londres \u00e9s innegable a la seva vida; tamb\u00e9 en la seva obra. Familiaritzada amb la m\u00fasica del carrer, el tr\u00e0nsit, les multituds, el riu, els captaires, les est\u00e0tues, monuments, music halls, editorials, teatres, galeries, sales de concerts… la ciutat li oferia experi\u00e8ncies sensorials i estimulaci\u00f3 intel\u00b7lectual. No van ser poques les mudances (Hyde Park Gate, Gordon Square, Rodmell, Tavistock Square…). <\/p>\n

El seu comprom\u00eds feminista i l’esperit pol\u00edtic i anti-militar van marcar els anys trenta. A trav\u00e9s de l’assaig Una habitaci\u00f3 pr\u00f2pia<\/em> (1929) va reivindicar el paper de la dona escriptora. A Entre actes<\/em> (1940), el seu \u00faltim llibre, va plasmar amb maduresa narrativa el preludi del desastre. L’inici de la Segona Guerra Mundial, la destrucci\u00f3 de la seva casa de Londres a causa d’un bombardeig, la por a la invasi\u00f3 de Hitler (Leonard Woolf era jueu), van conformar un nefast c\u00famul de coincid\u00e8ncies que van confluir en el deteriorament irreversible de la seva delicada salut mental. \u00abI will continue, but can I?\u00bb. El 28 mar\u00e7 1941 va carregar les seves butxaques de pedres, es va ficar al riu i es va su\u00efcidar. Virginia Woolf va escriure nou novel\u00b7les, dues biografies, una obra de teatre i m\u00faltiples assajos, llibres de contes, cartes i diaris. Nom\u00e9s despr\u00e9s de la publicaci\u00f3 de La senyora Dalloway<\/em> i Al far<\/em>, els cr\u00edtics van comen\u00e7ar a aplaudir l’originalitat del seu llegat.<\/p>\n","protected":false},"excerpt":{"rendered":"

La s\u00f2lida posici\u00f3 que Virginia Woolf (1882-1941) ocupa en la literatura del segle XX \u00e9s irrefutable. Per recon\u00e8ixer la seva gran (plus)v\u00e0lua liter\u00e0ria com a escriptora, seria recomanable llegir immediatament…<\/p>\n","protected":false},"author":1291,"featured_media":8987,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"categories":[6782],"tags":[],"coauthors":[6486],"class_list":["post-8999","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-asignar-ca"],"acf":[],"yoast_head":"\nVirgina Woolf. 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